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Vicky Farewell © Robb Klassen
Features, Interviews, Music, Track-by-TrackMay 13, 2024<May 13, 2024

Sex, Synths, & Space: Vicky Farewell on Why We Should ‘Give a Damn’ About Her Seductive & Soulful Sophomore Album

by Mitch Mosk
Cassandra Jenkins © Pooneh Ghana
Columns, Interviews, Music, Today's SongMay 13, 2024<May 13, 2024

“Stick figure sisyphus”: Cassandra Jenkins Dwells in Her Heartache on “Only One,” a Seductive Song of Emotional Stewing

by Mitch Mosk
Amen Dunes © Michael Schmelling
Music, ReviewsMay 13, 2024<May 13, 2024

Review: Amen Dunes’ ‘Death Jokes’ Is a Post-Modern Beachball: Colourful on the Surface and Full of Air Inside

by Hamish Monk
Olivia Dean at Eventim Apollo, May 2024 © Rachel Min Leong
Concerts, Music, ReviewsMay 13, 2024<May 13, 2024

Radiant, Glowing, and Infectiously Fun: Olivia Dean Live at the Eventim Apollo, London

by Rachel Leong
Camp Saint Helene © Angela Ricciardi & Silken Weinburg
Features, Interviews, Music, Track-by-TrackMay 10, 2024<May 10, 2024

“Existence is a revolution”: Camp Saint Helene’s ‘Of Earth and Its Timely Delights’ Grief & Possibility

by Mitch Mosk
Maya Hawke © Andrew Lyman
Columns, Music, Today's SongMay 10, 2024<May 10, 2024

Today’s Song: The Fear of “Missing Out” Takes Center Stage on Maya Hawke’s New Single

by Aaron Childree
Atwood Magazine's Weekly Roundup | May 10, 2024
Columns, Features, Music, Weekly RoundupMay 10, 2024<May 16, 2024

Atwood Magazine’s Weekly Roundup: May 10, 2024

by Atwood Magazine Staff
Lonestar - Dreamer Boy
Features, Interviews, Music, Track-by-TrackMay 10, 2024<May 10, 2024

“A blurry mess of love and jest”: Dreamer Boy’s Aching Heart Shines on ‘Lonestar,’ a Radiant Record of Romance & Reckoning

by Mitch Mosk
Jodie Nicholson © Ellen Dixon
Features, Interviews, Music, Track-by-TrackMay 10, 2024<May 14, 2024

“Call me when it’s all unraveling”: Jodie Nicholson Breaks Down Her Soul-Stirring Sophomore Album ‘Safe Hands’

by Mitch Mosk
Jordan Rakei courtesy of Verve Label Group
Features, Interviews, MusicMay 10, 2024<May 13, 2024

“I wanted everything to sound like humans in a room”: Jordan Rakei Embraces the Journey of Life in Fifth Album ‘The Loop’

by Desire' Jackson-Crosby
'Blink Twice If You’re Okay' EP - FARR
Music, ReviewsMay 10, 2024<May 10, 2024

‘Blink Twice If You’re Okay’: FARR Invite Us into Their Blissful, Psychedelic Cocoon of Effortless Synergy With New EP

by Danielle Furman
Angus & Julia Stone 'Cape Forestier' © Daniel Mayne
Features, Interviews, MusicMay 10, 2024<May 10, 2024

“Moving in and out of the light of love”: Angus & Julia Stone Reflect on Life, Its Honest Truths, & Their Roots in ‘Cape Forestier’

by Lauren Turner
Raveloe's debut album 'Exit Light'
Debut, Features, Interviews, Music, Track-by-TrackMay 9, 2024<May 9, 2024

“Shifting, Holding, & Stirring”: Glasgow’s Raveloe Debuts With an Exhale of Raw Humanity in ‘Exit Light,’ a Record of Intimacy, Vulnerability, & Connection

by Mitch Mosk
Fearless Movement - Kamasi Washington 9.2
Music, Our Take, ReviewsMay 9, 2024<May 9, 2024

Our Take: Kamasi Washington Asserts His Dominance in the World of Jazz on ‘Fearless Movement’

by Josh Weiner
Peach Luffe © Alex Lam
Features, Interviews, Music, Track-by-TrackMay 9, 2024<May 9, 2024

“A healthy kind of sweet”: Peach Luffe’s Love-Soaked ‘Honey’ EP Is a Natural High

by Mitch Mosk
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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