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Bahamas © Dave Gillespie
Features, Interviews, MusicOctober 3, 2023<October 11, 2023

‘BOOTCUT,’ Uncut: Bahamas’ Afie Jurvanen Talks Country Music, Hip-Hop, Ralph Lauren, & Human Connection

by Mitch Mosk
'Lost in a Rush of Emptiness' - Bleach Lab © Paul Johnson Rojas
Debut, Features, Interviews, Music, Track-by-TrackOctober 3, 2023<October 3, 2023

Lost in a Rush of Emptiness: Inside Bleach Lab’s Breathtaking, Soul-Stirring, & Shiver-Inducing Debut Album

by Mitch Mosk
Willow Avalon © courtesy of the artist
Artist to Watch, Columns, Debut, Music, Today's SongOctober 3, 2023<October 3, 2023

Artist to Watch: Willow Avalon’s Debut Single “Drivin” Is a Timeless Classic of Bruised Hearts and Highways

by Mitch Mosk
Bluphoria © Jena Yannone
Debut, Features, Interviews, MusicOctober 3, 2023<October 3, 2023

“I’m playing Jimi Hendrix’s guitar, I can’t screw this up!”: Nashville’s Bluphoria Are Written in the Stars

by Minna Abdel-Gawad
HONEYMOAN's Alison Rachel © David J. East
Debut, Features, Interviews, Music, Track-by-TrackOctober 2, 2023<October 2, 2023

“Fun, Sexy, & Loud”: The Sweet Seduction of HONEYMOAN’s Debut Album, ‘Sorry Like You Mean It’

by Mitch Mosk
Primo the Alien © NaStacia Ellis
Features, Interviews, Music, Track-by-TrackOctober 2, 2023<October 2, 2023

Feature: Primo the Alien Traverses a New Sonic Landscape in ‘We All Hate Ourselves Sometimes’

by Marissa DeLeon
Animal Collective © Hisham Akira Bharoocha 7.9
Music, Our Take, ReviewsOctober 2, 2023<October 2, 2023

Our Take: Animal Collective’s ‘Isn’t It Now?’ Is Sonically Divine While Remaining Thematically Human

by Sofia Sar
blink-182 © Rory Kramer
Columns, Music, Today's SongOctober 2, 2023<October 2, 2023

Today’s Song: blink-182 Get Candid With “ONE MORE TIME,” a Ballad of Brotherhood & Reunion

by Laurent Chavannes
Molly Burch © Tonje Thilesen
Features, Interviews, MusicSeptember 29, 2023<September 29, 2023

Interview: Peering into the Past with Molly Burch on ‘Daydreamer’

by Marissa DeLeon
Doris Club © Jasmine Rutledge
Editorials, Interviews, Music, ReviewsSeptember 29, 2023<September 29, 2023

Doris Club Channels Her “Intuitive, Irrational, Melancholic” Self Within Stunning Ode to Her Mother, ‘There’s Still Time (Side A)’

by Sophie Severs
Genesis Owusu © Bec Parsons
Features, Interviews, MusicSeptember 28, 2023<September 28, 2023

Interview: Genesis Owusu Seeks New Meaning from an Unjust World on ‘STRUGGLER’

by Leo Culp
Dark Horse - Maria Wilman
Music, Reviews, Track-by-TrackSeptember 28, 2023<September 26, 2023

Track-by-Track: Maria Wilman Goes on a Journey to Explore the Unknown in ‘Dark Horse’

by Joe Beer
Nothing But Thieves © Beatriz Oliveira
Features, Interviews, MusicSeptember 27, 2023<September 27, 2023

Interview: Nothing But Thieves’ Upward Trajectory Is Without Limits

by Michael Greco
Greta Van Fleet © Neil Krug 7.6
Music, Our Take, ReviewsSeptember 27, 2023<September 25, 2023

Our Take: Greta Van Fleet’s ‘Starcatcher’ Embarks Upon the Hero’s Journey

by Audrey Connelly
Levitation Room © Ivan Trejo
Columns, Interviews, Music, Today's SongSeptember 27, 2023<September 27, 2023

Interview: Levitation Room Tackle Climate Change With Fresh Single “Cool It, Baby”

by Miles Campbell
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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