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Bridget Kearney © Rodneri
Music, Music Videos, PremieresMarch 26, 2024<March 26, 2024

Premiere: Bridget Kearney Ponders the Death of Empires on “Roman Sunset”

by Mitch Mosk
Medium Build © Tyler Krippaehne
Artist to Watch, Columns, MusicMarch 26, 2024<March 25, 2024

Artist-to-Watch: Medium Build Is Cutting Thru the Noise With a Human Touch

by Mitch Mosk
Tomato Flower © Missy Malouff
Columns, Music, Today's SongMarch 25, 2024<March 25, 2024

Today’s Song: Baltimore’s Tomato Flower “Do It” With a Sense of Urgency & Unwavering Commitment

by Kevin Cost
Tanner Massey © Clayton Massey
Contributor Interview, Covers, Debut, Features, From The Zine, Interviews, Music, NewsMarch 25, 2024<March 25, 2024

Interview: A Deep Dive into the Technical Singing of ‘The Voice’ Season 24 Contestant Tanner Massey

by Noah Wade
Angry Blackmen © Joseph Torres
Features, Interviews, MusicMarch 25, 2024<April 2, 2024

Interview: Angry Blackmen Open Up Their Hearts on the Bitingly Vulnerable ‘The Legend of ABM’

by Oliver Crook
Suanna Lynn
Essays, Music, Women's History MonthMarch 25, 2024<March 25, 2024

“Hey ladies, you can have it all!” and Other Lies I Once Believed. A Mom Navigates the Music Industry: An Essay by Suanna Lynn for Women’s History Month

by Guest Writer
Columns, Music, Today's SongMarch 24, 2024<March 15, 2024

Today’s Song: Nashville’s Carlyle Griffin Finds a Breakthrough in Soulful “Sweet Fool”

by Hannah Burns
Atwood Magazine's Weekly Roundup | March 22, 2024
Columns, Features, Music, Weekly RoundupMarch 23, 2024<March 24, 2024

Atwood Magazine’s Weekly Roundup: March 22, 2024

by Atwood Magazine Staff
Holly Humberstone © Charlotte Alex
Columns, Music, Today's SongMarch 23, 2024<March 23, 2024

Today’s Song: Unraveling Holly Humberstone’s Deeply Honest “Dive”

by Kelly McCafferty Dorogy
"It's all now, isn't it exciting?" The Staves © Harvey Pearson
Features, Interviews, MusicMarch 22, 2024<April 4, 2024

Interview: The Staves Shine as a Duo on ‘All Now,’ Their Impassioned & Liberating Fourth Album

by Mitch Mosk
Work Wife © Sydney Tate
Columns, Music, Today's SongMarch 22, 2024<March 22, 2024

“So lean in, speak loud, I could do this forever”: Brooklyn’s Work Wife Honor Your Best Friend’s Mom in “Something’s Up”

by Mitch Mosk
Francis of Delirium 'Lighthouse' © Holly Whitaker
Debut, Features, Interviews, Music, Track-by-TrackMarch 22, 2024<March 22, 2024

“Remain open to the people around you”: Francis of Delirium Is a Bold Beacon of Love in ‘Lighthouse,’ Her Heart-on-Sleeve Debut Album

by Mitch Mosk
Coldplay © 2002
Columns, Music, Nostalgia TracksMarch 22, 2024<March 22, 2024

Nostalgia Tracks: How I Found Solace Within Desperation on Coldplay’s “Amsterdam”

by Kevin Cost
Kaleah Lee 'Birdwatcher' © Spruce Bohen
Features, Interviews, MusicMarch 22, 2024<March 22, 2024

Interview: Kaleah Lee’s ‘Birdwatcher’ EP Profoundly Reflects on the Freedom of Solitude

by Olivia Martinez
Jango Flash © Chloe Dunscombe
Debut, Interviews, MusicMarch 21, 2024<March 21, 2024

“It feels triumphant, and we stand by what the songs mean to each of us”: Newcastle’s Jango Flash Dive into Their Supercharged Debut EP

by Mitch Mosk
Posts pagination
1 … 130 131 132 133 134 … 726

Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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