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Footballhead © Morgan Paige
Music, ReviewsAugust 15, 2024<August 15, 2024

Review: Footballhead Deliver a Ripping Alt-Rock Record on ‘Before I Die’

by James Crowley
Psychic Lines © Steve de Seve
Columns, Music, Today's SongAugust 15, 2024<August 14, 2024

Today’s Song: Brooklyn Trio Psychic Lines’ “LA in My Mind” Captures the Idea of Clinging onto a Beautiful Illusion

by Chloe Robinson
the whaler - Home Is Where
Music, Reviews, Track-by-TrackAugust 15, 2024<August 14, 2024

Track-by-Track: Home Is Where’s ‘the whaler’ Is a Lifetime of Damnation, Lived Again, and Again, and Again…

by Frederick Bloy
Billy Keane © 2024
Music, PremieresAugust 15, 2024<August 14, 2024

Premiere: Billy Keane’s Feel-Good “Girl Ain’t Mine” Is Breathtaking, Soul-Shaking Blues Rock at Its Finest

by Mitch Mosk
Amor Muere © Natanael Guzmán
Debut, MusicAugust 14, 2024<August 14, 2024

Interview: ‘A Time to Live, A Time to Die,’ and a Time to Lend Amor Muere an Ear

by Josh Weiner
Maude Latour 'Sugar Water' © Christina Bryson
Debut, Features, Interviews, MusicAugust 14, 2024<August 16, 2024

Interview: ‘Sugar Water,’ Explained in Maude Latour Pop Terms

by Blake McMillan
Stevie Bill © Monique Penders
Columns, Music, Today's SongAugust 14, 2024<August 14, 2024

Stevie Bill’s “Lalala” Is an Irresistible Ode to Our Favorite Songs – And It’s Ready to Become One

by Mitch Mosk
The Killers "Bright Lights" © 2024
Music, Reviews, This Just InAugust 14, 2024<August 14, 2024

The Killers Turn the “Bright Lights” on in a Larger-Than-Life Anthem of Passion, Purpose, & Chasing Dreams

by Mitch Mosk
nicholas © Tim Nagle
Music, PremieresAugust 13, 2024<August 13, 2024

“Waiting on a lonesome dream”: The Soulful Ache of nicholas’ “Belinda”

by Mitch Mosk
Mila Degray "Masculine Charm" © Lucas O.M.
Columns, Interviews, Music, Today's SongAugust 13, 2024<August 13, 2024

“A time capsule of my naivety”: Mila Degray Is Channeling Coming-of-Age Angst into Indie Rock Wonders

by Mitch Mosk
Atwood Magazine's Weekly Roundup | August 12, 2024
Columns, Features, Music, Weekly RoundupAugust 12, 2024<August 14, 2024

Atwood Magazine’s Weekly Roundup: August 12, 2024

by Atwood Magazine Staff
Kate Prascher © Shervin Lainez
Music, Music Videos, PremieresAugust 12, 2024<August 12, 2024

“All the things we’ve tried have left a mark”: Kate Prascher Weaves Love, Light, & Lilting Folk Together on “The Island”

by Mitch Mosk
Sunday (1994) © 2024
Artist to Watch, Columns, Interviews, Music, Today's SongAugust 12, 2024<August 12, 2024

“I swallowed SSRI need you”: Sunday (1994) Maximize Life’s Minimal Moments Through Dreamy, Emotive Love Songs

by Mitch Mosk
Outlaw Music Festival 2024 © Aidan Moyer
Festival, Music, ReviewsAugust 12, 2024<August 12, 2024

Seen a Shooting Star Tonight: 2024’s Outlaw Music Festival Rocks New Jersey

by Aidan Moyer
Quiet Light © Leah Blom
Music, ReviewsAugust 12, 2024<August 12, 2024

One Year of ‘Blue Angel Sparkling Silver’: Revisiting Quiet Light’s Sweeping Sonic Cosmos

by Rachel Leong
Posts pagination
1 … 83 84 85 86 87 … 711

Brand New

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’

:: discover something new ::

Recent Posts

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
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