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Royel Otis © Alex Wall
Debut, Features, Interviews, MusicMarch 28, 2024<March 28, 2024

Stripping Songs Down to Their Simplest Parts: A Conversation with Royel Otis

by Claire Meyer
Temme Scott © Caity Krone
Interviews, Music, Music Videos, PremieresMarch 28, 2024<March 28, 2024

“What if I don’t love you in the morning?”: Temme Scott Premieres Her Beautifully Aching Anti-Love Song, “Softly”

by Mitch Mosk
Brett Altman © Hayley Altman
Music, PremieresMarch 28, 2024<March 28, 2024

“I want you to see me as I am”: The Heat, Heartache, & Dark Pop Passion of Brett Altman’s “Eye Masking”

by Mitch Mosk
Cinders © Sarah Fender
Music, PremieresMarch 28, 2024<March 28, 2024

“I feel it in my blood”: Salt Lake City’s Cinders Fuel the Fire Within on “Don’t Wait Up”

by Mitch Mosk
King Isis © Gianni Gallant
Features, Interviews, MusicMarch 28, 2024<April 11, 2024

Shedding Old Skin: King Isis Talks Grunge, Shadow Work, and Breakthroughs on New EP ‘shed’

by Emma Rayder
Fright Years © Rory Barnes
Columns, Music, Today's SongMarch 27, 2024<March 27, 2024

“When I see you, I’m all blue”: Edinburgh’s Fright Years Embrace the End in “Blue,” a Messy, Sweaty Breakup Anthem

by Mitch Mosk
EEVAH © Simon Walker
Music, PremieresMarch 27, 2024<March 28, 2024

“Why don’t you say what you feel?”: Leeds’ EEVAH Erupt With a Fiery Passion in “Heartbeat Is Missing,” a Cathartic In-Your-Face Anthem

by Mitch Mosk
Angie McMahon © Ben Niesen
A Casual Ramble, Columns, Concerts, MusicMarch 27, 2024<March 27, 2024

A Casual Ramble: Trusting in the Universe With Angie McMahon, Live at Portland’s Star Theater

by Ben Niesen
Olie Beckett © courtesy of the artist
Debut, Interviews, MusicMarch 27, 2024<March 27, 2024

“I Want Sparks to Fly”: Young Artist Olie Beckett Aims to Transform the World Around Him Through Music

by Grace Holtzclaw
The Snuts 'Millennials' © Gary Williamson
Features, Interviews, MusicMarch 27, 2024<March 27, 2024

“To Convey and Spread Some Positivity”: Joe McGillveray of The Snuts Speaks on the Lessons, Light, & Life of ‘Millennials’

by Isabella Le
Jodie Nicholson © Ellen Dixon
Music, PremieresMarch 27, 2024<March 27, 2024

“What if I lose sight of you?”: Jodie Nicholson Dwells in Haunting Hypotheticals on “What If I”

by Mitch Mosk
Coma - Hayden Everett © Joey Wasilewski
Columns, Music, Today's SongMarch 26, 2024<March 26, 2024

“I miss the sky”: Hayden Everett Bares His Aching Soul in “Coma,” a Breathtaking, Broken-Hearted Reverie

by Mitch Mosk
Vacations © Charlie Hardy
Features, Interviews, MusicMarch 26, 2024<March 26, 2024

Interview: Vacations’ ‘No Place Like Home’ Is a Roadmap for Finding Inner Peace

by Miles Campbell
Bridget Kearney © Rodneri
Music, Music Videos, PremieresMarch 26, 2024<March 26, 2024

Premiere: Bridget Kearney Ponders the Death of Empires on “Roman Sunset”

by Mitch Mosk
Medium Build © Tyler Krippaehne
Artist to Watch, Columns, MusicMarch 26, 2024<March 25, 2024

Artist-to-Watch: Medium Build Is Cutting Thru the Noise With a Human Touch

by Mitch Mosk
Posts pagination
1 … 114 115 116 117 118 … 711

Brand New

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’

:: discover something new ::

Recent Posts

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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