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Brenn! © Chase Denton & Working Holiday
Columns, Music, Today's SongJanuary 11, 2024<January 11, 2024

Artist to Watch: Brenn! Weaves a Buoyant, Bittersweet Folk-Pop Reverie in “Valapriso”

by Mitch Mosk
Birksie "Tug of War" © David Od
Debut, Music, PremieresJanuary 10, 2024<January 10, 2024

Premiere: Birksie Debuts With Blustering Folk Rock Passion in “Tug of War”

by Mitch Mosk
Boys Like Girls © Matty Vogel
Features, Interviews, MusicJanuary 10, 2024<January 10, 2024

Interview: Boys Like Girls Are Back With ‘Sunday at Foxwoods,’ and Martin Johnson Is Leading the Charge

by Josh Weiner
Joshua Crumbly © Lauren Morgan
Music, Music Videos, PremieresJanuary 10, 2024<January 10, 2024

Premiere: Joshua Crumbly Dwells in Dreamy Reverie on “steps” ft. Samora Pinderhughes

by Mitch Mosk
The Vaccines 'Pick-Up Full of Pink Carnations' © Wrenne Evans
Features, Interviews, MusicJanuary 10, 2024<January 10, 2024

Interview: The Vaccines’ Justin Young on the Space Between Reality & Expectation in ‘Pick-Up Full of Pink Carnations’

by Guest Writer
Why Does Love Mean Loss? EP - Slaney Bay
Features, Interviews, MusicJanuary 9, 2024<January 9, 2024

Interview: London’s Slaney Bay Embrace the Highs & Lows of Human Experience in ‘Why Does Love Mean Loss?’ EP

by Mitch Mosk
Eyedress and The Marías © Elvia Vicuna
Columns, Music, Today's SongJanuary 9, 2024<January 9, 2024

Today’s Song: Eyedress Discovers His Place in “A Room Up in the Sky” ft. The Marías

by Sofia Sar
Ratboys © Alexa Viscius
Interviews, MusicJanuary 8, 2024<January 8, 2024

Interview: Meet Ratboys, a Chicago Band Standing at ‘The Window’ of Opportunity

by Josh Weiner
Wisp © courtesy of the artist
Artist to Watch, Columns, Debut, Music, Today's SongJanuary 8, 2024<January 8, 2024

Artist to Watch: Wisp Delivers Shiver-Inducing Shoegaze With a Tender, Loving Twist in “Once then we’ll be free”

by Mitch Mosk
Dhani Harrison collage © Aidan Moyer
Features, Interviews, MusicJanuary 7, 2024<January 8, 2024

The River Flows At Its Own Speed: An Interview With Dhani Harrison

by Aidan Moyer
Hovvdy "Bubba" © Adam Alonzo
Columns, Music, Today's SongJanuary 7, 2024<January 13, 2024

Today’s Song: Restraint and Release in Hovvdy’s “Bubba”

by Hannah Burns
Danny Dwyer © Noah Talas
Columns, Music, Today's SongJanuary 6, 2024<January 5, 2024

Today’s Song: Danny Dwyer’s “Asthma” (Billy Lemos Remix) Is a Celebration of Life & Friendship

by Eric Schuster
Diego Morales
Columns, Meet Our WritersJanuary 6, 2024<February 4, 2024

Meet Our Writers: Mexico City’s Diego Morales!

by Diego Morales
B-Drop
Music, PremieresJanuary 5, 2024<January 5, 2024

Premiere: B-Drop Worldwide Showcases Pool Surfers & Wingtip

by Mitch Mosk
Vinnie Paolizzi © Kurt Ozan
Debut, Interviews, MusicJanuary 5, 2024<January 5, 2024

Interview: Nashville’s Vinnie Paolizzi Raises the Standard for Songwriting in Self-Titled Debut LP

by Lauren Hicks
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Brand New

  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’

:: discover something new ::

Recent Posts

  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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