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Fractures © Joey Clough
Columns, Music, Today's SongJuly 19, 2023<July 20, 2023

Today’s Song: Fractures Turns a New Leaf with Electric & Bold “Secret”

by Lauren Hicks
Rumours - Fleetwood Mac
Music, ReviewsJuly 18, 2023<July 20, 2023

Fleetwood Mac’s ‘Rumours’: The Timeless Album Dominating the Sound of Summer

by Guest Writer
Matilda Mann © Caity Krone
Features, Interviews, Music, Track-by-TrackJuly 18, 2023<July 18, 2023

Track-by-Track: Matilda Mann on the Romance, Lights, & Cinema of ‘You Look Like You Can’t Swim’ EP

by Mitch Mosk
The Japanese House © Jay Seba
Features, Interviews, MusicJuly 18, 2023<October 11, 2024

In the End It Always Does: A Conversation with The Japanese House

by Nasim Elyasi
Tunes & Tumblers x Curtis Waters
Columns, Music, Podcast, Tunes & TumblersJuly 18, 2023<July 25, 2023

Podcast: Tunes & Tumblers Features Curtis Waters and a Himalayan Himbo

by Atwood Magazine Staff
The Vegabonds, Courtesy of Hangout Music Festival © Alive Coverage
Interviews, MusicJuly 18, 2023<July 18, 2023

A Conversation With The Vegabonds: Built on a Southern Rock Foundation, But Not Afraid to Evolve

by Nick Polak
Sir Woman © Barbara FG
Columns, Music, Today's SongJuly 18, 2023<July 17, 2023

Today’s Song: Sir Woman Has Got It Going on in “I Know Better”

by Marissa DeLeon
Chinwe © 2023
Columns, Music, Today's SongJuly 17, 2023<July 17, 2023

Today’s Song: The Relaxed Intensity of Chinwe’s Soul-Stirring “Come We Fly”

by Mitch Mosk
Barbie Movie still
Music, PlaylistsJuly 17, 2023<July 17, 2023

Our Gorge-tastic Barbie Playlist for ‘Speed Driving’ to the Movie Theater

by Julia Dzurillay
Daphne Gale © Deryne Photography
Music, ReviewsJuly 17, 2023<October 26, 2023

Review: In ‘And Things,’ Daphne Gale Gently Excavates the Twenty-Something Heart with Acoustic Storytelling

by Kate Millar
Electric Forest 2023 © Alive Coverage
Festival, Music, ReviewsJuly 17, 2023<July 18, 2023

The Mecca of Midwest Raves: A Review of Electric Forest 2023!

by Nick Polak
Lauren Hicks © 2023
Columns, Meet Our WritersJuly 16, 2023<July 18, 2023

Meet Our Writers: Phoenix’s Lauren Hicks!

by Lauren Hicks
vampire - Olivia Rodrigo © Larissa Hofmann
Columns, Music, Today's SongJuly 16, 2023<September 20, 2023

Today’s Song: Olivia Rodrigo Hones the Craft of Heartbreak in “vampire”

by Brendan Le
Billie Eilish "What Was I Made For?" © Jack Bridgland
Columns, Music, Today's SongJuly 15, 2023<July 15, 2023

Today’s Song: Billie Eilish’s Somber Barbie Contribution, “What Was I Made For?”

by Mariel Fechik
Tunes and Tumblers x MisterWives 2023
Music, Podcast, Tunes & TumblersJuly 14, 2023<July 14, 2023

Podcast: Tunes & Tumblers Features MisterWives and a Sucker Punch

by Atwood Magazine Staff
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Brand New

  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’

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Recent Posts

  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
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