June 12, 2017<November 8, 2018 Our Take: ‘Everybody’ Is in for a Good Time on Logic’s Latest by Josh Weiner
June 7, 2017<June 29, 2017 Premiere: Psymon Spine’s Groundbreaking Debut ‘You Are Coming to My Birthday’ by Mitch Mosk
June 6, 2017<June 24, 2017 Album Premiere: The Hypnotic Summer Drive of Siberian Traps’ Indicator by Mitch Mosk
June 2, 2017<June 2, 2017 Our Take: Mount Eerie Transmit Devastation with ‘A Crow Looked at Me’ by Lucas Koprowski
8 June 1, 2017<August 30, 2021 Our Take: Kendrick Lamar’s Status as a Hip-Hop Legend is Getting DAMN. Strong by Josh Weiner
May 30, 2017<May 30, 2017 Our Take: Mabel’s ‘Bedroom’ EP is an Even-Paced Introduction to R&B’s Brightest Newcomer by Sydney Sweeney
May 26, 2017<May 26, 2017 James Vincent McMorrow’s True Care: A Track-by-Track Review by Atwood Magazine Staff
May 25, 2017<May 25, 2017 Our Take: (Sandy) Alex G Is Restless and Uninhibited in ‘Rocket’ by Shayna Chabrow
May 16, 2017<May 26, 2017 FEATURE: The Dark Pop and Deep Reflection of Rousseau’s Debut EP ‘hello, i know you’re busy’ by Mitch Mosk
May 12, 2017<May 12, 2017 Feature: The Energy and Emotion of Smith & Thell’s Debut ‘Soulprints’ by Mitch Mosk
May 4, 2017<May 12, 2017 Our Take: The Enchanting Siren Song of I SEE RIVERS’ Debut ‘Standing Barefoot’ EP by Mitch Mosk
April 24, 2017<April 24, 2017 Our Take: The Many Faces of “Plural” by Electric Guest by Maggie McHale
April 14, 2017<April 14, 2017 Our Take: Brett Gleason Creates a Comfortable Album with ‘Manifest’ by James Crowley
March 28, 2017<April 5, 2017 Our Take: Lush Wanderlust Abounds on KYKO’s ‘Wildlife’ EP by Alex Killian
For the Love of Music
For the Love of Music
