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The Best EPs of 2023!
Features, Lists, MusicDecember 19, 2023<January 7, 2024

The 36 Best EPs of 2023

by Atwood Magazine Staff
Lil Dicky's “Mr. McAdams” music video
Music, Reviews, This Just InDecember 18, 2023<December 18, 2023

Lil Dicky Shoots His Shot in “Mr. McAdams,” the Charmingly Smooth Lead Single Off ‘PENITH (The DAVE Soundtrack)’

by Mitch Mosk
Kid Prexy © 2023
Columns, Music, Today's SongDecember 18, 2023<December 19, 2023

Today’s Song: Kid Prexy Strikes a Chord of Teenage Bliss on Rapturous Pop-Punk Banger “I Think That You’re Pretty”

by Grace Holtzclaw
Switchfoot "Christmas" © 2022
Features, Interviews, Mistletones, MusicDecember 18, 2023<January 9, 2025

“Christmas is an emotional treasure chest”: Switchfoot’s Jon Foreman on Finding the Holiday Spirit With ‘this is our Christmas album’

by Mitch Mosk
Joss Stone © Nolan Knight
Features, Interviews, Mistletones, MusicDecember 18, 2023<December 18, 2023

“I can literally smell Christmas is coming”: Joss Stone Wishes All a ‘Merry Christmas, Love’ on Her Classic, Soulful Christmas Album

by Mitch Mosk
Atwood Magazine's Mistletones 2023, Pt. 1
Features, Interviews, Lists, Mistletones, MusicDecember 18, 2023<December 21, 2023

Atwood Magazine Presents Mistletones: 2023’s Best New Holiday Songs, Pt. 1!

by Atwood Magazine Staff
Quinn Sullivan © 2023
Columns, Music, Today's SongDecember 17, 2023<December 15, 2023

Today’s Song: Quinn Sullivan Kicks Off New Era With “Salvation (Make Me Wanna Pray)”

by Noah Wade
Tunes & Tumblers x Oh Land 2023
Music, Podcast, Tunes & TumblersDecember 16, 2023<December 16, 2023

Podcast: Tunes & Tumblers Features Oh Land and the You Soup

by Atwood Magazine Staff
Johnny Orlando © Kyla Mah
Columns, Music, Today's SongDecember 16, 2023<December 15, 2023

Johnny Orlando Ends ‘The Ride’ With “Close to You” & “Thinking of Me,” a Poignant & Vulnerable Production

by Lauren Hicks
Atwood Magazine's Weekly Roundup | December 15, 2023
Columns, Features, Music, Weekly RoundupDecember 15, 2023<December 16, 2023

Atwood Magazine’s Weekly Roundup: December 15, 2023

by Atwood Magazine Staff
Firewoodisland © Dave Newbould
Features, Interviews, Music, Track-by-TrackDecember 15, 2023<December 15, 2023

Track-by-Track: Firewoodisland Enchant & Inspire on Achingly Intimate EP, ‘As Long As I Go’

by Mitch Mosk
Hayfitz © Sebastian Vericella
Features, Interviews, Music, Track-by-TrackDecember 15, 2023<December 15, 2023

“Intimate, Vulnerable, & Gay”: Hayfitz Dwells in the Unrequited Depths of ‘Everything Else,’ His Dreamy Sophomore LP

by Mitch Mosk
Mumble Tide © 2023
Artist to Watch, Columns, Music, Today's SongDecember 15, 2023<December 15, 2023

Artist to Watch: Mumble Tide Shine With Raw, Unfiltered Passion on “Kindest” & “The Start Over”

by Mitch Mosk
milk. © 2023
Features, Interviews, MusicDecember 14, 2023<December 14, 2023

“Clear, Honest, & Deliberate”: Dublin’s milk. Dwell in Identity Crises on Enthralling ‘3, the EP.’

by Mitch Mosk
Sampha © Jesse Crankson
Columns, Music, Today's SongDecember 14, 2023<December 14, 2023

Today’s Song: Sampha’s Heavenly Vocals Shimmer on the Blissful “Jonathan L. Seagull” Off Sophomore LP ‘Lahai’

by Jake Fewx
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Brand New

  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction

:: discover something new ::

Recent Posts

  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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