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Little Mystery © Maya Meissner
Debut, Features, Interviews, Music, Track-by-TrackAugust 29, 2024<August 29, 2024

“I am not who I thought I’d be”: Little Mystery’s Ivy Meissner Bares Her Soul on Breathtaking Debut LP

by Mitch Mosk
The Rare Occasions © Alex Justice
Features, Interviews, Music, Track-by-TrackAugust 29, 2024<August 29, 2024

Track-by-Track: The Rare Occasions Unpack 2022’s ‘Attaboy’ EP, an Exhilarating & Undeniably Fun Indie Rock Record

by Mitch Mosk
meadows © 2024
Music, PremieresAugust 29, 2024<August 29, 2024

“I’m falling apart in the red car”: Winnipeg’s meadows Brace for Loss on “If You Go,” a Brooding Slowcore Daydream

by Mitch Mosk
FINNEAS © Muriel Margaret
Columns, Music, Today's SongAugust 28, 2024<August 28, 2024

Today’s Song: FINNEAS’ “For Cryin’ Out Loud!” Is a Quirky Exploration of Love and Heartache

by Danielle Holian
Evan Honer © Harrison Hargrave
Features, Interviews, Music, Track-by-TrackAugust 28, 2024<August 28, 2024

Truth, Resilience, & Longing: Evan Honer Finds What He’s ‘Fighting For’ With His Soul-Stirring Sophomore Album

by Mitch Mosk
In a sprawling 5-hour collection, with no less than 6 versions of each song from the original tracklist, the new ‘Mind Games’ deluxe set favorably contextualizes a hidden gem of John Lennon’s solo catalog. © Aidan Moyer
Music, ReviewsAugust 28, 2024<October 9, 2025

We Can Shake It With Love When We’re Scared: John Lennon’s ‘Mind Games’ Box Set Review

by Aidan Moyer
lovelytheband © Eric Daniels
Features, Interviews, MusicAugust 28, 2024<August 28, 2024

“A happy accident”: lovelytheband’s Self-Titled Album Captures Their Lovely Core Through Reflections on the Past, Present, & Future

by Lauren Turner
Garrett Owen © Brendan Blaney
Music, PremieresAugust 28, 2024<August 28, 2024

Premiere: Garrett Owen Finds Beauty in the Dysfunctional With the Moving “Beautiful Stain”

by Frankie Rose
Del Water Gap 'I Miss You Already + I Haven't Left Yet (Deluxe)' album art
Columns, Music, Today's SongAugust 27, 2024<August 27, 2024

“Everything I touch turns eventually to dirt”: Del Water Gap Declares Himself King “Midas” in Reverse on Gut-Wrenching Anthem

by Mitch Mosk
Trousdale © Caity Krone
Debut, Features, Interviews, Music, Track-by-TrackAugust 27, 2024<August 27, 2024

Feature: Trousdale Breathe New Life into Their Sun-Kissed Debut With ‘Out of My Mind (Deluxe)’

by Mitch Mosk
Wunderhorse © Polocho
Features, Interviews, MusicAugust 27, 2024<September 29, 2024

“There was magic, like alchemy, in the air”: Wunderhorse’s Jacob Slater on the Band’s Perfectly Unrefined Second LP, ‘Midas’

by Christine Buckley
KROY © 2024
Columns, Music, Music & CitiesAugust 27, 2024<August 27, 2024

Music & Cities: KROY’s ‘SCAVENGER’ in Montréal Amidst the Dawning of Her New Album, ‘Militia’

by David Buyze
Def Leppard's Joe Elliott © Steve Thrasher / SoFi Stadium
Concerts, Music, ReviewsAugust 27, 2024<August 27, 2024

Live Review: Def Leppard, Journey, & Steve Miller Band Rock Inglewood’s SoFi Stadium

by Emma Schoors
Real Estate © Sinna Nasseri
Features, Interviews, MusicAugust 27, 2024<August 27, 2024

Songs to Myself: An Interview With Real Estate’s Martin Courtney

by Kate Millar
Atwood Magazine's Weekly Roundup | August 26, 2024
Columns, Features, Music, Weekly RoundupAugust 26, 2024<August 29, 2024

Atwood Magazine’s Weekly Roundup: August 26, 2024

by Atwood Magazine Staff
Posts pagination
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Brand New

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’

:: discover something new ::

Recent Posts

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
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