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Street Fever © Cdigi_
Interviews, MusicMarch 18, 2024<March 18, 2024

“I can protest however I like”: Idaho’s Street Fever Is All About Disrupting Reality

by Chloe Robinson
Megan Winsor © Lauren Nieves
Music, Music Videos, PremieresMarch 18, 2024<March 18, 2024

Premiere: Megan Winsor’s Soul-Stirring “Sure” Is a Cathartic, Comforting Anthem of Perseverance & Passion

by Mitch Mosk
Ariana Grande 'Eternal Sunshine' © Katia Temkin 8.5
Music, Our Take, ReviewsMarch 18, 2024<March 18, 2024

Our Take: Ariana Grande Stays Bright and Brilliant on ‘Eternal Sunshine,’ Her Intimate & Vulnerable 7th Album

by Josh Weiner
Red Rum Club © Sam Crowston
Columns, Music, Today's SongMarch 17, 2024<March 15, 2024

Today’s Song: Red Rum Club Let Loose on an Exciting & Memorable “Afternoon”

by Jake Fewx
Rebounder "Where Are You Later On, Forever?"
Columns, Music, Today's SongMarch 16, 2024<March 15, 2024

Today’s Song: Rebounder Embrace the Groove on “Where Are You Later On, Forever?”

by Beau Hayhoe
Atwood Magazine's Weekly Roundup | March 15, 2024
Columns, Features, Music, Weekly RoundupMarch 15, 2024<March 18, 2024

Atwood Magazine’s Weekly Roundup: March 15, 2024

by Atwood Magazine Staff
Chinwe © Erique Brown
Artist to Watch, Columns, Music, Today's SongMarch 15, 2024<March 15, 2024

“Will you be around when I come down?”: The Intoxicating Allure of East London’s Chinwe

by Mitch Mosk
Solange © Max Hirschberger
Editorials, MusicMarch 15, 2024<March 15, 2024

Why the World Needs to Hear New Music from Solange: A Letter from a Tuba Player

by Jake Fewx
Katherine DePaul
Columns, Editorials, Women's History MonthMarch 15, 2024<March 19, 2024

“The School of Bread and Roses, Judy Collins”: An Essay by Katherine DePaul for Women’s History Month

by Guest Writer
Been Stellar © Gabe Long
Columns, Music, Today's SongMarch 14, 2024<March 14, 2024

Today’s Song: NYC’s Been Stellar Are Unleashed on “Passing Judgment,” an Unfiltered & Aching Indie Rock Eruption

by Mitch Mosk
Talk Show © Ash Rommelrath
Debut, Features, Interviews, Music, Track-by-TrackMarch 14, 2024<March 14, 2024

Track-by-Track: London’s Talk Show Unpack Their Debut LP ‘Effigy,’ a Darkly Alluring Post-Punk Fever Dream

by Mitch Mosk
Kat Cunning © McCall Olsen
Interviews, MusicMarch 14, 2024<March 19, 2024

Interview: Kat Cunning Looks for the Best in Others with Their Passionate “Heart of Gold”

by Chloe Robinson
R.E.M. © Jem Cohen
Columns, Music, Nostalgia Tracks, ReviewsMarch 14, 2024<March 14, 2024

Remembering “Electrolite,” R.E.M.’s Phosphorescent Farewell to Hollywood’s Golden Age

by Guest Writer
Giant Rooks © Timothy Schaumburg
Features, Interviews, MusicMarch 14, 2024<March 14, 2024

“No need to be more than we are”: Giant Rooks Delve into ‘How Have You Been?’ and How the Challenges Proved Worthwhile

by Isabella Le
Pillow Queens © Martyna Bannister
Columns, Music, Today's SongMarch 13, 2024<March 13, 2024

“I don’t want to ruin my life, but I want to go home with you”: The Fire & Fury of “Like a Lesson,” Pillow Queens’ Intoxicating Indie Rock Fever Dream

by Mitch Mosk
Posts pagination
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Brand New

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’

:: discover something new ::

Recent Posts

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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