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Scatterbrain EP - Emei
Concerts, Music, ReviewsDecember 5, 2023<December 5, 2023

Live Review: Emei Delivers a Powerful & Penetrating Show in Los Angeles on The Cynical Tour

by Chloe Robinson
Kirsten Ludwig © Kristina Dittmar
Features, Interviews, Music, Track-by-TrackDecember 5, 2023<December 5, 2023

“Expansive, Oscillatory, & Resplendent”: Kirsten Ludwig Basks in the Glow of ‘Sunbeam,’ Her Radiant Indie Pop Reverie

by Mitch Mosk
Ella Rosa © 2023
Interviews, MusicDecember 5, 2023<December 5, 2023

Interview: Ella Rosa Admits To Being OTT When It Comes to PDA

by Joe Beer
HUNNY BUZZ © 2023
Artist to Watch, Debut, Interviews, MusicDecember 5, 2023<December 12, 2023

Artist to Watch: The Buzz About Bristol’s HUNNY BUZZ, an Indie Pop Band With an Irresistible Sound

by Mitch Mosk
Armand Hammer © Alexander Richter
Columns, Music, Today's SongDecember 4, 2023<December 4, 2023

Today’s Song: Armand Hammer Weave Hip-Hop Tapestry on “When It Doesn’t Start With a Kiss”

by Jake Fewx
Rebecca Lappa © Lorraine Mortensen
Interviews, MusicDecember 4, 2023<December 4, 2023

Interview: Alberta Native Rebecca Lappa Transports Us to the Snowy North on ‘Tales of a Taurus’

by Josh Weiner
Taylor Swift’s ‘1989 (Taylor’s Version)’ cover art
Music, ReviewsDecember 4, 2023<December 4, 2023

Review: Taylor Swift’s ‘1989 (Taylor’s Version)’ Is a Swiftie’s Wildest Dreams

by Guest Writer
Clay Parker & Jodi James © Jodi James
Music, Music Videos, PremieresDecember 4, 2023<December 4, 2023

Premiere: Clay Parker and Jodi James Ponder the Blue & Winding Homespun Flow of “Nothing at All”

by Kendall Graham
Daisy Grenade © Sabrina DiGeorge
Features, Interviews, Music, Track-by-TrackDecember 1, 2023<December 1, 2023

“Glittery, Gory, & Grungy”: Daisy Grenade’s ‘Cult Classic’ Is a Sparkling Pop Punk Explosion

by Mitch Mosk
Charlie Mars © David McClister
Interviews, MusicDecember 1, 2023<December 2, 2023

“I’m Just Trying to Keep the Letter Alive”: The Preservation of Humanity in Charlie Mars’ Latest Album ‘Times Have Changed’

by Lauren Hicks
pen pin © 2023
Columns, Music, Today's SongDecember 1, 2023<December 1, 2023

Palm Desert’s pen pin Dwell in Sun-Soaked Doldrums on “The Boredom”

by Mitch Mosk
Atwood Magazine's Weekly Roundup | December 1, 2023
Columns, Features, Music, Weekly RoundupDecember 1, 2023<December 1, 2023

Atwood Magazine’s Weekly Roundup: December 1, 2023

by Atwood Magazine Staff
Ethel © Victor Jacques Sebb
Columns, Music, Today's SongNovember 30, 2023<November 30, 2023

Today’s Song: Sparks Fly in Ethel’s Ethereal, Enchanting “Pixie Dust”

by Mitch Mosk
Jauz © 2023
Interviews, MusicNovember 30, 2023<November 30, 2023

Interview with Jauz, a Part-Wise, Part-Wicked, All-Talented EDM Machine

by Josh Weiner
Maudlin Strangers © Alvaro Navarro
Interviews, MusicNovember 30, 2023<November 30, 2023

Interview: Maudlin Strangers’ Jake Hays Gets Deep on Addiction, Tour Stories, New Music, & More

by Chloe Robinson
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Brand New

  • Atwood Magazine’s Weekly Roundup: June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation

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Recent Posts

  • Atwood Magazine’s Weekly Roundup: June 23, 2026 June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream June 23, 2026
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
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