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Ashley Kutcher © Brittany Harper
Debut, Features, Interviews, MusicFebruary 8, 2024<February 8, 2024

Interview: Ashley Kutcher’s Debut Album ‘House on the Water’ Is a Formidable Cross-Genre Effort

by Noah Wade
Lotusbliss © Keith Kaselampao
Music, Music Videos, PremieresFebruary 8, 2024<February 8, 2024

Premiere: Deafening and Silent, lotusbliss Blast Off With a Fiery Passion on “Tear Me Apart”

by Mitch Mosk
Hayley Reardon: Live at Starseed Studios © Chelsey Reardon
Interviews, Music, PremieresFebruary 8, 2024<February 8, 2024

Concert Premiere: Hayley Reardon Is Intimate, Up-Close & Personal on ‘Live at Starseed Studios’

by Mitch Mosk
Madeline Rhodes © Ana Lefaux
Features, Music, Music VideosFebruary 8, 2024<February 8, 2024

Premiere: Madeline Rhodes’ Debut Single “Bailing on Your Birthday” Invites Listeners to Cancel Their Party Plans & Focus on Mental Health Instead

by Olivia Martinez
Suki Waterhouse © Madeleine Waterhouse
Columns, Music, Today's SongFebruary 7, 2024<February 7, 2024

“Oh my God, take me back the way that I was”: Suki Waterhouse’s Riveting, Cinematic Anthem “OMG” Yearns for What Once Was

by Lauren Turner
Brown Horse © Katie Jones Barlow
Debut, Features, Interviews, Music, Track-by-TrackFebruary 7, 2024<February 7, 2024

Track-by-Track: Brown Horse’s ‘Reservoir’ Is a Haunting, Intimate Alt-Country Reverie

by Mitch Mosk
Billy Joel at 21, standing in Cold Spring Harbor; 28, stratospheric success with ‘The Stranger’; 44, eyeing pop retirement; 74, turning the lights back on. “Thirteen albums was good enough for the Beatles, it’s good enough for me!” © Aidan Moyer
Features, Music, ReviewsFebruary 7, 2024<February 7, 2024

Sooner or Later it Comes Down to Fate: Billy Joel’s “Turn the Lights Back On” Marks a Triumphant Return

by Aidan Moyer
BAILEN - 'Tired Hearts' Deluxe Album © Erica Snyder
Features, Interviews, MusicFebruary 7, 2024<February 7, 2024

“Finding the beauty in all of that struggle”: BAILEN Discuss ‘Tired Hearts,’ a Breathtaking Record of Struggle, Connection, Hope, & Raw Humanity

by Mitch Mosk
Jade Bird "Burn the Hard Drive" © Aries Moross
Features, Interviews, MusicFebruary 7, 2024<February 7, 2024

“What’s Beginning Is a Creative Era With My Light Back”: Jade Bird on New Mura Masa Collab “Burn the Hard Drive” & a Restored Sense of Self

by Kendall Graham
Ride © Cal McIntyre
Columns, Music, Today's SongFebruary 6, 2024<February 6, 2024

Today’s Song: Shoegaze Legends Ride Find New Light in the Everyday Haze With “Peace Sign”

by Kevin Cost
Rec Hall © Charlie Park
Debut, Features, Interviews, MusicFebruary 6, 2024<February 6, 2024

“Raw emotion pins me to the ground”: Southern California’s Rec Hall Debut Their Sun-Kissed Indie Rock With ‘Localism’ EP

by Mitch Mosk
Sunny Reyne © Kadi Jatta
Debut, Features, Interviews, Music, Track-by-TrackFebruary 6, 2024<February 6, 2024

Track-by-Track: Melbourne’s Sunny Reyne Awakens Our Spirits on ‘I’ve Been Sleeping Too Long,’ Her Soul & Jazz-Drenched Debut

by Mitch Mosk
Saviors - Green Day 7.7
Music, Our Take, ReviewsFebruary 6, 2024<February 6, 2024

Our Take: Green Day Throw a Big Birthday Bash for Two of Their Classics on ‘Saviors’

by Josh Weiner
DijahSB © Vonny Lorde
Features, Interviews, MusicFebruary 5, 2024<February 5, 2024

Interview: Rapper DijahSB on Third Album ‘The Flower That Knew,’ Reflection & Growth, Finding Clarity, & Trusting the Process

by Kendall Graham
Talk Show © Ashley Rommelrath
Columns, Music, Today's SongFebruary 5, 2024<February 5, 2024

Today’s Song: Talk Show’s “Red/White” Is an Urgent, Unrelenting Post-Punk Fever Dream

by Mitch Mosk
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Brand New

  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness

:: discover something new ::

Recent Posts

  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream June 23, 2026
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
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