May 6, 2024<May 5, 2024 “A whole lot of glitter to shake off”: NYC Comes to Life in Isaac Dunbar’s ‘Beep Beep Repeat,’ a Record of Glitz, Glam, Dreaming Big Dreams & Dancing All Night Long by Mitch Mosk
May 6, 2024<May 5, 2024 “If it isn’t broke, don’t fix it”: Eden Rain Mourns Another “Great Nothing” In Her Angsty & Aching Non-Lovers’ Lament by Mitch Mosk
May 5, 2024<May 5, 2024 “I have traveled all the world looking for songs and girls and God”: Joy Oladokun Sits in Her Grief on “Questions, Chaos & Faith,” a Spiritual, Soul-Stirring Exhale by Mitch Mosk
May 5, 2024<May 5, 2024 Maya Ixta’s “Time” Is an Ethereal Serenade Examining the Effects of Time Dissolving by Chloe Robinson
May 4, 2024<May 4, 2024 Kate Nash’s “Millions of Heartbeats” Recognises That Universal Feeling of Being Alone by Liv Goodbody
May 4, 2024<May 4, 2024 Taylor Swift’s ‘The Tortured Poets Department’ Is, With Flaws and All, a Misunderstood, Overanalyzed Career Highlight by Noah Wade
May 3, 2024<May 3, 2024 “Life is short but time is very slow”: Rachel Chinouriri Reflects on a Captivating, Vulnerable, & Healing Debut by Jake Fewx
May 3, 2024<May 3, 2024 Interview: R&B Artist Skylar Simone on Her Def Jam Signing, Sensual New Single “Shiver,” & Ten Years in the Music Industry by Mitch Mosk
May 3, 2024<June 29, 2024 Roundtable Discussion: A Review of Maggie Rogers’ ‘Don’t Forget Me’ by Atwood Magazine Staff
May 3, 2024<May 2, 2024 Today’s Song: Hermanos Gutiérrez Yearn for Reunion in “Until We Meet Again” by Miles Campbell
May 3, 2024<May 2, 2024 “This one feels like romance anew”: The Libertines Return to Form on ‘All Quiet on the Eastern Esplanade,’ a Record of Shadowy Figures, Bright Faces, Optimism, & Regret by Danny Vagnoni
May 3, 2024<May 3, 2024 This Just In: Girl Boss Caitlyn Smith Goes It Alone With Her Independently Released Single “Static” by Emily Frances Algar
May 2, 2024<May 2, 2024 “I’ve been watching, catching fire”: Dehd’s Subtle, Restrained & Emotionally Complex “Alien” Gently Teases Fifth Album ‘Poetry’ by Hamish Monk
May 2, 2024<May 2, 2024 ‘I think I might be grown’: Mae Krell Charts Her Coming-of-Age in a Debut Album of Healing, Hope, & Choosing Life by Mitch Mosk
For the Love of Music
For the Love of Music
