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caroline & Caroline Polachek's "Tell me I never knew that" © Henry Redcliffe
Columns, Music, Today's SongJune 29, 2025<June 28, 2025

Today’s Song: caroline & Caroline Polachek Merge Pastoral Folk with Art Pop on “Tell me I never knew that”

by Liz Costello
NoMBe’s Disco Era Blends Swagger with Groove, Empowerment, & Black Heritage Ahead of ‘DIÁSPORA’
Features, Interviews, Music, Today's SongJune 28, 2025<July 1, 2025

“I Want People to Dance”: NoMBe’s Disco Era Blends Swagger with Groove, Empowerment, & Black Heritage Ahead of ‘DIÁSPORA’

by Mitch Mosk
Atwood Magazine's 126th Editor's Picks!
Columns, Editor's Picks, Features, MusicJune 27, 2025<July 3, 2025

Editor’s Picks 126: NoSo, James Smith, Billy Nomates, Brian Dunne, Glitterfox, & Mon Rovîa!

by Mitch Mosk
Micah McLaurin "Remember Me" © An Le
Essays, Music, Playlists, Pride MonthJune 27, 2025<July 1, 2025

“That’s So Gay”: A Pride Month Playlist by Micah McLaurin

by Guest Writer
Alexei Shishkin © Kevin Doran
Essays, MusicJune 27, 2025<June 27, 2025

“The Making of ‘Good Times’”: An Essay by Alexei Shishkin

by Guest Writer
Boundary Waters © Victoria Marie
Interviews, MusicJune 27, 2025<June 27, 2025

Interview: Chicago’s Boundary Waters Find a New Way on ‘Longlost’

by Will Yarbrough
Neutral Snap © Bill Cardella
Interviews, MusicJune 27, 2025<June 27, 2025

Interview: New Orleans Natives Neutral Snap Unleash an Addictive Pop-Punk Aura with “Danny ACOG”

by Chloe Robinson
Boy in Space © 2025
Features, Interviews, MusicJune 27, 2025<June 27, 2025

Interview: Boy in Space Reflects on Past Work, His Unique Vocal Tone, & His Latest EP, ‘The Butterfly Affect’

by Noah Wade
M.anifest © Emmanuel Mensah Agbeble
Features, Interviews, Music, Track-by-TrackJune 26, 2025<December 14, 2025

Feature: Ghanaian Rapper M.anifest Breaks Down His Boldly Ambitious Pan-African Album, ‘NEW ROAD AND GUAVA TREES’

by Mitch Mosk
Lowswimmer © Sandra Ebert
MusicJune 26, 2025<June 26, 2025

“Addictive, Melodic, & Dreamy”: Lowswimmer’s Ed Tullett Lets Go & Leans in on ‘Godspeed, Fantasy,’ a Radiant Record of Self-Discovery

by Mitch Mosk
Nectar Woode © Desire Appau
Columns, Interviews, Music, Today's SongJune 26, 2025<June 26, 2025

“Feeling the rhythm, heading for the light”: Nectar Woode Shines on “Only Happen,” a Seductive, Smoldering Soul Anthem Full of Heat, Heart, & Heritage

by Mitch Mosk
Malcolm Todd © yondoby
Concerts, Music, ReviewsJune 26, 2025<June 26, 2025

Live Review: Malcolm Todd Brings Heart, Charm, and Carefree Spirit to Hometown Show at The Wiltern

by Mariam Bagdady
iNKOGNiaiTO
Interviews, Music, Reviews, Track-by-TrackJune 26, 2025<June 26, 2025

Track-by-Track: iNKOGNiiTO’s Alternative Futurism Breaks the Boundaries of Reality

by Joe Beer
Long Branch © Don Pyle
Columns, Music, Playlists, Pride MonthJune 26, 2025<June 26, 2025

“From Long Branch, with Love”: A Pride Month Playlist

by Guest Writer
Felicity © Hannah Gray Hall
Columns, Interviews, Music, Today's SongJune 26, 2025<June 26, 2025

Felicity Serves Up Heartbreaking Realization With a Wink in “I’ll Have What He’s Having”

by Aileen Goos
Posts pagination
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Brand New

  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention

:: discover something new ::

Recent Posts

  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’ June 16, 2026
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’ June 16, 2026
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You June 16, 2026
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’ June 16, 2026
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’ June 16, 2026
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession June 15, 2026
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention June 15, 2026
  • Our Take: Pleasure Systems Returns More Hopeful Than Ever with Sophomore Album ‘Leave It in the Sand’ June 15, 2026
  • “Realizing God Didn’t Want Me in the Closet”: A Pride Month Essay by Tory Silver June 15, 2026
  • “And I’ve Been Comin’ Back My Whole Damn Life”: Kurt Vile Finds a New Warmth in “Chance to Bleed,” a Mesmerizing Homecoming Ode June 14, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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