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Blood © Morgan Kelley
Essays, Music, PlaylistsJuly 26, 2024<July 26, 2024

Playlist: Get to Know the Real Blood

by Guest Writer
Beau "Talk to Me" © Chad Moore
Columns, Interviews, Music, Today's SongJuly 26, 2024<July 26, 2024

“Sometimes people say a lot without saying a thing”: NYC Indie Pop Duo Beau Embark on a New Era With Dreamy Song “Talk to Me” & Sophomore LP ‘Girl Cried Wolf’

by Mitch Mosk
Rachael Lawson © 2024
Columns, Music, Today's SongJuly 25, 2024<July 25, 2024

You’re “Pure Honey,” Baby: The Universal Sweetness of Rachael Lawson

by Emily Clemente
Atwood Magazine's Best Songs of 2024 (So Far)
Features, Lists, MusicJuly 25, 2024<July 31, 2024

The Best Songs of 2024 (So Far)

by Atwood Magazine Staff
Ginger Winn 'Stop-Motion' © Brooklyn Zeh
Debut, Features, Interviews, Music, Track-by-TrackJuly 24, 2024<July 24, 2024

Track-by-Track: Ginger Winn Shines Bright on Her Warm, Wondrous, & Sun-Kissed Debut Album ‘Stop-Motion’

by Mitch Mosk
Acts of Faith - Sault
Music, ReviewsJuly 24, 2024<July 24, 2024

Review: Enigmatic Neo-Soul Collective Sault Peel Back Layers of Anonymity on Charming & Lush Surprise Album, ‘Acts of Faith’

by Jake Fewx
eundohee "Sleep On It" © 박현 Hyun Park
Columns, Music, Today's SongJuly 24, 2024<July 24, 2024

Today’s Song: Seoul’s eundohee Basks in a Dreamy, Manic Light on “Sleep On It” Off Upcoming LP ‘Blue Comedy’

by Mitch Mosk
Mistine © Dimitris Tzoytzoyrakos
Features, Interviews, MusicJuly 24, 2024<July 24, 2024

Interview: Mistine’s ‘Lonely’ EP Is a Breezy Collection That Conjures a Multitude of Emotions

by Chloe Robinson
Good Cop Bad Cop © 2024
Interviews, MusicJuly 24, 2024<July 24, 2024

Interview: Sheffield’s Joe Carnall Jnr Dials Up the Arctic Monkeys for Good Cop Bad Cop’s Sophomore LP ‘Welcome to the Marble Zone’

by Josh Weiner
Cereus Bright 'Anything' © Ross Bustin
Features, Interviews, MusicJuly 23, 2024<July 23, 2024

Interview: Cereus Bright’s Tyler Anthony on Uprooting His Life and the Expansive New Album He Created in the Process

by Aaron Childree
Dua Lipa at Mad Cool 2024 © Michael Greco
Concerts, Festival, Music, ReviewsJuly 23, 2024<July 23, 2024

Review: Recapping 2024’s Mad Cool Festival in All Its Splendor

by Michael Greco
Johnny Hunter "Frustration" © Roman Jody
Artist to Watch, Columns, Music, Today's SongJuly 23, 2024<July 24, 2024

“Shut down, baby”: Johnny Hunter Return With an Epic Post-Punk Fever Dream of “Frustration”

by Mitch Mosk
Charm - Clairo
Music, Reviews, Track-by-TrackJuly 23, 2024<July 30, 2024

Track-by-Track: Clairo Holds Her Heart Out on Third Album ‘Charm’

by Marc Maleri
Role Model 'Kansas City' © Olandito Gil
Features, Interviews, MusicJuly 23, 2024<July 24, 2024

“Warmth, Texture, & Organic Sounds”: Role Model Takes Us Home With Cozy and Effervescent ‘Kansas Anymore’

by Kelly McCafferty Dorogy
Fold Paper © Julio Assis
Columns, Music, Today's SongJuly 22, 2024<July 22, 2024

Today’s Song: Winnipeg’s Fold Paper Take Aim With Fiery Single “Idle Idle” Off New EP ‘4TO’

by Beau Hayhoe
Posts pagination
1 … 102 103 104 105 106 … 726

Brand New

  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’
  • Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment

:: discover something new ::

Recent Posts

  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
  • Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment March 31, 2026
  • “F**k That, Trust That”: Babes in Canyon Chase Freedom on “Echo,” an Intoxicating Indie Pop Mantra March 31, 2026
  • “Don’t look down, baby, don’t let go”: Fantastic Cat Turn Stubborn Hope into a Roaring Folk Rock Rallying Cry March 31, 2026
  • “Don’t Wanna Be My Enemy”: Eliza Edens Finds Freedom in Life’s Darker Impulses on “Leash,” a Bold and Breezy Indie Rock Song March 30, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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