January 20, 2017<January 20, 2017 Atwood Magazine and LiveSyphon Present: The Effortlessly Cool Harry Jay Smith & The Bling by Kaitlyn Zorilla
January 20, 2017<January 24, 2017 Exclusive Premiere: Amy Guess Gets Explosive and Intimate on Debut EP ‘Ten Times Out of Ten’ by Mitch Mosk
January 20, 2017<January 20, 2017 Today’s Song: Aesop Rock’s “Rings” Details Regrets of a Life That Could Have Been by Lucas Koprowski
January 19, 2017<January 17, 2017 Today’s Song: Slothrust Hit the Sweet Spot on “Rotten Pumpkin” by Will Staub
January 18, 2017<January 18, 2017 Exclusive Premiere: The Whimsical Dreaminess of Dizzyride’s Self-Titled LP by Atwood Magazine Staff
January 18, 2017<January 18, 2017 Today’s Song: Lido’s “Falling Down” Invites Us to Share the Heartbreak of a Young Lover by Danielle Evans
January 18, 2017<January 24, 2017 Exclusive Premiere: “Sweetest Thing,” Allman Brown’s Intimate Loving Lullabye by Mitch Mosk
January 17, 2017<January 17, 2017 Exclusive Premiere: Kate Grom’s Poignant “Tricks” Plays the Game of Love and Lust by Mitch Mosk
January 17, 2017<January 17, 2017 Today’s Song: Wet’s “Turn Away” is a Heartbreaking Tale for the Masses by Sydney Sweeney
January 16, 2017<January 16, 2017 Exclusive Premiere: Miss Jupiter Proves Emotional Rawness Isn’t Just “Black & White” by Maggie McHale
January 13, 2017<June 29, 2020 Exclusive Premiere: BELL The Band’s “Love Before Me” Dives into Heartache by Mitch Mosk
January 13, 2017<January 13, 2017 Exclusive Premiere: Camp Candle’s “Fogged Glass” Ode to Night Life by Mitch Mosk
January 13, 2017<January 13, 2017 An Act of Frustration & Pink: Ezra Furman at Lincoln Hall, Chicago by Erika Kooda
January 13, 2017<January 17, 2017 Exclusive Premiere: The Magnetism of PHANGS’ “One & Lonely” and “Cul De Sac” by Maggie McHale
For the Love of Music
For the Love of Music
