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Dehd © Atiba Jefferson
Columns, Music, Today's SongMay 2, 2024<May 2, 2024

“I’ve been watching, catching fire”: Dehd’s Subtle, Restrained & Emotionally Complex “Alien” Gently Teases Fifth Album ‘Poetry’

by Hamish Monk
Mae Krell © Alex Lyon
Debut, Features, Interviews, Music, Track-by-TrackMay 2, 2024<May 2, 2024

‘I think I might be grown’: Mae Krell Charts Her Coming-of-Age in a Debut Album of Healing, Hope, & Choosing Life

by Mitch Mosk
Leslie Mendelson © Mary Ellen Matthews
Music, PremieresMay 2, 2024<May 2, 2024

“Won’t you cut yourself some slack?”: Leslie Mendelson Cheers to “The Good Life” With a Gentle Song of Light and Love

by Mitch Mosk
Brie Stoner © Mark Andrus
Debut, Features, Interviews, Music, Premieres, Track-by-TrackMay 2, 2024<May 2, 2024

“An Erotic Sigh of Surrender”: Brie Stoner Premieres Her Empowering and Vulnerable Debut Album ‘Me Veo’

by Mitch Mosk
Large Brush Collection © Syd Fuller
Debut, Features, Interviews, MusicMay 2, 2024<May 2, 2024

Feature: Austin’s Large Brush Collection Find Their Balance on ‘Off Center,’ a Delicate & Sweeping Tapestry of Folk

by Mitch Mosk
Frank Turner © Shannon Shumaker
Features, Interviews, MusicMay 2, 2024<May 2, 2024

“It’s kind of liberating”: Frank Turner Is ‘Undefeated’ on His Enthralling Tenth Studio Album

by Michael Greco
Kendra Celise "Don’t Look Away" © 2024
MusicMay 1, 2024<June 9, 2024

Today’s Song: Kendra Celise Holds a Fierce, Unwavering Gaze on “Don’t Look Away”

by Danielle Furman
Rooms With a View - Donna Lewis
Music, ReviewsMay 1, 2024<May 1, 2024

Donna Lewis Tells a Ten-Track Story of Overcoming Uncertainty on ‘Rooms With a View’

by Grace Holtzclaw
Clarence James © Anna Elaine
Interviews, MusicMay 1, 2024<April 30, 2024

“Every feeling is temporary”: Clarence James Opens Up About Mental Health Struggles & Isolating Tendencies on “Flake”

by Chloe Robinson
Benjamin Francis Leftwich © Harvey Pearson
Columns, Music, Today's SongApril 30, 2024<April 30, 2024

Today’s Song: Benjamin Francis Leftwich’s “New York” Explores Love’s Highs and Lows

by Aaron Childree
Joshua Hyslop © Emma Rossum
Features, Interviews, Music, Track-by-TrackApril 30, 2024<April 30, 2024

“The golden days will come”: Joshua Hyslop’s Inner Light Shines on ‘Evergold,’ a Warm & Wistful Folk Reverie

by Mitch Mosk
Mia Dyson © Brendan Willing James
Features, Interviews, Music, Track-by-TrackApril 30, 2024<April 30, 2024

“Dare turn and face me”: Melbourne’s Mia Dyson Wears Her ‘Tender Heart’ on Her Sleeve in a Radiant Record of Life, Love, & Human Connection

by Mitch Mosk
Bridget Kearney © Rodneri
Features, Interviews, Music, Track-by-TrackApril 30, 2024<May 15, 2024

“You sink or swim or you learn to fly”: Bridget Kearney Rises and Shines in ‘Comeback Kid,’ a Record of Resilience, Rebirth, & Reconnection

by Mitch Mosk
Riley - Riley Mulherkar
Debut, Music, ReviewsApril 30, 2024<April 30, 2024

Review: Riley Mulherkar’s Creative Chops Are on Full Display on Impressive Solo Debut ‘Riley’

by Jake Fewx
Ride © Cal McIntyre
Features, Interviews, MusicApril 30, 2024<April 30, 2024

“We are ultimately pioneers of our own sound”: Oxford Legends Ride Discuss Their Adventurous 7th Album ‘Interplay’

by Kevin Cost
Posts pagination
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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