January 31, 2024<January 31, 2024 “Let’s keep living how we’re living”: Del Water Gap & Holly Humberstone’s “Cigarettes & Wine” Is a Dreamy, Romantic Rendezvous by Mitch Mosk
January 31, 2024<January 31, 2024 Interview: Grief & Memory Converge on Bloomsday’s Achingly Beautiful “Where I End and You Begin” by Mitch Mosk
January 31, 2024<January 31, 2024 Interview: Scarlett McKahey of Teen Jesus and The Jean Teasers Talks Debut Album ‘I Love You’ and the Journey into Your 20s by Kendall Graham
January 31, 2024<January 31, 2024 Live Review: Subtle Orange Are Taking Their Childhood Dreams to New Heights & Bringing Fans Along With Them by Grace Holtzclaw
January 31, 2024<January 31, 2024 Interview: Songwriting Never Stops Haunting Ghostryder’s Gabe Reali by Guest Writer
January 30, 2024<January 30, 2024 “Good people been down for so long”: Mumford & Sons Collaborate With Pharrell Williams on Rousing Return Single “Good People” by Lauren Turner
January 30, 2024<January 30, 2024 “Healing is not linear”: CMAT Is Exposed & Unleashed on ‘Crazymad, For Me,’ Her Bold and Brilliant Breakup Album by Mitch Mosk
January 30, 2024<January 30, 2024 “Space, Alienation, & Wonder”: London’s junodream Unpack the Human Experience on ‘Pools of Colour,’ Their Soul-Stirring Debut Album by Mitch Mosk
January 30, 2024<January 30, 2024 Interview: This Time Around, Comfort Club Is Holding Nothing Back by Noah Wade
January 29, 2024<January 29, 2024 “Happy birthday to me”: France’s Marlene Larsen Channels Inner Turmoil into Her Empowering, Spirited Alt-Rock Anthem “Birthday” by Mitch Mosk
January 29, 2024<January 29, 2024 “Back to My Roots”: Akira Galaxy Looks to the Stars & Embraces Her Inner Child on ‘What’s Inside You’ by Isabella Le
January 28, 2024<January 28, 2024 Today’s Song: Samaria Flees to Open Waters in Tantalizing “Serial Recluse” by Aidan Mega
January 27, 2024<January 27, 2024 Sophie Powers Transforms Self-Deprecation into Empowerment in “Better on Mute” (ft. Chandler Leighton) by Olivia Martinez
January 26, 2024<January 26, 2024 Atwood Magazine’s Weekly Roundup: January 26, 2024 by Atwood Magazine Staff
January 26, 2024<January 26, 2024 “I’m mean because I grew up in New England”: Noah Kahan’s “Homesick” Is Reflected Across the Pond With Sam Fender by Em Tomeo