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Luke Beling © Jorge Luis Bonilla
Debut, Features, Interviews, Music, Track-by-TrackDecember 8, 2023<December 8, 2023

Track-by-Track: Luke Beling Unpacks the Tension, Pain, & Hope of Debut Album ‘A Stone in the Mouth of the Ocean’

by Mitch Mosk
Coyle Girelli © Shervin Lainez
Features, Interviews, Music, Track-by-TrackDecember 8, 2023<December 11, 2023

“I feel like I did when I was 16 again”: Coyle Girelli Rides High in ‘Museum Day,’ an Album-Sized Ode to NYC

by Mitch Mosk
Neru Thee Fourth Fugee © Local Marquet
Interviews, MusicDecember 8, 2023<December 8, 2023

Interview: Neru Thee Fourth Fugee Is a Baltimore Native Looking to Make Her New Jersey Idols Proud

by Josh Weiner
TEE © Tamiym Cader
Artist to Watch, Columns, Music, Today's SongDecember 8, 2023<December 8, 2023

Artist to Watch: TEE Dwells in Love’s Depths and Gets Caught in the ‘LOOP’

by Mitch Mosk
The Killers at 2023 Leeds Festival © Chris Phelps
Music, Reviews, This Just InDecember 8, 2023<December 12, 2023

Las Vegas Heroes The Killers Introduce ‘Rebel Diamonds’ With Striking New Single “Spirit”

by Beau Hayhoe
Wish Queen © Tessa Smith
Debut, Features, Interviews, Music, Track-by-TrackDecember 7, 2023<December 7, 2023

Track-by-Track: Wish Queen Crafts a Cathartic Dreamworld in ‘Saturnalia,’ Her Transformative Debut Album

by Mitch Mosk
Palace © Adrian Lee
Music, ReviewsDecember 7, 2023<December 7, 2023

EP Review: ‘Part II: Nightmares and Ice Cream’ Sees Palace at Their Most Vulnerable

by Audrey Connelly
PJ Aviles © Steph Estrada
Debut, Music, ReviewsDecember 7, 2023<December 7, 2023

Review: PJ Aviles Is Willing to Try ‘Anything’ on His Debut Album

by Laurent Chavannes
KTJ & CARLY © Lauren Nieves
Columns, Music, Today's SongDecember 7, 2023<December 7, 2023

Today’s Song: KTJ & CARLY Share Their Gracefully Poignant “Sundays”

by Chloe Robinson
Bush © Shervin Lainez
Columns, Music, Today's SongDecember 6, 2023<December 6, 2023

Today’s Song: Bush Unpack Impermanence & the Speed of Life in “Nowhere to Go But Everywhere”

by Mitch Mosk
S. L. Houser © Rae Mascardo
Debut, Interviews, Music, Track-by-TrackDecember 6, 2023<December 6, 2023

Track-by-Track: S. L. Houser Flourishes on Liberating Debut Solo EP ‘Hibiscus’

by Marissa DeLeon
Stephen Sanchez 'Angel Face' © Caity Krone
Debut, Features, Interviews, MusicDecember 6, 2023<December 11, 2023

“This record is all about love’s humanity”: Stephen Sanchez Is Making Hopeless Romance Cool Again With ‘Angel Face’

by Mitch Mosk
Emily Afton © 2023
Music, Music Videos, PremieresDecember 6, 2023<December 6, 2023

Video Premiere: Emily Afton’s “Running Out of Time” and the Brutality of Love

by Mitch Mosk
Tim Atlas © Paigge
Features, Interviews, Music, Track-by-TrackDecember 5, 2023<December 5, 2023

“Cinematic, Percussive, & Heavy”: Tim Atlas Dives Headfirst into the Night With ‘Le Soir’ EP

by Mitch Mosk
Haux © Sayer Mansfield
Features, Interviews, MusicDecember 5, 2023<December 8, 2023

Interview: Haux Finds His Own “Carte Blanche” in an Embrace of Ethereal Joie de Vivre

by Mitch Mosk
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Brand New

  • Atwood Magazine’s Weekly Roundup: June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation

:: discover something new ::

Recent Posts

  • Atwood Magazine’s Weekly Roundup: June 23, 2026 June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream June 23, 2026
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
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