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Our Favorite Love Songs of All Time | Valentine's Day 2025
Features, Music, PlaylistsFebruary 14, 2025<February 14, 2025

All You Need Is Love (Songs): Our 2025 Valentine’s Day Soundtrack!

by Atwood Magazine Staff
Bartees Strange © Elizabeth De La Piedra
Features, Interviews, MusicFebruary 14, 2025<February 14, 2025

“Super Dark Times”: Bartees Strange on Turning Fear into Fuel in ‘Horror,’ a Record of Musical & Emotional Deconstruction

by Mitch Mosk
Alessia Cara 'Love & Hyperbole' © Alex Loucas
Features, Interviews, MusicFebruary 14, 2025<February 14, 2025

Interview: Alessia Cara on ‘Love & Hyperbole,’ Feeling Big Feelings, and Learning to Choose Joy

by Mitch Mosk
Short n’ Sweet (Deluxe) - Sabrina Carpenter
Columns, Music, Today's SongFebruary 14, 2025<February 14, 2025

Today’s Song: The Lovestruck Empowerment of Sabrina Carpenter’s “Busy Woman”

by Annaliese Baker
Atwood Magazine's 110th Editor's Picks
Columns, Editor's Picks, Features, MusicFebruary 13, 2025<February 13, 2025

Editor’s Picks 110: James Bay, The Aces, Bren Joy, Stevie Bill, Julien Baker & TORRES, & Gabriel Jacoby!

by Mitch Mosk
Rose Gray 'Louder, Please!' © Yana Van Nuffel
Debut, Features, Interviews, MusicFebruary 13, 2025<February 13, 2025

Interview: Rose Gray, the Party People’s Princess

by Brian Denney
Magic Bronson © Cameron Maier
Music, Reviews, Track-by-TrackFebruary 13, 2025<February 13, 2025

Track-by-Track: Magic Bronson Offer a Motivating Antidote With ‘Good Dogs’

by Joe Beer
Nico
Columns, Music, Nostalgia TracksFebruary 13, 2025<February 13, 2025

Nostalgia Tracks: Finding Consolation in Nico’s “These Days”

by McKenna Lucas
Luke Tyler Shelton © 2025
Artist to Watch, Columns, Music, Today's SongFebruary 13, 2025<February 13, 2025

Today’s Song: Luke Tyler Shelton’s Sun-Soaked “Love on My Mind” Shines With Vintage Warmth & Timeless Sound

by Mitch Mosk
Disaster Kid © 2025
Music, Music Videos, PremieresFebruary 12, 2025<February 12, 2025

Premiere: Chicago’s Disaster Kid Embrace Love & Schmaltz on “Wine/Weapon”

by Mitch Mosk
Juice Mazelee © Dennis Thompson & Jeremiah Fristoe
Features, Interviews, Music, Track-by-TrackFebruary 12, 2025<February 12, 2025

Feature: Chicago Rapper Juice Mazelee on Legacy, Identity, and Why He’s ‘HERE NOW N FOREVER’

by Mitch Mosk
Julia Logan © Olof Grind
Features, Interviews, Music, Track-by-TrackFebruary 12, 2025<February 12, 2025

‘Faraway Nearby’: Julia Logan Explores Connection, Distance, & the Human Experience on Her Soul-Stirring Sophomore Album

by Mitch Mosk
Ziggy Alberts © Janneke Storm
Columns, Music, Today's SongFebruary 12, 2025<February 12, 2025

Today’s Song: Ziggy Alberts’ “I’m With You” Is a Sun-Kissed Celebration of Love, Adventure, & Life’s Simple Pleasures

by Mitch Mosk
Lucette © Sebestian Buzzalino
Music, PremieresFebruary 11, 2025<February 11, 2025

Premiere: Lucette’s “Too Soon for Sorry” Is a Smoky, Soulful Fever Dream of Regret & Late-Night Longing

by Mitch Mosk
Atwood Magazine's Weekly Roundup | February 11, 2025
Columns, Features, Music, Weekly RoundupFebruary 11, 2025<February 11, 2025

Atwood Magazine’s Weekly Roundup: February 11, 2025

by Atwood Magazine Staff
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Brand New

  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’

:: discover something new ::

Recent Posts

  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life June 17, 2026
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’ June 17, 2026
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’ June 16, 2026
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’ June 16, 2026
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You June 16, 2026
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’ June 16, 2026
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’ June 16, 2026
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession June 15, 2026
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention June 15, 2026
  • Our Take: Pleasure Systems Returns More Hopeful Than Ever with Sophomore Album ‘Leave It in the Sand’ June 15, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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