April 12, 2019<April 30, 2019 Atwood Magazine’s Weekly Roundup: April 12, 2019 by Atwood Magazine Staff
April 12, 2019<April 12, 2019 Modest Mouse’s “Poison the Well” Is Laser-Focused Venom at the Powerful and Cruel by Danny Vagnoni
April 12, 2019<March 2, 2025 Roundtable Discussion: A Review of Billie Eilish’s ‘When We All Fall Asleep, Where Do We Go?’ by Atwood Magazine Staff
April 12, 2019<April 12, 2019 Premiere: Basking in Bedouin Soundclash’s Infectious, Sunny “Clock Work” by Mitch Mosk
April 12, 2019<April 30, 2019 Premiere: Corey Harper’s Catchy “Don’t Hate Me” Radiates Heartache & Passion by Mitch Mosk
April 11, 2019<April 11, 2019 Premiere: Welcoming Change with Elliah Heifetz’s Majestic “I’m Over Now” by Mitch Mosk
April 11, 2019<April 11, 2019 Our Take: Show Me the Body’s ‘Dog Whistle’ Is an Exhilarated Call for Community by Matthew Dunn
April 11, 2019<August 5, 2021 Today’s Song: Tirzah’s “Do You Know” Assembles Textures into an Amorphous Mantra by Atwood Magazine Staff
April 10, 2019<April 10, 2019 Premiere: Hayley Taylor Shines in Vulnerable Return “Falling Hard” by Mitch Mosk
April 10, 2019<April 30, 2019 Feature: Fontaines D.C. Channel Past Poets to Ponder Ireland’s Future in Debut ‘Dogrel’ by Oliver Crook
April 10, 2019<April 10, 2019 Today’s Song: The Tragedy & Beauty of Ioanna Gika’s Elegant Odyssey “Swan” by Kareem Ghezawi
April 10, 2019<April 11, 2019 Premiere: Feed Your Ego With DRÄGER’s Hypnotic Debut “Psycho Narcissistic Paranoia” by Nick Baron
April 10, 2019<April 10, 2019 Premiere: Luke Sital-Singh’s “Raise Well” Radiates Hope & Love in a Golden State of Mind by Mitch Mosk
April 10, 2019<April 10, 2019 Premiere: Finding Peace of Mind in Elle Azar’s “Starry Night” by Frankie Rose
For the Love of Music
For the Love of Music
