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Ella Rosa © 2023
Interviews, MusicDecember 5, 2023<December 5, 2023

Interview: Ella Rosa Admits To Being OTT When It Comes to PDA

by Joe Beer
HUNNY BUZZ © 2023
Artist to Watch, Debut, Interviews, MusicDecember 5, 2023<December 12, 2023

Artist to Watch: The Buzz About Bristol’s HUNNY BUZZ, an Indie Pop Band With an Irresistible Sound

by Mitch Mosk
Armand Hammer © Alexander Richter
Columns, Music, Today's SongDecember 4, 2023<December 4, 2023

Today’s Song: Armand Hammer Weave Hip-Hop Tapestry on “When It Doesn’t Start With a Kiss”

by Jake Fewx
Rebecca Lappa © Lorraine Mortensen
Interviews, MusicDecember 4, 2023<December 4, 2023

Interview: Alberta Native Rebecca Lappa Transports Us to the Snowy North on ‘Tales of a Taurus’

by Josh Weiner
Taylor Swift’s ‘1989 (Taylor’s Version)’ cover art
Music, ReviewsDecember 4, 2023<December 4, 2023

Review: Taylor Swift’s ‘1989 (Taylor’s Version)’ Is a Swiftie’s Wildest Dreams

by Guest Writer
Clay Parker & Jodi James © Jodi James
Music, Music Videos, PremieresDecember 4, 2023<December 4, 2023

Premiere: Clay Parker and Jodi James Ponder the Blue & Winding Homespun Flow of “Nothing at All”

by Kendall Graham
Daisy Grenade © Sabrina DiGeorge
Features, Interviews, Music, Track-by-TrackDecember 1, 2023<December 1, 2023

“Glittery, Gory, & Grungy”: Daisy Grenade’s ‘Cult Classic’ Is a Sparkling Pop Punk Explosion

by Mitch Mosk
Charlie Mars © David McClister
Interviews, MusicDecember 1, 2023<December 2, 2023

“I’m Just Trying to Keep the Letter Alive”: The Preservation of Humanity in Charlie Mars’ Latest Album ‘Times Have Changed’

by Lauren Hicks
pen pin © 2023
Columns, Music, Today's SongDecember 1, 2023<December 1, 2023

Palm Desert’s pen pin Dwell in Sun-Soaked Doldrums on “The Boredom”

by Mitch Mosk
Atwood Magazine's Weekly Roundup | December 1, 2023
Columns, Features, Music, Weekly RoundupDecember 1, 2023<December 1, 2023

Atwood Magazine’s Weekly Roundup: December 1, 2023

by Atwood Magazine Staff
Ethel © Victor Jacques Sebb
Columns, Music, Today's SongNovember 30, 2023<November 30, 2023

Today’s Song: Sparks Fly in Ethel’s Ethereal, Enchanting “Pixie Dust”

by Mitch Mosk
Jauz © 2023
Interviews, MusicNovember 30, 2023<November 30, 2023

Interview with Jauz, a Part-Wise, Part-Wicked, All-Talented EDM Machine

by Josh Weiner
Maudlin Strangers © Alvaro Navarro
Interviews, MusicNovember 30, 2023<November 30, 2023

Interview: Maudlin Strangers’ Jake Hays Gets Deep on Addiction, Tour Stories, New Music, & More

by Chloe Robinson
Blind Pilot © Fawn DeViney, 2023
Interviews, MusicNovember 30, 2023<November 30, 2023

Interview: Blind Pilot’s Israel Nebeker Discusses Two New Albums in 2024

by Mitch Mosk
Will Knox & néomí "Christmas Song" © Liz Van Den Akker
Mistletones, Music, PremieresNovember 30, 2023<November 30, 2023

Premiere: Will Knox and néomí’s “Christmas Song” Aches With a Beautiful Sadness

by Mitch Mosk
Posts pagination
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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