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Lucy Dacus © Shervin Lainez
Columns, Music, Today's SongMarch 4, 2025<March 4, 2025

Lucy Dacus Escapes Love With “Best Guess” and “Limerence”

by Marc Maleri
Sy Ari Da Kid © Chase Gozy
Black History Month, Essays, MusicMarch 3, 2025<March 3, 2025

“The Last Shadow in the Shade”: An Essay by Sy Ari Da Kid for Black History Month

by Guest Writer
The Lumineers © Noah Griffel
Features, Interviews, MusicMarch 3, 2025<March 3, 2025

The Magic of The Lumineers: An ‘Automatic’ Interview With Jeremiah Fraites

by Kelly McCafferty Dorogy
Sub Radio © Annaliese Baker
Concerts, Music, ReviewsMarch 3, 2025<March 3, 2025

Live Review: Sub-Radio Brighten Chicago Winter on the Sunrise City Tour

by Annaliese Baker
Selena Gomez, Benny Blanco, & Gracie Abrams © Aidan Cullen
Columns, Music, Today's SongMarch 3, 2025<March 3, 2025

Today’s Song: Selena Gomez, Benny Blanco, & Gracie Abrams Navigate Heartbreak and Hope in “Call Me When You Break Up”

by Danielle Holian
Chioke © Quincey Best
Black History Month, Essays, MusicMarch 3, 2025<March 3, 2025

“When in Doubt”: Two Poems by Chioke for Black History Month

by Guest Writer
Joy Clark © Steve Rapport
Black History Month, Essays, MusicMarch 3, 2025<March 3, 2025

“Finding Inspiration, Creativity, & Connection Right Around Me”: An Essay by Joy Clark for Black History Month

by Guest Writer
Julien Baker & TORRES © Ebru Yildiz
Columns, Music, Today's SongMarch 2, 2025<March 2, 2025

“Sylvia, don’t forget me”: Julien Baker & TORRES’ Soul-Stirring Ode to Unconditional Love

by Mitch Mosk
Stevie Bill "Fan" © Monique Penders
Columns, Music, Today's SongMarch 1, 2025<March 1, 2025

“Don’t Spoil My Appetite”: Stevie Bill’s “Fan” Is a Euphoric Love Letter to the the Fever of Fandom

by Mitch Mosk
Atwood Magazine's 2025 Black History Month playlist!
Black History Month, Features, Music, PlaylistsFebruary 28, 2025<March 1, 2025

Celebrating Black Art & Artistry: Our 2025 Black History Month Soundtrack!

by Atwood Magazine Staff
Atwood Magazine's 112th Editor's Picks!
Columns, Editor's Picks, Features, MusicFebruary 28, 2025<March 7, 2025

Editor’s Picks 112: Gordi, Mt. Joy, Carla Aakre, Father John Misty, Jensen McRae, & Sam Fender!

by Mitch Mosk
Atwood Magazine's Weekly Roundup | February 27, 2025
Columns, Features, Music, Weekly RoundupFebruary 28, 2025<March 3, 2025

Atwood Magazine’s Weekly Roundup: February 28, 2025

by Atwood Magazine Staff
Cornelia Murr © Laura-Lynn Petrick
Features, Interviews, MusicFebruary 28, 2025<February 28, 2025

Interview: Cornelia Murr on Her Artistic Evolution, the Journey Home, & Sophomore Album ‘Run to the Center’

by Marc Maleri
Sean Haefeli © Kimani Schumann
Black History Month, Essays, MusicFebruary 28, 2025<February 28, 2025

“Reverence, Resonance, Amplified Future”: An Essay by Sean Haefeli for Black History Month

by Guest Writer
Wishy © Athena Merry
Columns, Music, Today's SongFebruary 28, 2025<February 28, 2025

Today’s Song: Anxiety Can Be Burdensome, But Wishy Implore You to Be Weightless & “Fly”

by Kevin Cost
Posts pagination
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Brand New

  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’

:: discover something new ::

Recent Posts

  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life June 17, 2026
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’ June 17, 2026
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’ June 16, 2026
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’ June 16, 2026
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You June 16, 2026
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’ June 16, 2026
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’ June 16, 2026
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession June 15, 2026
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention June 15, 2026
  • Our Take: Pleasure Systems Returns More Hopeful Than Ever with Sophomore Album ‘Leave It in the Sand’ June 15, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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