February 22, 2019 February 22, 2019 Our Take: Julia Jacklin’s ‘Crushing’ Is an Outstanding Example of Personal and Musical Growth by Adrian Vargas
February 13, 2019 February 13, 2019 Our Take: Joy and Sorrow in Beirut’s ‘Gallipoli’ by Danny Vagnoni
February 8, 2019 February 8, 2019 Review: ‘The Dip Delivers’ Breaths Fresh Life into a Classic Soul Sound by Mitch Mosk
February 8, 2019 February 8, 2019 Our Take: Masculinity & Male Privilege Meet Tenderness in Henry Jamison’s Hopeful ‘Gloria Duplex’ by Audrey Steeves
February 5, 2019 February 17, 2019 Our Take: Sharon Van Etten’s ‘Remind Me Tomorrow’ Is a Fearless Step into a Bold New Sound by Adrian Vargas
January 31, 2019 January 31, 2019 Our Take: Spielbergs’ ‘This Is Not The End’ Is the Album You’ve Been Waiting for Since You Grew Out Your Mohawk and Got a Job by Oliver Crook
January 28, 2019 January 28, 2019 Our Take: Deerhunter Dissolve the Formula in ‘Why Hasn’t Everything Already Disappeared?’ but the Elements Are Still There by Ben Niesen
9.4 January 9, 2019 August 5, 2021 Our Take: Earl Sweatshirt Bends Time and Space on ‘Some Rap Songs’ by Staff
December 19, 2018 December 19, 2018 Our Take: Shad’s Righteous Fury Shines Through on ‘A Short Story About a War’ by Oliver Crook
November 29, 2018 November 29, 2018 Our Take: Foxwarren’s Self-Titled Album Cements Them as Kings in the Indie Rock Scene by Adrian Vargas
8.1 November 27, 2018 December 15, 2020 Our Take: Laura Gibson’s ‘Goners’ Is a Dark and Meditative Piece of Sonic Poetry by Adrian Vargas
November 8, 2018 November 8, 2018 Our Take: Logic Continues to Dazzle on Consistently Impressive ‘YSIV’ by Josh Weiner
October 23, 2018 October 23, 2018 Our Take: Alexandra Stréliski’s ‘INSCAPE’ Is a Melancholic, Bright Step Towards Finding Hope by Adrian Vargas
October 5, 2018 October 5, 2018 Our Take: With ‘Kamikaze’, Maybe Slim Shady Does Care What You Think, For Once? by Josh Weiner
September 28, 2018 October 2, 2018 Compartmentalizing What Makes Us Human: A Track-By-Track Review of The Tallest Man on Earth’s “When the Bird Sees the Solid Ground” by Adrian Vargas
For the Love of Music
For the Love of Music
