Debut, Music, Premieres, Track-by-TrackOctober 17, 2023<October 17, 2023 EP Premiere: Ursa Major Revelation Debut With ‘Big Baby,’ a Seductive Futurepop Reverie by Mitch Mosk
Features, Interviews, MusicOctober 16, 2023<October 16, 2023 Trauma, Gossip, & Raccoon Memes: Sydney Sprague Dives into the Depths of ‘somebody in hell loves you’ by Mitch Mosk
Music, ReviewsOctober 16, 2023<October 16, 2023 Doja Cat’s ‘Scarlet’ Is a Rap-Centric Pivot for the Superstar by Eric Schuster
Columns, Music, Today's SongOctober 15, 2023<October 15, 2023 Today’s Song: Mike Sabath’s “Life” Is an Honest Offering That Will Resonate With Us All by Chloe Robinson
Columns, Music, Today's SongOctober 14, 2023<October 14, 2023 Today’s Song: Last Dinosaurs Melt Hearts With New Single “Walking on Ice” by Julia Dzurillay
Debut, Features, Interviews, MusicOctober 13, 2023<October 13, 2023 Interview: ‘Lost at Sea’ with Rob Grant, Lana Del Rey’s Ambient Music-Making Father by Mitch Mosk
Columns, Features, Music, Weekly RoundupOctober 13, 2023<October 16, 2023 Atwood Magazine’s Weekly Roundup: October 13, 2023 by Atwood Magazine Staff
Debut, Features, Music, Premieres, Track-by-TrackOctober 12, 2023<October 12, 2023 Melancholy, Warmth, & Relaxation: Robert Kretzschmar’s Debut Album Is a Beautifully Tender Alt-Folk ‘Homecoming’ by Mitch Mosk
Music, ReviewsOctober 12, 2023<October 12, 2023 Album Review: Annalisa’s ‘E POI SIAMO FINITI NEL VORTICE’ at the Edge of the World by David Buyze
Artist to Watch, Columns, Music, Today's SongOctober 12, 2023<October 12, 2023 Artist to Watch: Getting Vulnerable With Katie Gregson-MacLeod’s Aching Anthem, “Your Ex” by Mitch Mosk
Music, PremieresOctober 12, 2023<April 24, 2024 Premiere: The Raw Ache, Weight, & Intimacy of Jordan Lindley’s Love Song, “Me & The Spiders” by Mitch Mosk
Columns, Music, Today's SongOctober 11, 2023<October 11, 2023 Today’s Song: The Raw Connection & Soul-Stirring Vulnerability of sister.’s “Abundance” by Mitch Mosk
Interviews, MusicOctober 11, 2023<October 11, 2023 Interview: Pierre Kwenders Is a Congolese-Canadian Artist Shining as Brightly as the Full Moon by Josh Weiner
8.4 Music, Our Take, ReviewsOctober 11, 2023<October 11, 2023 Our Take: Omar Apollo Shares the Voices of Vulnerability in ‘Live for Me’ by Sofia Sar
Concerts, Music, ReviewsOctober 11, 2023<October 11, 2023 Live Review: The Hails Storm the Stage of Boston’s The Middle East for an Electric Night of Indie Rock by Minna Abdel-Gawad
For the Love of Music
For the Love of Music
