April 12, 2018 April 26, 2018 Our Take: Fire & Hunger Fuel ISLAND’s Majestic Debut Album, ‘Feels Like Air’ by Mitch Mosk
April 5, 2018 April 5, 2018 Desire Tangled with Uncertainty: A Track-by-Track Review of Andy Shauf’s “The Party” by Adrian Vargas
March 30, 2018 March 30, 2018 Our Take: The Weeknd’s ‘My Dear Melancholy,’ Marks the Beauty in the Breakup by Kelly Wynne
March 29, 2018 March 29, 2018 Our Take: Sophistication Meets Carefree Temperaments on Ravyn Lenae’s Crush EP by Brandon Payano
March 23, 2018 March 23, 2018 Our Take: Sunflower Bean Blossom on ‘Twentytwo in Blue’ by Alexandra Graber
10 March 23, 2018 July 2, 2021 Our Take: The Euphoric Embrace of NoMBe’s Epic Debut ‘They Might’ve Even Loved Me’ by Mitch Mosk
February 28, 2018 February 28, 2018 Our Take: Minimalist Production & Sexual Intimacy in Rhye’s ‘Blood’ by Baylee Less
February 26, 2018 February 26, 2018 Our Take: Wyvern Lingo Rise with Heat, Richness and Depth on Self-Titled Debut by Mitch Mosk
February 26, 2018 February 26, 2018 Our Take: The Pain of Nostalgia and Fame on Hockey Dad’s ‘Blend Inn’ by James Meadows
February 22, 2018 March 6, 2018 Album Premiere: High Up Radiate with Energy & Power on Debut ‘You Are Here’ by Mitch Mosk
February 12, 2018 February 12, 2018 Our Take: Shakey Graves Evolves with Indie Influence on ‘The Sleep’ EP by Kelly Wynne
February 7, 2018 February 7, 2018 Our Take: Madison Beer Does It Her Way on ‘As She Pleases’ EP by Ethan Germann
January 23, 2018 April 12, 2019 Our Take: Lake Jons Turn Isolation into Connection in Emotive & Timeless Debut by Mitch Mosk
January 17, 2018 January 17, 2018 Camila Cabello’s Raw, Vulnerable & Provocative Debut ‘Camila’: A Track-by-Track Review by Kevin Young
For the Love of Music
For the Love of Music
