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IDLES © Daniel Topete
Columns, Music, Today's SongFebruary 3, 2024<February 3, 2024

Today’s Song: IDLES Break Free from the Reins on “Gift Horse”

by Aidan Mega
Atwood Magazine's Weekly Roundup | February 2, 2024
Columns, Features, Music, Weekly RoundupFebruary 2, 2024<February 3, 2024

Atwood Magazine’s Weekly Roundup: February 2, 2024

by Atwood Magazine Staff
Emily Wurramara © Claudia Sangiorgi Dalimore
Columns, Music, Today's SongFebruary 2, 2024<April 4, 2024

“A picture of a soul seeking freedom”: Emily Wurramara’s Mystical “Magic Woman Dancing” Is an Empowered & Impassioned Liberation

by Mitch Mosk
Hunter Metts © Brandon Exum
Features, Interviews, MusicFebruary 2, 2024<February 2, 2024

“A canvas for my grief”: Hunter Metts Discusses the Loss & Love at the Heart of “Somehow You’re Always There”

by Mitch Mosk
Jackie Lee McLean "All Mine" © Greer Cicarelli Creative
Music, PremieresFebruary 2, 2024<February 2, 2024

“I feel found”: Jackie Lee McLean Reintroduces Herself in “All Mine Now,” an Unflinching Self-Expression

by Mitch Mosk
Shannen James © Ellena Paskevicius
Debut, Features, Interviews, Music, Track-by-TrackFebruary 2, 2024<February 2, 2024

“A Warm Hug”: Shannen James’ Spirited Debut ‘Patchwork’ Is a Stunning, Sun-Kissed Soundtrack to Life

by Mitch Mosk
I'm in Love - Jelani Aryeh
Columns, Music, Today's SongFebruary 1, 2024<February 1, 2024

Today’s Song: Addicting and All-Consuming, “I’m in Love” Is Jelani Aryeh’s Anthem to the Frustrations of Young Love

by Sofia Sar
Juice Webster © Ryan Kenny
Features, Interviews, Music, Track-by-TrackFebruary 1, 2024<February 1, 2024

Feature: Juice Webster’s Diaristic Debut ‘JULIA’ Is Raw, Emotionally Charged, Cathartic & Exposed

by Mitch Mosk
Handsome Ghost's self-titled third album, released in August 2023
Features, Interviews, Music, Track-by-TrackFebruary 1, 2024<February 1, 2024

A Document of Life Itself: Handsome Ghost’s Achingly Introspective Alt-Folk Reverie

by Mitch Mosk
The Bygones © Brett Warren
Music, Music Videos, PremieresFebruary 1, 2024<February 1, 2024

“I’m glad I knew you”: The Bygones Process Grief & Gratitude in “Glad,” a Rich, Radiant Folk Reverie

by Mitch Mosk
Humbird © Juliet Farmer
Music, PremieresFebruary 1, 2024<February 1, 2024

Premiere: Humbird’s Soul-Stirring “Right On” Aches With Tender Folk & a Timeless Warmth

by Mitch Mosk
Under the Pink - Tori Amos
Music, ReviewsJanuary 31, 2024<January 31, 2024

Thirty Years on, ‘Under The Pink’ Remains Tori Amos’ Masterclass in Chameleonic Storytelling

by Guest Writer
Sleeping Jesus © Harrison McCormick
Features, Interviews, Music, Track-by-TrackJanuary 31, 2024<January 31, 2024

Track-by-Track: Sleeping Jesus Channel Midwestern Magic into ‘Hollywood Smile,’ Their Wistful, Sentimental, & Hopeful Sophomore Album

by Mitch Mosk
Del Water Gap & Holly Humberstone © Angela Riccardi & Charlotte Alex
Columns, Music, Today's SongJanuary 31, 2024<January 31, 2024

“Let’s keep living how we’re living”: Del Water Gap & Holly Humberstone’s “Cigarettes & Wine” Is a Dreamy, Romantic Rendezvous

by Mitch Mosk
Bloomsday © Sam Weisenthal
Interviews, MusicJanuary 31, 2024<January 31, 2024

Interview: Grief & Memory Converge on Bloomsday’s Achingly Beautiful “Where I End and You Begin”

by Mitch Mosk
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Brand New

  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’

:: discover something new ::

Recent Posts

  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
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