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Music to Burnout To
Essays, MusicApril 1, 2025<April 1, 2025

Music to Burnout To

by Danny Vagnoni
Maya Delilah © Abeiku Arthur
Debut, Features, Interviews, MusicApril 1, 2025<April 1, 2025

Interview: Maya Delilah Embraces Nostalgia & Creative Freedom in Her Genre-Warping Debut Album, ‘The Long Way Round’

by Brianna Corrine
Yoko Ono and John Lennon prep for the One to One charity concerts in NYC circa 1971
Film, Music, ReviewsMarch 31, 2025<March 31, 2025

One to One: Yoko Ono Shines in New Doc on Ono-Lennons in NYC

by Aidan Moyer
Ariana Grande © Katia Temkin
Music, ReviewsMarch 31, 2025<March 31, 2025

Review: Ariana Grande Journeys Through Heartbreak and Healing in ‘Eternal Sunshine (Deluxe)’ & Short Film

by Danielle Holian
XIE © courtesy of the artist
Essays, Music, Playlists, Women's History MonthMarch 31, 2025<March 31, 2025

“Her Sound, Her Power”: A Women’s History Month Playlist by XIE

by Guest Writer
EMEL © Amber Grey
Essays, Music, Women's History MonthMarch 31, 2025<March 31, 2025

“Creating ‘MRA’ as a Fully Female Made Album”: An Essay by EMEL for Women’s History Month

by Guest Writer
Atwood Magazine's 2025 Women's History Month playlist!
Features, Music, Playlists, Women's History MonthMarch 31, 2025<March 31, 2025

She’s Got the Music in Her: Our 2025 Women’s History Month Soundtrack!

by Atwood Magazine Staff
MARINA © Bethany Vargas
Columns, Music, Today's SongMarch 30, 2025<March 30, 2025

“Don’t panic when it hits”: MARINA Gets Playful with Love’s Sharpest Arrows in “Cupid’s Girl”

by Danielle Holian
Brie Stoner "Topanga" © 2025
Music, PremieresMarch 28, 2025<April 1, 2025

Premiere: Brie Stoner’s Mythic & Cinematic “Topanga” Captures Canyon Dreams & Fleeting Flames

by Mitch Mosk
Beach Weather © TK TK
Features, Interviews, MusicMarch 28, 2025<March 28, 2025

Interview: Beach Weather’s Sean Silverman Talks Sound, Band Identity, & Their Latest Album, ‘Melt’

by Mariam Bagdady
Atwood Magazine's Weekly Roundup | March 28, 2025
Columns, Features, Music, Weekly RoundupMarch 28, 2025<April 2, 2025

Atwood Magazine’s Weekly Roundup: April 1, 2025

by Atwood Magazine Staff
Jo Hill "ZOOM OUT" © Phoebe Fox
Columns, Interviews, Music, Today's SongMarch 28, 2025<March 28, 2025

“You Got This, Babe!”: Jo Hill Breaks Down “ZOOM OUT,” Her Feel-Good Anthem of Empowerment, Girlhood, & Resilience

by Mitch Mosk
Salin © Lucas Zafiris
Essays, Music, Women's History MonthMarch 28, 2025<March 28, 2025

“We’ve All Become Too Masculine”: An Essay by Salin for Women’s History Month

by Guest Writer
Lauren Mia © 2025
Essays, Music, Women's History MonthMarch 28, 2025<March 28, 2025

“Feminine Frequencies”: A Playlist by Lauren Mia for Women’s History Month

by Guest Writer
Friend of a Friend © 2025
Essays, Music, Women's History MonthMarch 28, 2025<March 28, 2025

“Five Women Artists Who Shaped Me”: An Essay by Friend of a Friend for Women’s History Month

by Guest Writer
Posts pagination
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Brand New

  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’

:: discover something new ::

Recent Posts

  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life June 17, 2026
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’ June 17, 2026
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’ June 16, 2026
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’ June 16, 2026
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You June 16, 2026
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’ June 16, 2026
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’ June 16, 2026
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession June 15, 2026
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention June 15, 2026
  • Our Take: Pleasure Systems Returns More Hopeful Than Ever with Sophomore Album ‘Leave It in the Sand’ June 15, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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