December 5, 2024<December 5, 2024 Review: Laura Marling’s ‘Patterns in Repeat’ Offers an Intimate Look into Motherhood, Artistry, & Being by Rachel Leong
8.7 November 27, 2024<November 27, 2024 Our Take: Wallice’s ‘The Jester’ Is an Eclectic Portrayal of Life and Striving to Reach Our Dreams by Frankie Rose
8.1 November 25, 2024<November 25, 2024 Our Take: A Revamped Linkin Park Start ‘From Zero’ and Finish With a Thrilling Comeback Album by Josh Weiner
November 22, 2024<November 22, 2024 Father John Misty Knows Which Side of the Record His Album ‘Mahashmashana’ Is Buttered On by Josh Bloom
November 21, 2024<November 22, 2024 Review: Michael Kiwanuka’s ‘Small Changes’ Is a Quiet Departure From His Big Sound by Liv Goodbody
November 21, 2024<November 21, 2024 Premiere: flipturn Shine Bright & Burn Out on “Sunlight,” an Explosive Confrontation With Untended Emotional Wounds by Guest Writer
November 15, 2024<November 15, 2024 Live Review: Celebrating Love, Attitude, & Tenderness with Duff McKagan in Los Angeles by Emma Schoors
November 12, 2024<November 12, 2024 On the Precipice of Existence: Reviewing The Cure’s ‘Songs of a Lost World’ by David Buyze
November 10, 2024<November 11, 2024 “Don’t Let Me Wait Too Long”: An Advance Look at George Harrison’s ‘Living in the Material World’ Remastered by Aidan Moyer
November 4, 2024<November 4, 2024 Charli xcx Closes Out the Brat Era With the Nuanced ‘Brat and it’s completely different but also still brat’ by Marc Maleri
November 4, 2024<November 4, 2024 Live Review: K-Pop Powerhouse Group SEVENTEEN Take Over San Antonio As Part of Their World Tour by Freya Rinaldi
October 30, 2024<October 30, 2024 Live Review: KEN Mode Show That After 25 Years, They’re the Band for This Current Era by Oliver Crook
October 28, 2024<October 28, 2024 Live Review: Inhaler Celebrate the Old and Usher in the New at NYC’s Pier 17 by Noah Wade
October 28, 2024<October 28, 2024 Review: On ‘SABLE,’ Bon Iver Carves a Triptych of Truth by Emma Schoors
7.1 October 25, 2024<October 25, 2024 Our Take: Kelsea Ballerini Breaks With Old Habits on Her Fifth Album, ‘PATTERNS’ by Emily Frances Algar
For the Love of Music
For the Love of Music
