June 6, 2018<June 29, 2024 Roundtable Discussion: A Review of Father John Misty’s ‘God’s Favorite Customer’ by Atwood Magazine Staff
June 4, 2018<June 4, 2018 Our Take: Tenderfoot Debut ‘To Be Young’ with Heartfelt Warmth and Nostalgic Reverie by Mitch Mosk
June 4, 2018<June 4, 2018 Our Take: Flowertruck’s Debut ‘Mostly Sunny’ Provides a Charming Summer Anthem by Adrian Vargas
June 4, 2018<June 19, 2018 Feature: Our Writers Review The 1975’s “Give Yourself a Try” by Atwood Magazine Staff
June 1, 2018<June 12, 2018 Our Take: The Sea The Sea Rise ‘From the Light’ in Dazzling Sophomore Album by Mitch Mosk
June 1, 2018<June 12, 2018 Past, Present, Future, and Classics: A Conversation with Freedom Fry by Nicole Almeida
May 22, 2018<May 22, 2018 LIVE: Forth Wanderers Bring A Joyous Album Release Show to Brooklyn by Shayna Chabrow
May 18, 2018<July 11, 2018 This Just In: Greg Holden’s Repentant Return “On the Run” Is an Instant Classic by Mitch Mosk
May 17, 2018<May 17, 2018 Review: The Stirring Weight of Tessa Rae’s Heartbroken “Downtown” by Mitch Mosk
May 17, 2018<September 11, 2024 Roundtable Discussion: A Review of Arctic Monkeys’ ‘Tranquility Base Hotel & Casino’ by Atwood Magazine Staff
May 15, 2018<June 12, 2018 Interview: Nina Nesbitt Dives into “The Sun Will Come Up, The Seasons Will Change” by Mitch Mosk
May 14, 2018<May 14, 2018 Cheesesteaks, Catharsis, and Clean: Soccer Mommy Live at Johnny Brenda’s, Philadelphia by Nicole Almeida
May 7, 2018<June 1, 2018 Today’s Song: Jade Bird’s Winning “Lottery” Hits Home with Raw Passion by Mitch Mosk
May 4, 2018<May 4, 2018 Our Take: Sultry Tales of Love on Julian Allen’s Debut ‘Could U Be’ by Adrian Vargas
For the Love of Music
For the Love of Music
