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Riah © Abagail Reid
Artist to Watch, Columns, Interviews, Music, Today's SongMay 17, 2024<May 17, 2024

“‘Bed’ feels like a window into my mind”: Artist-to-Watch Riah on Her Exhilarating, Anxiety-Fueled Indie Pop Anthem

by Mitch Mosk
Atwood Magazine's Weekly Roundup | May 17, 2024
Columns, Features, Music, Weekly RoundupMay 17, 2024<May 22, 2024

Atwood Magazine’s Weekly Roundup: May 17, 2024

by Atwood Magazine Staff
Ant Enoch © James Smithers
Debut, Features, Interviews, Music, Track-by-TrackMay 17, 2024<May 17, 2024

Crying on the Dance Floor: Sydney’s Ant Enoch Dwells in Soul-Stirring Depths on Dreamy Debut EP ‘Big Talk Big Party’

by Mitch Mosk
Joe George © Cory Dewald
Music, PremieresMay 16, 2024<May 16, 2024

“Don’t Have to Do It Yourself”: Joe George’s Latest Single off ‘Folk Cinema’ Is a Soothing Symphony of Empathy & Understanding

by Mitch Mosk
Alana Yorke © Cherakee Andresen
Music, PremieresMay 16, 2024<May 16, 2024

“You were never really there”: Alana Yorke’s “Let Me Go” Is a Cathartic & Cleansing Fever Dream

by Mitch Mosk
Mat Kearney © Orchee Sorker
Features, Interviews, Music, Track-by-TrackMay 16, 2024<May 16, 2024

“The margarita pizza of my music career”: Mat Kearney Is All-In on His Self-Titled Eighth Album

by Mitch Mosk
of Montreal's Kevin Barnes © Shervin Lainez
Features, Interviews, MusicMay 16, 2024<May 16, 2024

“I see myself as a pirate in a lot of ways”: of Montreal’s Kevin Barnes Talks New Album ‘Lady on the Cusp’ & Embracing Unpredictability

by Madeleine Eggen
YAGKI © Taylah Chapman
Music, Music Videos, PremieresMay 15, 2024<May 15, 2024

Premiere: Sydney’s YAGKI Is Intimately Exposed on “Something I Do,” an Alt-Pop Upheaval of Emptiness & Detachment

by Mitch Mosk
A Million Easy Payments - Little Kid
Features, Interviews, Music, Track-by-TrackMay 15, 2024<May 15, 2024

‘A Million Easy Payments’: Toronto’s Little Kid Capture Life’s Weight, Warmth, & Wonder With Their Breathtaking 7th Album

by Mitch Mosk
Shannon and the Clams 'The Moon Is In The Wrong Place' © Jim Herrington
Features, Interviews, MusicMay 15, 2024<May 15, 2024

“What Is Time? What Is Life?”: Shannon & The Clams Discuss Grief, Rage, & What Occurs When ‘The Moon Is in the Wrong Place’

by Kevin Cost
Tors 'Miracle' © Anna Lowry
Features, Interviews, Music, Track-by-TrackMay 15, 2024<May 15, 2024

“I’ll give you my head, my heart, my bones”: Devon Trio Tors Embrace Honesty & Intimacy in Heartfelt ‘Miracle’ EP

by Mitch Mosk
Wynona © Lachlan Chester
Features, Interviews, MusicMay 14, 2024<May 14, 2024

“What matters most to us is that these songs exist in the world”: Mum-Jean Rock Band Wynona Are Bringing Back the ’90s With Catchy Anthems & Carefree Charm

by Mitch Mosk
Lee Lewis © Matt Robertson
Artist to Watch, Debut, Features, Interviews, MusicMay 14, 2024<May 14, 2024

“An intense sphere of emotions”: LA’s Lee Lewis Lights an Unforgettable Fire in ‘Something Burning,’ a Record of Trauma, Therapy, & Healing

by Mitch Mosk
Arctic Wave's C.L Turner © 2024
Columns, Essays, Mental Health Awareness Month, MusicMay 14, 2024<May 14, 2024

“When Life Rearranges… Everything”: An Essay by Arctic Wave’s C.L Turner for Mental Health Awareness Month

by Guest Writer
She's Green © Nick Cai
Concerts, Music, ReviewsMay 14, 2024<May 14, 2024

She’s Green Had Me “Smiling Again” at Their First Ever New York Show at the Knitting Factory

by Noah Berghammer
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Brand New

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington

:: discover something new ::

Recent Posts

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
  • Vansire Invite You to Take Solace: A Conversation on Love, Creativity, & Connection June 18, 2026
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