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Jango Flash © Chloe Dunscombe
Debut, Interviews, MusicMarch 21, 2024<March 21, 2024

“It feels triumphant, and we stand by what the songs mean to each of us”: Newcastle’s Jango Flash Dive into Their Supercharged Debut EP

by Mitch Mosk
Aisha Badru © Jeffery Trapani
Music, PremieresMarch 21, 2024<March 21, 2024

Premiere: Aisha Badru Empowers Us to Find Our Inner Light on “Life to Live,” a Spirited Call for Freedom, Exploration, & Self-Discovery

by Mitch Mosk
Magana © 2024
Features, Interviews, Music, PremieresMarch 21, 2024<March 21, 2024

“The songs read more like spells”: Magana Premieres ‘Teeth,’ Her Witchy, Warm, & Wondering Sophomore LP

by Mitch Mosk
See You at SXSW, 2024!
Festival, Music, ReviewsMarch 21, 2024<March 21, 2024

SXSW 2024: The Live Music Capital of the World Lives Up to Its Name

by Marissa DeLeon
Columns, Music, Today's SongMarch 21, 2024<May 23, 2024

Today’s Song: KTJ & CARLY’s Sizzling “Falling onto You” ft. Laprete Evokes the Fiery Passion of a Toxic Partnership

by Chloe Robinson
wojtek the bear © Chris Hogge
Columns, Music, Today's SongMarch 20, 2024<March 20, 2024

Glasgow’s wojtek the bear Shine on “slowly, then all at once,” a Dreamy Reverie Full of Warm Color & Lush Light

by Mitch Mosk
Andrea Von Kampen 'Sister Moon' © Analise Schrader
Features, Interviews, Music, Track-by-TrackMarch 20, 2024<March 20, 2024

Track-by-Track: Andrea von Kampen Evokes Nature’s Wonder & Beauty in ‘Sister Moon,’ Her Spiritual, Soul-Stirring Third Album

by Mitch Mosk
The Drives © Ellyn Jameson
Artist to Watch, Features, Interviews, MusicMarch 20, 2024<March 20, 2024

Angst, Dancey Indie Rock, and a Good Cry: Catching Up With LA Artist-to-Watch The Drives

by Mitch Mosk
Moyka © Ida Fiskaa
Features, Interviews, Music, Track-by-TrackMarch 20, 2024<March 20, 2024

Feature: Moyka’s ‘Movies, Cars & Heartbreak’ Is an Album for the Brokenhearted, the Thrill-Seekers, & Party People

by Mitch Mosk
lyn lapid © Caro Knapp
Features, Interviews, MusicMarch 20, 2024<March 21, 2024

Interview: Lyn Lapid on ‘to love in the 21st century: the epilogue’ EP, Her Creative Process, and Wanting Her Songs Used in Figure Skating

by Freya Rinaldi
Hinds © Dario Vazquez
Columns, Music, Today's SongMarch 19, 2024<March 19, 2024

Today’s Song: Madrid’s Hinds Return With the Addictively Energizing “Coffee”

by Frankie Rose
Kaycie Satterfield © Jesus Acosta
Music, PremieresMarch 19, 2024<March 19, 2024

Premiere: Kaycie Satterfield’s Dreamy, Achingly Intimate “Video Girl” Tells Her Queer Coming-of-Age Story

by Mitch Mosk
Lola Young © Amy Peskett
Interviews, MusicMarch 19, 2024<March 19, 2024

“Wish You Were Dead”: London’s Lola Young Channels Passion & Toxicity into a Hot, Sweaty Fever Dream

by Mitch Mosk
Oakland Rain © courtesy of the artist
Essays, Music, Women's History MonthMarch 19, 2024<March 19, 2024

“Beyond the Albatross of Patriarchal Expectations: Redefining Gender Equality in the Music Industry”: An Essay by Oakland Rain for Women’s History Month

by Mitch Mosk
Calabasas © courtesy of the artist
Interviews, MusicMarch 19, 2024<March 19, 2024

Walking Down Memory Lane: Calabasas Talk New Single “Stressed Out,” Finding Balance, & Staying True to Themselves

by Aidan Mega
Posts pagination
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Brand New

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington

:: discover something new ::

Recent Posts

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
  • Vansire Invite You to Take Solace: A Conversation on Love, Creativity, & Connection June 18, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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