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Holly Lovell © Shane Leonard
Debut, Features, Interviews, Music, Track-by-TrackMarch 6, 2025<March 6, 2025

Feature: Holly Lovell Channels Grief into Beauty on ‘Hello Chelsea,’ a Record of Addiction, Loss, & Healing

by Mitch Mosk
Alexander Biggs © 2025
Features, Interviews, Music, Track-by-TrackMarch 6, 2025<March 6, 2025

‘Stay with the Horses’: Alexander Biggs on Letting Go, Pushing Boundaries, & Finding Clarity on His Sophomore Album

by Mitch Mosk
Halsey "safeword" © Sarah Pardini
Columns, Music, Today's SongMarch 6, 2025<March 6, 2025

Today’s Song: Halsey Unleashes the Wild in Bold New Anthem “safeword”

by Danielle Holian
NIJI © Tosin Popoola
Debut, Features, Interviews, Music, Track-by-TrackMarch 5, 2025<March 5, 2025

Lineage, Legacy, & Universal Language: NIJI Comes Home on ‘Oríkì,’ a Bold Journey Through Music, Identity, and Ancestry

by Mitch Mosk
Hope Handwritten - Hope Tala
Debut, Features, Interviews, MusicMarch 5, 2025<March 5, 2025

“I Wanted to Make Something Undeniable”: Hope Tala on the Raw Emotions & Intimate Ink Stains of ‘Hope Handwritten’

by Mitch Mosk
Tate McRae © Charlie Denis
Features, Music, Reviews, RoundtableMarch 5, 2025<March 5, 2025

Roundtable Discussion: A Review of Tate McRae’s ‘So Close to What’

by Atwood Magazine Staff
Sweet Unrest © Albert Jagger
Interviews, MusicMarch 5, 2025<March 19, 2025

Interview: Sweet Unrest on Their Poetic Roots, Speed Punk Sound, and Forging a Unique Path

by Chloe Robinson
Sam Fender © Sarah Louise Bennett
Music, Reviews, Track-by-TrackMarch 5, 2025<March 5, 2025

“I’m Not Preaching, I’m Just Talking”: Sam Fender’s ‘People Watching’ Is a Masterpiece of Reflection, Resilience, & Raw Humanity

by Brianna Corrine
Malcolm Todd © Aidan Cullen
Columns, Music, Today's SongMarch 5, 2025<March 5, 2025

Today’s Song: Malcolm Todd and Omar Apollo’s “Bleed” Is a Danceable Dive into Heartache and Power

by Miranda Urbanczyk
DD Allen © Rachel DiBiaso
Music, PremieresMarch 4, 2025<March 4, 2025

Premiere: DD Allen’s “I See You in the Dark” Shines With Hope, Heart, and a Rebel’s Resolve

by Mitch Mosk
DJ Minx © 2025
Black History Month, Editorials, MusicMarch 4, 2025<March 19, 2025

“My Black Journey to Queendom”: An Essay by DJ Minx for Black History Month

by Guest Writer
The Weeknd © 2025
Music, ReviewsMarch 4, 2025<March 4, 2025

Review: The Weeknd’s ‘Hurry Up Tomorrow’ Is a Gorgeously Painful Masterpiece on Forgiveness, Healing, & the Tribulations of Fame

by Lauren Turner
Lucy Dacus © Shervin Lainez
Columns, Music, Today's SongMarch 4, 2025<March 4, 2025

Lucy Dacus Escapes Love With “Best Guess” and “Limerence”

by Marc Maleri
Sy Ari Da Kid © Chase Gozy
Black History Month, Editorials, MusicMarch 3, 2025<March 3, 2025

“The Last Shadow in the Shade”: An Essay by Sy Ari Da Kid for Black History Month

by Guest Writer
The Lumineers © Noah Griffel
Features, Interviews, MusicMarch 3, 2025<March 3, 2025

The Magic of The Lumineers: An ‘Automatic’ Interview With Jeremiah Fraites

by Kelly McCafferty Dorogy
Posts pagination
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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