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Liv Miraldi © Ryan Talerico
Columns, Music, Today's SongApril 14, 2024<April 16, 2024

Today’s Song: LA’s Liv Miraldi Exposes a Dark, Ugly Secret in “Friend of the Family”

by Chloe Robinson
London Grammar © Tarek Mawad
Columns, Music, Today's SongApril 13, 2024<April 13, 2024

Today’s Song: The Enchanting Interior World of London Grammar’s “House”

by David Buyze
Atwood Magazine's Weekly Roundup | April 12, 2024
Columns, Features, Music, Weekly RoundupApril 12, 2024<April 17, 2024

Atwood Magazine’s Weekly Roundup: April 12, 2024

by Atwood Magazine Staff
Carly Pearce © Allister Ann
Columns, Music, Today's SongApril 12, 2024<April 12, 2024

Today’s Song: Carly Pearce’s “my place” Is a Stirring Portrait of Heartache & Yearning Off Upcoming Album ‘hummingbird’

by Emily Frances Algar
Humbird © Juliet Farmer
Features, Interviews, Music, Track-by-TrackApril 12, 2024<April 12, 2024

“We could be a break in the chain”: Humbird’s ‘Right On’ Is an Honest, Playful, & Weathered Midwestern Reverie

by Mitch Mosk
Hannah Frances © Gabrielle Greenberg
Features, Interviews, MusicApril 12, 2024<April 12, 2024

Interview: Hannah Frances on Grief, Sheep, & Bending Genres With Her New Album ‘Keeper of the Shepherd’

by Guest Writer
fka twigs © 2019
Columns, Music, Nostalgia TracksApril 12, 2024<April 12, 2024

Nostalgia Tracks: FKA twigs Stirs Souls with “Mirrored Heart”

by Stephanie Bento
Goose © Geoff Tischman
Concerts, Music, ReviewsApril 12, 2024<April 12, 2024

Live: Goose Celebrate Solar Eclipse by Playing ‘Moon Cabin’ in Its Entirety

by Max Kalnitz
Heron - Alice Merton
Features, Interviews, Music, Track-by-TrackApril 12, 2024<April 14, 2024

“I want to try everything all at once”: Alice Merton Leans into Change on ‘Heron,’ a Radiant Record of Inner Transformation

by Mitch Mosk
Ginger Winn © Alyssa Mancini
Columns, Debut, Music, Today's SongApril 11, 2024<May 1, 2024

“One day I made a wish…”: Ginger Winn Basks in Sweet Dreams on Debut Single “Super 8”

by Mitch Mosk
Heddy Edwards © 2024
Features, Interviews, MusicApril 11, 2024<April 11, 2024

Inner Worlds & John Hughes Movies: Heddy Edwards Wants to Show You Her Teenage Bedroom

by Emma Rayder
The Ballroom Thieves © Meredith Brockington
Features, Interviews, Music, Premieres, Track-by-TrackApril 11, 2024<April 11, 2024

“My joy breaks windows”: The Ballroom Thieves Shine Bright on ‘Sundust,’ a Tender Album of Love, Healing, & the Human Experience

by Mitch Mosk
Aaron West and The Roaring Twenties © Mitchell Wojcik
Features, Interviews, MusicApril 11, 2024<April 11, 2024

Spitting in the Wind: Dan Campbell Talks Aaron West & The Roaring Twenties’ Third Act, ‘In Lieu of Flowers’

by James Crowley
Dom Malin © Taylor Olson
Music, PremieresApril 11, 2024<April 11, 2024

“Out the darkness, a burning flame”: Midlands Singer/Songwriter Dom Malin Weathers the Storm in “Hurricane,” a Song of Love & Perseverance

by Mitch Mosk
Hope Tala © Erica Devin Snyder
Music, Reviews, This Just InApril 11, 2024<April 11, 2024

“Opening my heart ’til the thing is messy”: Hope Tala’s “I Can’t Even Cry” Aches With Love’s Pain & Shines With Its Beauty

by Mitch Mosk
Posts pagination
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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