May 5, 2024<May 5, 2024 “I have traveled all the world looking for songs and girls and God”: Joy Oladokun Sits in Her Grief on “Questions, Chaos & Faith,” a Spiritual, Soul-Stirring Exhale by Mitch Mosk
May 4, 2024<May 4, 2024 Taylor Swift’s ‘The Tortured Poets Department’ Is, With Flaws and All, a Misunderstood, Overanalyzed Career Highlight by Noah Wade
May 3, 2024<June 29, 2024 Roundtable Discussion: A Review of Maggie Rogers’ ‘Don’t Forget Me’ by Atwood Magazine Staff
May 3, 2024<May 3, 2024 This Just In: Girl Boss Caitlyn Smith Goes It Alone With Her Independently Released Single “Static” by Emily Frances Algar
May 1, 2024<May 1, 2024 Donna Lewis Tells a Ten-Track Story of Overcoming Uncertainty on ‘Rooms With a View’ by Grace Holtzclaw
April 30, 2024<April 30, 2024 Review: Riley Mulherkar’s Creative Chops Are on Full Display on Impressive Solo Debut ‘Riley’ by Jake Fewx
April 29, 2024<April 30, 2024 A Casual Ramble: Oneohtrix Point Never Live at Portland’s Wonder Ballroom by Ben Niesen
April 29, 2024<April 28, 2024 Artist to Watch: Steinza Says the Quiet Parts Out Loud in “Visions of You,” an Achingly Intimate Folk Rock Singalong by Mitch Mosk
April 26, 2024<April 28, 2024 “Starburster”: Like an Iron Butterfly, Fontaines D.C. Are Delicate & Indestructible by Hamish Monk
April 25, 2024<April 25, 2024 “We are absolutely in the future right now”: Underneath It All, No Doubt Are Still Hella Good by Emma Rayder
April 25, 2024<June 29, 2024 Roundtable Discussion: A Review of Taylor Swift’s ‘The Tortured Poets Department’ by Atwood Magazine Staff
April 25, 2024<April 25, 2024 New Jersey’s Sleepwalker Loses Love to the Night in Debut Single “When the Lights Go Down” by Chloe Robinson
April 25, 2024<April 24, 2024 Gizmo Varillas’ Dreamy “Ojos Nuevos” Is an Achingly Beautiful Rite of Passage & Spiritual Cleanse by Mitch Mosk
8.7 April 24, 2024<April 24, 2024 “We’re not punk, we’re not indie, we’re not Brit pop”: The K’s Debut With a Raucous Rock Fusion on ‘I Wonder If The World Knows?’ by Christine Buckley
April 24, 2024<April 24, 2024 Chappell Roan’s “Good Luck, Babe!” Is an Anthem for Comphet Victims by Dimitra Gurduiala
For the Love of Music
For the Love of Music
