Columns, Music, Today's SongAugust 6, 2025<August 6, 2025 Today’s Song: Susannah Joffe Freestyles a Sweet Concoction on “Sofia Coppola” by Josh Weiner
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Columns, Hudson Valley Artists, MusicAugust 5, 2025<August 5, 2025 Hudson Valley Artist Spotlight: Upstate by Mitch Mosk
Interviews, MusicAugust 5, 2025<August 5, 2025 “Where Did All the Good Men Go?”: Singer/Songwriter Jeeves on Taking Risks and Crafting Timeless Music by Danielle Holian
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Artist to Watch, Interviews, MusicAugust 4, 2025<August 4, 2025 “Keep This Close to Your Heart”: Liverpool Artist-to-Watch Hushtones Shine Bright with Harmony, Warmth, & Light by Mitch Mosk
Interviews, MusicAugust 4, 2025<August 4, 2025 From Film to the Stage, the Mulroney Brothers Get Honest with jackrabbit. by Aileen Goos
8.3 Music, Our Take, ReviewsAugust 4, 2025<August 4, 2025 Our Take: Clipse Complete Their Comeback in Remarkable Fashion on ‘Let God Sort Em Out’ by Josh Weiner
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Music, Reviews, This Just InAugust 1, 2025<August 1, 2025 This Just In: Chappell Roan’s Queer Heartbreak Anthem “The Subway” Was Well Worth the Wait by Marc Maleri
Features, Music, Reviews, RoundtableAugust 1, 2025<August 1, 2025 Roundtable Discussion: A Review of Djo’s ‘The Crux’ by Atwood Magazine Staff
Features, Interviews, MusicAugust 1, 2025<August 1, 2025 “I’m Just a Person with a Lot of Feelings”: Sydney Sprague on Channeling Emotional Extremes into Indie Rock Catharsis by Mitch Mosk
Debut, Features, Interviews, MusicAugust 1, 2025<August 1, 2025 Feature: Hudson Westbrook’s Bold Debut ‘Texas Forever’ Offers 17 Songs That Prove He’s Here to Stay by Aileen Goos
Festival, Music, PreviewAugust 1, 2025<August 1, 2025 Festival Preview: Osheaga 2025 Promises to Be a Festival Like No Other – and Atwood Has You Covered by Oliver Crook
For the Love of Music
For the Love of Music
