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Joe George 'Folk Cinema' © Cory Dewald
Features, Interviews, Music, Track-by-TrackSeptember 5, 2024<September 5, 2024

Feature: The Sweet Seduction of Joe George’s Dreamy, Nostalgic & Dusty Third LP, ‘FOLK CINEMA’

by Mitch Mosk
Triple Seven - Wishy
Debut, Music, ReviewsSeptember 5, 2024<September 5, 2024

Quenching the Thirst of All Indie Rock Lovers, Wishy’s ‘Triple Seven’ Offers a Ten-Course Tasting Menu of Delicious Hooks & Scrumptious Bites

by Kevin Cost
Why Bonnie 'Wish on the Bone' © Julia Khoroshilov
Features, Interviews, MusicSeptember 5, 2024<September 6, 2024

God Bless This Mess: Blair Howerton on Why Bonnie’s Hopeful New Album, ‘Wish on the Bone’

by Will Yarbrough
Dhani Harrison and Mereki Beach trade vocals on their co-write “Ghost Garden” for the INNERSOUNDSTAGE live concert © Aidan Moyer
Concerts, Music, ReviewsSeptember 5, 2024<September 5, 2024

Wonderful Light, We Set the Scene: Dhani Harrison Takes the INNERSOUNDSTAGE

by Aidan Moyer
Oh Wonder, 10 Years On
Columns, Music, Today's SongSeptember 4, 2024<September 4, 2024

“Before you came ’round my heart would never beat much faster”: Oh Wonder Revisit Their Breathtaking Debut Single With “Body Gold (10 Years On)”

by Mitch Mosk
Sloan Golden 'Missing Stair' © Lauren Nieves
Debut, Features, Interviews, Music, Premieres, Track-by-TrackSeptember 4, 2024<September 4, 2024

Reflective, Unflinching, & Palpable: Sloan Golden Debuts With Intimacy, Intentionality, and ‘Long Conversations’

by Mitch Mosk
Hinds 'Viva Hinds' © Dario Vazquez
Features, Interviews, MusicSeptember 4, 2024<September 4, 2024

“Hi, How Are You?”: Hinds Reintroduce Themselves on Danceable & Unforgettable New Album ‘VIVA HINDS’

by Aaron Childree
Short n’ Sweet - Sabrina Carpenter
Features, Music, Reviews, RoundtableSeptember 4, 2024<September 4, 2024

Roundtable Discussion: A Review of Sabrina Carpenter’s ‘Short n’ Sweet’

by Atwood Magazine Staff
Atwood Magazine's Weekly Roundup | September 2, 2024
Columns, Features, Music, Weekly RoundupSeptember 2, 2024<September 4, 2024

Atwood Magazine’s Weekly Roundup: September 2, 2024

by Atwood Magazine Staff
country girl © Ashley Lieberman
Columns, Music, Today's SongSeptember 1, 2024<September 1, 2024

“I wanna shine inside your world”: country girl’s “your favorite girl” Is a Sweet Romantic Seduction

by Mitch Mosk
The Sherlocks © Nathan Kobierowsky
Columns, Music, Today's SongAugust 31, 2024<August 31, 2024

“This light always shines for you”: The Sherlocks’ “Death of Me” Is an Indie Rock Anthem for the Ages

by Mitch Mosk
Tim Atlas © Tim Atlas
Debut, Features, Interviews, Music, Track-by-TrackAugust 30, 2024<August 30, 2024

“A reintroduction to me as a human and as an artist”: Tim Atlas Unpacks ‘Enchanté,’ His Ambitiously Bold Debut LP

by Mitch Mosk
Nick Cave © Megan Cullen
Music, ReviewsAugust 30, 2024<August 30, 2024

Review: ‘Wild God’ Carries Nick Cave & The Bad Seeds Out of a Lost Place

by Liv Goodbody
Water the Flowers, Pray for a Garden - Valley
Features, Interviews, Music, Track-by-TrackAugust 30, 2024<September 3, 2024

‘Water the Flowers, Pray for a Garden’: Valley Discuss Grief, Growth, & Owning Their Truths With Their Third LP

by Mitch Mosk
Bishop Briggs © Nick Walker
Columns, Music, Today's SongAugust 29, 2024<August 29, 2024

“I want you to knock my lights out”: Bishop Briggs’ Messy, Sweaty, & Intoxicating Anthem, “Mona Lisa on a Mattress”

by Mitch Mosk
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Brand New

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’

:: discover something new ::

Recent Posts

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
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