January 31, 2024<January 31, 2024 Interview: Songwriting Never Stops Haunting Ghostryder’s Gabe Reali by Guest Writer
January 30, 2024<January 30, 2024 “Good people been down for so long”: Mumford & Sons Collaborate With Pharrell Williams on Rousing Return Single “Good People” by Lauren Turner
January 30, 2024<January 30, 2024 “Healing is not linear”: CMAT Is Exposed & Unleashed on ‘Crazymad, For Me,’ Her Bold and Brilliant Breakup Album by Mitch Mosk
January 30, 2024<January 30, 2024 “Space, Alienation, & Wonder”: London’s junodream Unpack the Human Experience on ‘Pools of Colour,’ Their Soul-Stirring Debut Album by Mitch Mosk
January 30, 2024<January 30, 2024 Interview: This Time Around, Comfort Club Is Holding Nothing Back by Noah Wade
January 29, 2024<January 29, 2024 “Happy birthday to me”: France’s Marlene Larsen Channels Inner Turmoil into Her Empowering, Spirited Alt-Rock Anthem “Birthday” by Mitch Mosk
January 29, 2024<January 29, 2024 “Back to My Roots”: Akira Galaxy Looks to the Stars & Embraces Her Inner Child on ‘What’s Inside You’ by Isabella Le
January 28, 2024<January 28, 2024 Today’s Song: Samaria Flees to Open Waters in Tantalizing “Serial Recluse” by Aidan Mega
January 27, 2024<January 27, 2024 Sophie Powers Transforms Self-Deprecation into Empowerment in “Better on Mute” (ft. Chandler Leighton) by Olivia Martinez
January 26, 2024<January 26, 2024 Atwood Magazine’s Weekly Roundup: January 26, 2024 by Atwood Magazine Staff
January 26, 2024<January 26, 2024 “I’m mean because I grew up in New England”: Noah Kahan’s “Homesick” Is Reflected Across the Pond With Sam Fender by Em Tomeo
January 26, 2024<January 26, 2024 “Save me please”: Black Polish’s Bold, Brutal, & Breathtaking Debut Album ‘Forest (Monsters Live In The Trees)’ by Mitch Mosk
January 26, 2024<January 26, 2024 Interview: Raffaella Takes Center Stage in ‘LIVE, RAFF, LOVE (ACT II)’ by Sophie Severs
January 26, 2024<January 26, 2024 Track-by-Track: NewDad Unpack the “Sad, Noisy Rock” World of ‘MADRA,’ Their Cathartic & Heavy-Hitting Debut Album by Mitch Mosk
January 25, 2024<January 25, 2024 “It’s the extreme reactions in life that can be traumatic”: néomí’s New Year Starts in a Space of Empathy, Compassion, and Unflinching Honesty by Mitch Mosk
For the Love of Music
For the Love of Music
