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Cold War Kids © Sean Flynn
Features, Interviews, MusicDecember 14, 2023<January 5, 2024

“An emotional release in every way”: Cold War Kids’ Nathan Willett Reflects on 20 Years of Indie Rock Underdogdom

by Mitch Mosk
Movie Club © Bobby Rivero
Interviews, MusicDecember 13, 2023<December 13, 2023

Interview: Meet Movie Club, a Venice Beach Duo Chomping Down Hard with New LP ‘Great White’

by Josh Weiner
Phoenix pose against a familiar backdrop © Shervin Lainez
Features, Interviews, MusicDecember 13, 2023<December 13, 2023

“It felt like making an album in Xanadu”: Phoenix’s Thomas Mars on ‘Alpha Zulu,’ Recording Music in The Louvre, & More

by Mitch Mosk
Bad Veins © 2023
Columns, Music, Today's SongDecember 13, 2023<December 13, 2023

Bad Veins Soar in Heartache-Fueled Synth-Pop Singalong “Wendy” & Third LP ‘Imposter’

by Mitch Mosk
Meantime - Slow Leaves
Features, Interviews, Music, Track-by-TrackDecember 12, 2023<December 12, 2023

Track-by-Track: Slow Leaves Weaves a Love Letter to Life Itself on 5th LP ‘Meantime,’ a Glistening, Golden Folk Dream

by Mitch Mosk
Squirrel Flower © Alexa Viscius
Features, Interviews, Music, Track-by-TrackDecember 12, 2023<December 12, 2023

Feature: Squirrel Flower’s Ella Williams Unpacks the Passion, Raw Fervor, & “Heavy Witch Rock” of ‘Tomorrow’s Fire’

by Mitch Mosk
GIYA © Lennon Gregory
Columns, Music, Today's SongDecember 12, 2023<December 12, 2023

Today’s Song: GIYA’s Soul-Soaked “spin the record” Aches With a Dreamy, Warm & Wistful Weight

by Mitch Mosk
Bear's Den © Bennie Curnow
Features, Interviews, Music, Track-by-TrackDecember 12, 2023<December 12, 2023

Feature: Bear’s Den Reflect on a Decade of Intimate Songwriting & Unpack Their ‘White Magnolias’ EP

by Mitch Mosk
Girl Scout © Alvin Lindblom
Artist to Watch, Features, Interviews, Music, Track-by-TrackDecember 11, 2023<December 20, 2023

“Everyone’s a Child”: Girl Scout’s Fire Burns Bright on ‘Granny Music,’ Their Sonically Charged Sophomore EP

by Mitch Mosk
denn. © Emma Pilkington Mead
Artist to Watch, Columns, Music, Today's SongDecember 11, 2023<December 11, 2023

Artist to Watch: NYC’s denn. Channels Raw Emotion into a Hot-on-the-Mic Fever Dream With “uh uh uh uh UH?”

by Mitch Mosk
Tim Atlas © Paigge
Columns, Music, Today's SongDecember 10, 2023<December 10, 2023

Today’s Song: Tim Atlas Falls for the Seasonal Crush in Daydreamy & Hazy “The Deceiving”

by Sofia Sar
Hannah Diamond, self-portrait © Carina Kehlet Schou
Columns, Music, Today's SongDecember 9, 2023<December 9, 2023

Today’s Song: Hannah Diamond Shimmers on Her Nostalgia-Soaked “Perfect Picture”

by Jaclyn Kelly
Atwood Magazine's Weekly Roundup | December 8, 2023
Columns, Features, Music, Weekly RoundupDecember 9, 2023<December 12, 2023

Atwood Magazine’s Weekly Roundup: December 8, 2023

by Atwood Magazine Staff
Eden Rain © Jack Alexander
Artist to Watch, Features, Interviews, Music, Track-by-TrackDecember 8, 2023<December 8, 2023

Track-by-Track: London’s Eden Rain Pours Her Heart & Soul into Sophomore EP ‘But I’m Alright Now’

by Mitch Mosk
Luke Beling © Jorge Luis Bonilla
Debut, Features, Interviews, Music, Track-by-TrackDecember 8, 2023<December 8, 2023

Track-by-Track: Luke Beling Unpacks the Tension, Pain, & Hope of Debut Album ‘A Stone in the Mouth of the Ocean’

by Mitch Mosk
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Brand New

  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction

:: discover something new ::

Recent Posts

  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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