Music, Reviews, This Just InApril 2, 2024<April 3, 2024 “Summer came and left along with you”: London’s Night Flight Return With “English Noise,” a Dreamy, Nostalgic Reverie by Mitch Mosk
Columns, Music, Today's SongApril 2, 2024<April 2, 2024 “Forget everything else is real”: Basking in the Sweet Heat of h. pruz’s “Dark Sun,” an Intimate & Love-Soaked Indie Folk Daydream by Mitch Mosk
Festival, Lists, MusicApril 2, 2024<April 2, 2024 Atwood Magazine’s Top 10 Asian Acts of SXSW 2024! by Freya Rinaldi
Debut, Features, Interviews, MusicApril 2, 2024<April 2, 2024 Finding Our Identity and the Power of Rocking Out: A Conversation With Teens in Trouble’s Lizzie Killian by Frankie Rose
Columns, Music, Today's SongApril 1, 2024<April 1, 2024 Jordyn’s “Happening” Is a Motivating Song of Accepting Life’s Many Peaks & Valleys by Chloe Robinson
Music, Music Videos, PremieresApril 1, 2024<April 1, 2024 Premiere: East London’s Naomi Kimpenu Returns with “Naomi’s Lament,” a Soul-Stirring Ballad of Raw, Unfiltered Heartache by Mitch Mosk
Columns, Music, Today's SongMarch 31, 2024<March 30, 2024 Wild Pink’s New Wavey “Air Drumming Fix You” Leads Their Lush, Richly Crafted Surprise EP, ‘Strawberry Eraser’ by Beau Hayhoe
Columns, Music, Today's SongMarch 30, 2024<March 30, 2024 Today’s Song: Atlanta’s Microwave Find Serenity With “Huperzine Dreams” by James Crowley
Columns, Features, Music, Weekly RoundupMarch 29, 2024<April 4, 2024 Atwood Magazine’s Weekly Roundup: March 29, 2024 by Atwood Magazine Staff
Columns, Music, Today's SongMarch 29, 2024<March 29, 2024 “I’m a wet wipe”: London’s Bea and her Business Catches Big Feelings on “WOW!” an Irresistible Ode to Falling in Love by Mitch Mosk
Features, Interviews, MusicMarch 29, 2024<March 29, 2024 Interview: The Lumineers’ Jeremiah Fraites on the Intimacy of Piano Music by Brianna Corrine
Features, Interviews, MusicMarch 29, 2024<March 29, 2024 Track-by-Track: Close Talker’s Achingly Intimate, Self-Reflective ‘The Sprawl’ Dwells in Vulnerability & Soul-Stirring Sound by Mitch Mosk
8.7 Music, ReviewsMarch 29, 2024<March 29, 2024 Review: Aoife O’Donovan Grasps the American Woman’s History of Power & Trauma on ‘All My Friends’ by Christine Buckley
Editorials, Music, Women's History MonthMarch 29, 2024<April 1, 2024 “Finding Harmony: My Journey as a New Mother in the Music Industry”: An Essay by Taylor Sanders for Women’s History Month by Guest Writer
Concerts, Music, ReviewsMarch 29, 2024<March 29, 2024 Live: Katy Kirby’s Bittersweet Blue Raspberry Show at Bowery Ballroom, NYC by Hannah Burns
For the Love of Music
For the Love of Music
