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Poppy © Le3ay
Features, Interviews, MusicOctober 25, 2023<October 28, 2023

When You Zig, I Zag: A Conversation with Poppy

by Danny Vagnoni
Fake Dad © Austin Ciezcko
Interviews, MusicOctober 25, 2023<October 25, 2023

Interview: From Dramatic Moments to Memorable Sonics, Fake Dad Dish It All

by Chloe Robinson
Rina Sawayama © Charlotte Rutherford
Concerts, Music, ReviewsOctober 25, 2023<October 25, 2023

Live Review: Rina Sawayama Brings Glam Cowgirl Pop/Rock to the Lone Star State

by Marissa DeLeon
Sarah Klang © Fredrika Eriksson
Features, Interviews, Music, Track-by-TrackOctober 24, 2023<October 25, 2023

Feature: Sarah Klang’s ‘Mercedes’ Is a Cinematic & Stunningly Soulful Coming of Age

by Mitch Mosk
A Millennial's Shifting Music Perspective
Essays, MusicOctober 24, 2023<February 24, 2025

Essay: A Millennial’s Shifting Music Perspective

by Eric Schuster
coldbrew © 2023
Music, PremieresOctober 24, 2023<October 24, 2023

Premiere: The Lo-Fi Heat of “my babe,” coldbrew’s Chill, Cozy Coffeehouse Companion

by Mitch Mosk
Lana Nauphal © Ada Chen
Debut, Music, Music Videos, PremieresOctober 24, 2023<October 24, 2023

Premiere: Feeling Butterflies With Lana Nauphal’s Lovestruck Debut, “Oh He Oh My”

by Mitch Mosk
Future Islands © Frank Hamilton
Columns, Music, Today's SongOctober 24, 2023<January 24, 2024

Today’s Song: Future Islands Make Triumphant Return with New Single “The Tower” Off 7th Album ‘People Who Aren’t There Anymore’

by Beau Hayhoe
milk. © Nicholas O'Donnell
Features, Interviews, MusicOctober 24, 2023<October 23, 2023

Soul-Searching in Song: An Interview with Irish Indie Pop Band milk.

by Mitch Mosk
IMPORTED - Santa Chiara © Zoe Salducci
Debut, Features, Interviews, Music, Track-by-TrackOctober 23, 2023<October 24, 2023

Sassy, Sentimental, & Radical Chic: From Italy to Philly, Santa Chiara’s ‘IMPORTED’ Tells Stories of Love & Life

by Mitch Mosk
Humm © Kate Feast
Columns, Music, Today's SongOctober 23, 2023<October 23, 2023

Today’s Song: Humm Embrace the Clarity of Solitude Within “Danced Alone (who I am when I’m in love)”

by Sophie Severs
Thundercat © Jesse Lirola
Concerts, Music, ReviewsOctober 23, 2023<March 12, 2025

Live Review: Thundercat Puts Improv Skills on Display During Two-Night Run at Brooklyn Mirage

by Max Kalnitz
Kevin Abstract © Lucas Creighton
Columns, Music, Today's SongOctober 21, 2023<October 21, 2023

Today’s Song: Kevin Abstract’s “Blanket” Is Scary… But in a Good Way

by Sofia Sar
Atwood Magazine's Weekly Roundup | October 20, 2023
Features, Interviews, MusicOctober 20, 2023<October 27, 2023

Atwood Magazine’s Weekly Roundup: October 20, 2023

by Atwood Magazine Staff
Lovetta © John Fiorentino
Columns, Music, Today's SongOctober 20, 2023<October 20, 2023

Lovetta Finds Her North Star on “Havin’ a Good Time,” a Spirited Ode to Finding Happiness in the Everyday

by Mitch Mosk
Posts pagination
1 … 158 159 160 161 162 … 726

Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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