September 24, 2023<September 24, 2023 Why the Message of Tupac Shakur’s “Keep Ya Head Up” Still Resonates with Us, 30 Years After Its Release by Jada Moore
September 19, 2023<September 19, 2023 Sydney Sprague Navigates Interpersonal Connections & the Anxieties of the Human Condition on ‘somebody in hell loves you’ by Kevin Krein
6 September 18, 2023<September 20, 2023 Our Take: Kim Petras’ ‘Problématique’ Is a Self-Aware Fan Favorite Finally Released by Julia Dzurillay
September 11, 2023<January 6, 2024 Between What’s Flesh & What’s Fantasy: Bruce Springsteen and His Hometown at MetLife Stadium, NJ by Aidan Moyer
September 8, 2023<September 8, 2023 2023 Hinterland Music Festival: A Hidden Gem in the Midwest Festival Scene by Nick Polak
September 5, 2023<December 8, 2023 SM Entertainment & RCA Records Debut Boy Group RIIZE With “Get a Guitar” by Freya Rinaldi
6.7 September 5, 2023<September 5, 2023 Our Take: London’s EASYFUN Shocks and Energizes With New ‘ELECTRIC EP’ by Julia Dzurillay
August 30, 2023<August 30, 2023 Singer/Songwriter Hannah Georgas Searches for Her Sense of Self on the Dense & Intricate ‘I’d Be Lying If I Said I Didn’t Care’ by Kevin Krein
August 26, 2023<July 8, 2024 Charli XCX Curates Cool High School Vibes With ‘Bottoms’ Movie Soundtrack by Julia Dzurillay
8.9 August 22, 2023<August 22, 2023 Our Take: The Metamorphosis of PVRIS and Frontwoman Lynn Gunn on ‘EVERGREEN’ by Marissa DeLeon
August 14, 2023<August 14, 2023 Review: The Peach Music Festival ’23 Brings Joy to Thousands at Montage Mountain! by Christopher Snyder
August 14, 2023<August 14, 2023 Chicago Loves Indie Music: A Review of Pitchfork Music Festival 2023! by Nick Polak
8.9 August 10, 2023<August 10, 2023 Our Take: YONAKA’s ‘Welcome to My House’ Finds Vindication in Reclaiming Power by Kendall Graham
8.6 August 9, 2023<August 9, 2023 Our Take: Paris Texas Rise to Their Moment on Debut Album ‘MID AIR’ by Leo Culp
August 7, 2023<August 7, 2023 Live Review: Blur at Wembley Stadium, a Weekend Decades in the Making by Adam Davidson