July 29, 2025<July 29, 2025 Film Review: ‘Bono: Stories of Surrender’ & Becoming in the World by David Buyze
July 28, 2025<July 28, 2025 Naked Truth in Acoustic Haze: A Love Letter to Self in FLETCHER’s ‘Would You Still Love Me If You Really Knew Me?’ by Danielle Holian
July 25, 2025<July 25, 2025 Album Review: hard life (FKA easy life) Peel Back the Layers on Their Raw, Resurgent, & Unfiltered ‘onion’ by Mitch Mosk
8.7 July 23, 2025<July 23, 2025 Our Take: Jessie Murph Pushes Her Boundaries, and Ours, on Sophomore Album ‘Sex Hysteria’ by Emily Frances Algar
July 21, 2025<July 21, 2025 A Storm After the Drought: Charlotte Lawrence’s Debut LP ‘Somewhere’ Is a Pop Revelation by Nicolle Knapová
July 18, 2025<July 18, 2025 Roundtable Discussion: A Review of Miley Cyrus’ ‘Something Beautiful’ by Atwood Magazine Staff
July 15, 2025<July 15, 2025 Artist to Watch: Australia’s Selve Embrace Camp, Absurdity, & Liberation in the Dazzling “Loki Horror Picture Show” by Mitch Mosk
July 14, 2025<July 14, 2025 Justin Bieber’s Surprise Record ‘SWAG’ Is a Wonderfully Fragmented Reflection on Life of Late by Rachel Leong
July 10, 2025<July 10, 2025 Review: Hotline TNT Find Focus in the Fuzz on ‘Raspberry Moon’ by Liz Costello
July 9, 2025<July 9, 2025 Review: Lil Skies Finds His Voice as an Artist Through the Lens of Fatherhood & Heartbreak on Poignant Album ‘The Evolution of the Rose’ by Grace Holtzclaw
8.7 July 8, 2025<July 8, 2025 Our Take: Little Simz Channels Abundant Moods and MC Skills into Her Sixth Album, ‘Lotus’ by Josh Weiner
July 8, 2025<July 8, 2025 Roundtable Discussion: Zach Bryan’s ‘The Great American Bar Scene’ Turns One by Atwood Magazine Staff
July 1, 2025<July 1, 2025 Peter Rowan Gives Voice to Legends of the American Outlaw Trail in ‘Tales of the Free Mexican Airforce’ by Mike Fiorito
June 26, 2025<June 26, 2025 Live Review: Malcolm Todd Brings Heart, Charm, and Carefree Spirit to Hometown Show at The Wiltern by Mariam Bagdady
For the Love of Music
For the Love of Music
