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Noah Henderson © courtesy of the artist
Interviews, MusicJuly 1, 2024<July 1, 2024

Interview: Noah Henderson Is Learning to Find Comfort in His Musical Time Capsules

by Noah Wade
Submarine - The Marías
Features, Music, Reviews, RoundtableJuly 1, 2024<July 1, 2024

Roundtable Discussion: A Review of The Marías’ ‘Submarine’

by Atwood Magazine Staff
Milky Chance "Naked and Alive" © Anthony Molina
Columns, Music, Today's SongJune 30, 2024<June 30, 2024

Today’s Song: Milky Chance Pen a ‘Paean to Joyful Solitude’ With “Naked and Alive”

by Beau Hayhoe
Zach Bryan © Trevor Pavlov
Columns, Music, Today's SongJune 29, 2024<June 29, 2024

Welcome, Grief, I’ll Take You for All That You Are: Zach Bryan Bares It All in Emotional Single, “Pink Skies”

by Mariam Bagdady
Country - Medium Build © Tyler Krippaehne
Features, Interviews, MusicJune 28, 2024<June 29, 2024

“The goal was to make something sweet, raw, and direct”: Medium Build Discusses His Achingly Beautiful Album, ‘Country’

by Mitch Mosk
Atwood Magazine's Weekly Roundup | June 28, 2024
Columns, Features, Music, Weekly RoundupJune 28, 2024<July 1, 2024

Atwood Magazine’s Weekly Roundup: June 28, 2024

by Atwood Magazine Staff
Radiosoul - Alfie Templeman
Features, Interviews, Music, Track-by-TrackJune 28, 2024<June 28, 2024

Track-by-Track: Alfie Templeman’s ‘Radiosoul’ Is a Soaring, Spirited Coming-of-Age Triumph

by Mitch Mosk
Scott Guild © Anna Powell Denton
Columns, Essays, Music, Pride MonthJune 28, 2024<June 28, 2024

“Queering the Genres”: A Pride Month Essay by Scott Guild

by Guest Writer
Taylor Swift brings The Eras Tour to London's Wembley Stadium © Kevin Mazur (Instagram)
Concerts, Music, ReviewsJune 28, 2024<June 28, 2024

Live Review: Taylor Swift’s The Eras Tour Basks in All Its Grandeur at London’s Wembley Stadium

by Rachel Leong
The Warning 'Keep Me Fed' © Danielle Ernst
Features, Interviews, MusicJune 28, 2024<June 29, 2024

Interview: The Warning Discuss New Album ‘Keep Me Fed’ and Its Themes of Excess & Overindulgence

by Kendall Graham
Queen of Jeans © Brooke Marsh
Music, ReviewsJune 28, 2024<June 28, 2024

Review: Queen of Jeans Journey Through Love & Heartache on ‘All Again’

by James Crowley
cehryl 'willow tree' © Gemma Harrad
Features, Interviews, Music, Track-by-TrackJune 27, 2024<June 27, 2024

“Transient, Introspective, & Cinematic”: cehryl Delves into the Intimate World of ‘willow tree,’ Her Soul-Stirring Third Album

by Mitch Mosk
Lake Street Dive © Shervin Lainez
Features, Interviews, MusicJune 27, 2024<June 29, 2024

Interview: Lake Street Dive Discuss the Joyful Rebellion of ‘Good Together,’ Their Spirited & Spontaneous Eighth Album

by Nasim Elyasi
Stephen Sanchez 'Angel Face' © Luke Rogers
Features, Interviews, MusicJune 27, 2024<June 27, 2024

Interview: Stephen Sanchez Talks Fame, Fortune, & His New Songs Off ‘Angel Face (Club Deluxe)’

by Mitch Mosk
Zora - Sheppard
Features, Interviews, Music, Track-by-TrackJune 27, 2024<June 29, 2024

Track-by-Track: Sheppard Shine Like the Sun on ‘ZORA,’ Their Luminous, Euphoric, & Cinematic Fourth Album

by Mitch Mosk
Posts pagination
1 … 120 121 122 123 124 … 741

Brand New

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington

:: discover something new ::

Recent Posts

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
  • Vansire Invite You to Take Solace: A Conversation on Love, Creativity, & Connection June 18, 2026
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© Atwood Magazine 2024 For the Love of Music
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