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Wynona © Lachlan Chester
Columns, Music, Today's SongJanuary 19, 2024<January 19, 2024

“Finding stillness in the chaos”: Wynona’s Spirited Alt-Rock Anthem “Feeling for Edges” Is a Cathartic Release of Angst & Upheaval

by Mitch Mosk
Sam Fischer © Oscar J Ryan
Debut, Features, Interviews, MusicJanuary 19, 2024<January 19, 2024

“Fragments of my life”: Sam Fischer on the Five-Year Journey to Debut Album ‘I Love You, Please Don’t Hate Me’

by Brianna Corrine
Dogstar © Brian Bowen Smith
Interviews, MusicJanuary 18, 2024<January 18, 2024

Interview: Reunited After 21 Years, ’90s Alt-Rock Band Dogstar Set a High Bar on ‘Somewhere Between the Power Lines and Palm Trees’

by Mitch Mosk
Haley Blais © Mackenzie Walker
Features, Interviews, Music, Track-by-TrackJanuary 18, 2024<January 18, 2024

“I want my therapist to think I’m cool”: Haley Blais Is Beautifully Exposed on ‘Wisecrack,’ Her Unapologetic & Unfiltered Sophomore LP

by Mitch Mosk
Keyon Harrold © Kwafu Alston
Features, Interviews, MusicJanuary 18, 2024<January 18, 2024

“Inspired by the Vibrations”: Keyon Harrold Creates Paradise on ‘Foreverland,’ a Triumphant Fusion of Jazz & Hip-Hop

by Josh Weiner
Joan & The Giants © 2024
Columns, Music, Today's SongJanuary 18, 2024<January 18, 2024

Joan & The Giants’ Love-Soaked “Good Time” Is a Sweet Surrender to the Moment

by Mitch Mosk
Lizzie Esau © Storm Hudspith Walker
Columns, Music, Today's SongJanuary 17, 2024<January 17, 2024

Today’s Song: Newcastle’s Lizzie Esau Churns Through an Anxious Mind on “Impossible + Strange”

by Mitch Mosk
deary EP - deary
Debut, Features, Interviews, Music, Track-by-TrackJanuary 17, 2024<January 17, 2024

“deary, not dreary”: London Duo deary Unleash Ethereal Dream Pop Wonder on Debut EP

by Mitch Mosk
A Beacon School © Matthew Marino
Features, Interviews, Music, Track-by-TrackJanuary 17, 2024<January 17, 2024

Track-by-Track: In ‘yoyo,’ A Beacon School Weaves Gauzy Dream Pop & Shiver-Inducing Shoegaze into a Seductive Sonic Haze

by Mitch Mosk
Dylan LeBlanc © Abraham Rowe
Features, Interviews, Music, Track-by-TrackJanuary 17, 2024<January 17, 2024

Track-by-Track: Dylan LeBlanc Unpacks His Own Humanity in ‘Coyote,’ a Cinematic, Cerebral, & Thrilling Concept Album

by Mitch Mosk
Ducks Ltd. © Colin Medley
Columns, Music, Today's SongJanuary 16, 2024<January 16, 2024

Today’s Song: Toronto’s Ducks Ltd. Hitch a Rollicking, Runaway “Train Full of Gasoline”

by Mitch Mosk
Adrianne Lenker © Germaine Dunes
Columns, Music, Today's SongJanuary 15, 2024<January 13, 2024

Today’s Song: Adrianne Lenker Professes Desolation, Despair, & Heartbreak on Agonizing New Single “Ruined”

by Jake Fewx
Declan McKenna © Henry Pearce
Columns, Music, Today's SongJanuary 14, 2024<January 13, 2024

Today’s Song: Declan McKenna’s Timeless Cover of ABBA’s “Slipping Through My Fingers”

by Hannah Burns
Dama Blake © 2024
Columns, Debut, Music, Today's SongJanuary 13, 2024<January 13, 2024

Today’s Song: Jessica Harper’s Sinister Alter Ego Dama Blake Takes Full Flight on “Witch Hunt”

by Josh Weiner
Atwood Magazine's Weekly Roundup | January 12, 2024
Columns, Features, Music, Weekly RoundupJanuary 12, 2024<January 16, 2024

Atwood Magazine’s Weekly Roundup: January 12, 2024

by Atwood Magazine Staff
Posts pagination
1 … 144 145 146 147 148 … 727

Brand New

  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through

:: discover something new ::

Recent Posts

  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
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© Atwood Magazine 2024 For the Love of Music
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