April 4, 2025<April 4, 2025 Miley Cyrus’ “End of the World” Is a Disco-Fueled Love Letter to Apocalyptic Parties by Danielle Holian
April 4, 2025<June 4, 2025 “Anything Can Mean Everything”: Hannah Cohen Plants New Roots with ‘Earthstar Mountain,’ an Intimate Love Letter to the Catskills by Mitch Mosk
8.1 April 4, 2025<April 4, 2025 Our Take: Selena Gomez and Benny Blanco Embrace Vulnerability in ‘I Said I Love You First’ by Danielle Holian
April 4, 2025<April 4, 2025 Interview: Reconnecting to Their Roots, Babe Rainbow Go Deep into Nature & Psychedelia on ‘Slipper imp and shakaerator’ by Miranda Urbanczyk
April 4, 2025<April 4, 2025 Review: Florist Ruminate on Bigger Questions and Explore Their Duality on ‘Jellywish’ by Kevin Krein
April 3, 2025<April 3, 2025 Editor’s Picks 116: Nami, Borderline, Litany, Lucy Dacus, Social Order, & zzzahara! by Mitch Mosk
April 3, 2025<April 3, 2025 Premiere: Jenner Fox Band Illuminate Stillness, Distance, & the Warm Glow of Connection in the Radiant “Right Away” by Mitch Mosk
April 3, 2025<April 3, 2025 Premiere: CLOVER Unravels and Exhales in Her Soul-Baring “Atlas,” a Haunting & Healing Surrender to the Weight We Carry Within by Mitch Mosk
April 2, 2025<April 2, 2025 Roundtable Discussion: A Review of Sam Fender’s ‘People Watching’ by Atwood Magazine Staff
April 2, 2025<April 2, 2025 Interview: Sinking into Alicia Clara’s Dreamy Soundscapes by Marissa DeLeon
April 2, 2025<April 2, 2025 Today’s Song: Levi Foster Delivers a Tear-Jerking Tale with “Walter” by Chloe Robinson
April 2, 2025<April 2, 2025 “A Recording Is a Relic; a Show Is Alive”: My Morning Jacket’s Carl Broemel on Music as a Way of Life, the Spirit of Performance, & the Making of ‘is’ by Mitch Mosk
April 2, 2025<April 2, 2025 Interview: Chloe Moriondo Doesn’t Regret a Single Word of ‘oyster’ by Juls Patterson
April 1, 2025<April 1, 2025 Today’s Song: Lunar Vacation Embody Vulnerability and Raw Emotion in “Lights Off” by Miranda Urbanczyk
For the Love of Music
For the Love of Music
