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Lovetta © John Fiorentino
Columns, Music, Today's SongOctober 20, 2023<October 20, 2023

Lovetta Finds Her North Star on “Havin’ a Good Time,” a Spirited Ode to Finding Happiness in the Everyday

by Mitch Mosk
shallow pools © Sarah Mentus
Debut, Features, Interviews, Music, Track-by-TrackOctober 20, 2023<October 29, 2023

Feature: Dive Headfirst into shallow pools’ Urgent, Empowering, & Irresistible Debut Album ‘I Think About It All the Time’

by Mitch Mosk
Sister. © 2023
Debut, Features, Interviews, MusicOctober 20, 2023<October 20, 2023

Maximalist, Homemade, & Joyful: A Guide to sister.’s Deeply Vulnerable Debut Album, ‘Abundance’

by Mitch Mosk
MisterWives © Matty Vogel
Concerts, Interviews, Music, ReviewsOctober 20, 2023<October 20, 2023

Interview: MisterWives Reflect on Their ‘Nosebleeds’ Era and Face-Melting Don’t Look Down Tour

by Kelly McCafferty Dorogy
Emily Vaughn © 2023
Music, Music Videos, PremieresOctober 19, 2023<October 19, 2023

Premiere: Emily Vaughn’s “is anybody happy?” Is a Vulnerable, Raw Reckoning With Adult Anxiety

by Mitch Mosk
Matilda Lyn © 2023
Columns, Music, Today's SongOctober 19, 2023<October 19, 2023

Artist to Watch: Matilda Lyn’s “Fooled by September” Is a Fragile Ode to Fleeting Beauty

by Mitch Mosk
Signe Vange © Sara Galbiati
Music, Music Videos, PremieresOctober 19, 2023<October 19, 2023

Premiere: The Dreamy Warmth & Existential Ache of Signe Vange’s “Skyscraper” ft. Lise Westzynthius

by Mitch Mosk
Imogen Clark © Michelle Grace Hunder
Music, PremieresOctober 19, 2023<October 19, 2023

“If I want in, I gotta get out”: Imogen Clark Channels Angst, Energy, & Ambition into Her Spirited New Single

by Mitch Mosk
Gregory Alan Isakov © Glen Ross
Features, Interviews, MusicOctober 19, 2023<October 19, 2023

“Punching into a Daydream Factory”: Gregory Alan Isakov and the Quiet Warmth of ‘Appaloosa Bones’

by Mitch Mosk
Maisie Peters © courtesy of the artist
Concerts, Music, ReviewsOctober 18, 2023<October 18, 2023

Live Review: Maisie Peters Stuns in Texas with the Spectacular Good Witch Show

by Kelly McCafferty Dorogy
GUTS - Olivia Rodrigo
Music, ReviewsOctober 18, 2023<October 18, 2023

Olivia Rodrigo Spills Her ‘GUTS’ in New Album, Tapping into Fears of Youth, Aging, & Heartbreak

by Claire Meyer
Tunes & Tumblers x The Bobby Lees 2023
Music, Podcast, Tunes & TumblersOctober 18, 2023<October 24, 2023

Podcast: Tunes & Tumblers Features The Bobby Lees and a Junkyard Juice (ft. Macky Bowman)

by Atwood Magazine Staff
Ricky Montgomery © Haley Appell
Features, Interviews, Music, Track-by-TrackOctober 18, 2023<October 17, 2023

Track-by-Track: Ricky Montgomery’s ‘Rick’ Is a Big, Bold Record With Big, Raw Feelings

by Mitch Mosk
B-Drop
Music, PremieresOctober 17, 2023<April 7, 2024

Premiere: B-Drop Worldwide Showcases VALÉ & Foxtide

by Mitch Mosk
Katelyn Tarver © JT Clemente
Concerts, Music, ReviewsOctober 17, 2023<October 17, 2023

Live Review: Katelyn Tarver Brings an Intimate Energy to Houston on Her Compliments Only Tour

by Kelly McCafferty Dorogy
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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