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MIKE © Ari Marcopoulos
Columns, Music, Today's SongMarch 6, 2024<March 6, 2024

Today’s Song: MIKE & Tony Seltzer’s Collaboration on “R&B” Is a Breath of Fresh Air for Underground Hip-Hop

by Jake Fewx
shrooms - Coral Moons © Justin Bartlett
Music, Music Videos, PremieresMarch 5, 2024<February 26, 2024

Premiere: On “shrooms,” Coral Moons Trip Through a Sunny, Hazy Weekend With Friends

by Kendall Graham
Loving © Zoe Alma
Features, Interviews, MusicMarch 4, 2024<February 27, 2024

“Cuddle Rock”: Loving’s ‘Any Light’ Is Existentially Uncertain, Yet Mysteriously Optimistic

by Miles Campbell
Cab Ellis © 2022
Columns, Music, Music You Should KnowMarch 4, 2024<March 11, 2024

Music You Should Know: Cab Ellis’ “The East Coast Hold On” Puts a Pep in Your Step, Intoxicating With a Sense of New York Wonder

by Noah Berghammer
bog berries © Cooper Evello
Columns, Music, Today's SongMarch 4, 2024<June 20, 2024

“I didn’t expect to be alone this much”: The Gut-Wrenching Vulnerability of bog berries’ Wistful “Nobody Told Me”

by Mitch Mosk
Dani Felt
Essays, Women's History MonthMarch 1, 2024<March 2, 2025

“How to Turn Your Dreams into Reality”: An Essay by Dani Felt for Women’s History Month

by Guest Writer
Wallows © Aidan Zamiri
Columns, Music, Today's SongMarch 1, 2024<March 1, 2024

Today’s Song: At a Time in Which No Artist Is Assured an Easy Hit, Wallows Pivot With “Your Apartment”

by Noah Wade
Everything Everything © Steve Gullick
Features, Interviews, MusicMarch 1, 2024<March 23, 2024

Interview: Everything Everything’s Jonathan Higgins on AI, Education, & New LP ‘Mountainhead’

by Eric Schuster
Quarters of Change © Anna Henderson
Features, Interviews, MusicFebruary 29, 2024<February 27, 2024

Interview: NYC’s Quarters of Change Are Painting Vivid & Gritty ‘Portraits’ in Their Sophomore Album

by Minna Abdel-Gawad
Holy Fool "Ache" © Christian Tierney
Columns, Music, Today's SongFebruary 29, 2024<February 26, 2024

Today’s Song: UK Duo Holy Fool Provides a Warm Thirst and Vulnerability in “Ache”

by Chloe Robinson
Francis of Delirium © Holly Whitaker
Debut, Features, Interviews, MusicFebruary 28, 2024<February 28, 2024

“I hope the song encourages people to let each other in”: Francis of Delirium Is a Lighthouse of Love, Support, & Cathartic Indie Rock

by Mitch Mosk
Abby Sage © Noah Kentis
Features, Interviews, MusicFebruary 28, 2024<February 27, 2024

“No shame I’m just a beginner”: Abby Sage Talks ‘The Rot,’ Music Fasts, Theatre Kid Resurrection, and Repurposing Pain into Beauty

by Kate Millar
Bombay Bicycle Club © Tom Oxley
Features, Interviews, MusicFebruary 28, 2024<February 27, 2024

Finding Freedom in Our Fantasies: An Interview With Bombay Bicycle Club

by Nasim Elyasi
The Mysterines "Stray"
Columns, Music, Today's SongFebruary 28, 2024<February 28, 2024

“Can we just rewind back?”: “Stray” Is The Mysterines’ Achingly Intense, Emotionally Charged Alt-Rock Fever Dream

by Mitch Mosk
Maya J © Ryan West
Features, Interviews, MusicFebruary 27, 2024<February 27, 2024

A Musical Mystic: Maya J Showcases Her Creative Versatility in Latest Single “Chills”

by Lauren Hicks
Posts pagination
1 … 148 149 150 151 152 … 741

Brand New

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington

:: discover something new ::

Recent Posts

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
  • Vansire Invite You to Take Solace: A Conversation on Love, Creativity, & Connection June 18, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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