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Salim Nourallah © Gavin Nourallah
Music, PremieresJanuary 22, 2025<January 22, 2025

Premiere: Salim Nourallah’s “Damage” Explores the Universality of Pain & Trauma to the Human Experience

by Mitch Mosk
Grace Enger © courtesy of the artist
Columns, Music, Today's SongJanuary 22, 2025<January 22, 2025

Today’s Song: Grace Enger’s “Habits Die Hard” Is a Hidden Treasure in Her New EP

by Bárbara Martínez Campuzano
Samia "Bovine Excision" © Sarah Ritter
Music, Reviews, This Just InJanuary 21, 2025<January 21, 2025

This Just In: Samia Treads Harder Ground With Piercing New Song, “Bovine Excision”

by Rachel Leong
Skateland © Lindsey Chambley
Interviews, MusicJanuary 21, 2025<January 21, 2025

Interview: Skateland’s ‘Joyce Howell, How are You?’ EP Is a Wistful Soundtrack to Our Shared Humanity

by Chloe Robinson
Rebecca Haviland 'Late Nights' © Manish Gosalia
Features, Interviews, MusicJanuary 21, 2025<January 21, 2025

Interview: Rebecca Haviland & Whiskey Heart’s ‘Late Nights’ Is a Love Letter to Blues Music and Community

by Noah Wade
Greer © Grace Cynthia
Columns, Music, Today's SongJanuary 21, 2025<January 20, 2025

Today’s Song: Greer Return With a Refreshing Rock Edge in “Had Enough,” Their First Release in Four Years

by Miranda Urbanczyk
Wallows © Cloudy Thoughts
Columns, Music, Today's SongJanuary 20, 2025<January 20, 2025

Indie Rock at Its Best: Wallows Unveil the Anthemic “Your New Favorite Song”

by Danielle Holian
Lizzy McAlpine © Neema Sadeghi
Columns, Music, Today's SongJanuary 18, 2025<January 18, 2025

Lizzy McAlpine’s “Soccer Practice” Depicts the Complexities of Heartbreak & Healing in One Simple Ballad

by Miranda Urbanczyk
Atwood Magazine Editor's Picks 107
Columns, Editor's Picks, Features, MusicJanuary 17, 2025<January 17, 2025

Editor’s Picks 107: Bartees Strange, Willow Avalon, Sly Jr., The 7:45s, The Zew, & Thee Holy Brothers!

by Mitch Mosk
Daffo © Sam Penn
Columns, Music, Today's SongJanuary 17, 2025<January 14, 2025

Daffo’s “Winter Hat” Stunningly Captures the Quiet Grief of Growing Up

by Noa Jamir
Tom Conneely & Birds of Paradise © Kory Thibeault
Music, PremieresJanuary 16, 2025<January 16, 2025

“Wildfire in your eyes”: Tom Conneely & Birds of Paradise Reminisce on Love Lost in Wistful “I Know It”

by Mitch Mosk
Anna Shoemaker at the PRIV.Y Pop-Up © Noah Berghammer
Concerts, MusicJanuary 16, 2025<January 16, 2025

The Anna Shoemaker Pop-Up Show: Iced Coffee in December

by Guest Writer
Fake Dad "ON/OFF" © Cassie Claire Howell
Interviews, MusicJanuary 16, 2025<January 16, 2025

Interview: Fake Dad Discuss Doomscrolling, Burnout, Posers, & Their Song “ON/OFF”

by Chloe Robinson
Wednesday © Charlie Boss, 2022
Columns, Music, Music You Should Know, ReviewsJanuary 16, 2025<January 16, 2025

“Show me all your smart blood”: Wednesday’s “Fate Is…” Tows the Line Between Snark & Vulnerability

by Juls Patterson
ROSÉ & Bruno Mars "APT." © John V. Esparza
Columns, Music, Today's SongJanuary 16, 2025<January 20, 2025

Today’s Song: ROSÉ & Bruno Mars Make History With “APT.”

by Danielle Holian
Posts pagination
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Brand New

  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’
  • Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment
  • “F**k That, Trust That”: Babes in Canyon Chase Freedom on “Echo,” an Intoxicating Indie Pop Mantra
  • “Don’t look down, baby, don’t let go”: Fantastic Cat Turn Stubborn Hope into a Roaring Folk Rock Rallying Cry
  • “Don’t Wanna Be My Enemy”: Eliza Edens Finds Freedom in Life’s Darker Impulses on “Leash,” a Bold and Breezy Indie Rock Song

:: discover something new ::

Recent Posts

  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
  • Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment March 31, 2026
  • “F**k That, Trust That”: Babes in Canyon Chase Freedom on “Echo,” an Intoxicating Indie Pop Mantra March 31, 2026
  • “Don’t look down, baby, don’t let go”: Fantastic Cat Turn Stubborn Hope into a Roaring Folk Rock Rallying Cry March 31, 2026
  • “Don’t Wanna Be My Enemy”: Eliza Edens Finds Freedom in Life’s Darker Impulses on “Leash,” a Bold and Breezy Indie Rock Song March 30, 2026
  • Meet Smag På Dig Selv, a Danish Trio Modernizing Jazz to EDM Lovers’ Delight March 30, 2026
  • “I Hope People Feel Something When They Listen to It”: Odhrán Murphy Shows a More Reflective and Dreamy Side on ‘Roots & Reverie’ March 30, 2026
  • Today’s Song: The Liberating Torment of Annalisa’s “Canzone Estiva” March 30, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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