Artist to Watch, Features, Interviews, MusicJuly 24, 2025<July 24, 2025 “I’m a weird girl who makes weird music for weird people”: Inside Debbii Dawson’s Magical Musical World by Mitch Mosk
Music, PremieresJuly 24, 2025<July 28, 2025 Premiere: Joe Ramsey Reflects on Time, Purpose, & Presence in “Mornings,” a Stirring Indie Folk Reckoning by Mitch Mosk
Features, Interviews, Music, Track-by-TrackJuly 24, 2025<July 24, 2025 “I wanted this record to sound like truth”: Charlotte OC Reclaims Herself on ‘Seriously Love, Go Home,’ a Record of Reckoning, Release, & Hard-Won Clarity by Mitch Mosk
Features, Interviews, Music, Track-by-TrackJuly 24, 2025<July 24, 2025 “Gentle Songs for a Loud World”: Stars’ Amy Millan Shines on ‘I Went to Find You,’ a Spiritual & Spellbinding Solo Album Rooted in Memory, Grief, & Grace by Mitch Mosk
Features, Interviews, MusicJuly 24, 2025<July 25, 2025 Interview: Post Animal on Friendship, Nostalgia, and Their Latest Album, ‘Iron’ by Mariam Bagdady
Columns, Music, Today's SongJuly 24, 2025<July 24, 2025 Dream Logic and Delicate Ache: Kaleah Lee’s “Fever” Is a Liminal Lullaby by Nicolle Knapová
Interviews, MusicJuly 23, 2025<July 23, 2025 “Dear You, It’s Me”: The Rebirth of Harry Hudson Taylor, Embracing Vulnerability, and Artistic Transformation by Danielle Holian
Music, PremieresJuly 23, 2025<July 23, 2025 Premiere: Olina’s “Newspaper Smell” Is a Raw, Raucous Reckoning with Class, Chaos, & First-Gen Dread by Mitch Mosk
8.7 Music, Our Take, ReviewsJuly 23, 2025<July 23, 2025 Our Take: Jessie Murph Pushes Her Boundaries, and Ours, on Sophomore Album ‘Sex Hysteria’ by Emily Frances Algar
Artist to Watch, Features, Interviews, MusicJuly 23, 2025<July 24, 2025 Interview: NoSo’s Baek Hwong on Finding Power, Comfort, and Liberation Through Vulnerable Pop Songs by Mitch Mosk
Columns, Music, Today's SongJuly 23, 2025<July 23, 2025 Today’s Song: sombr’s “We Never Dated” Hurts in All the Quiet Ways of Unspoken Love by Ari White
Music, PremieresJuly 22, 2025<July 22, 2025 Premiere: Isabella&Sebastian Fight Self-Sabotage in Style on “Lobbytommy,” a Smoldering Indie Pop Reverie by Mitch Mosk
Columns, Music, Today's SongJuly 22, 2025<July 22, 2025 “I was born to fly, but baby, I would die to run”: mgk’s Genre-Blending Magic Continues with “vampire diaries” by Danielle Holian
Interviews, MusicJuly 21, 2025<July 21, 2025 Interview: aleksiah Turns Perfectionism into Pop Gold on “The Hit,” an Emotionally Charged Anthem that Lives Up to Its Name by Mitch Mosk
For the Love of Music
For the Love of Music
