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Columns, Music, Nostalgia TracksJuly 18, 2024<July 18, 2024 Nostalgia Tracks: Diving into All the Glamor and the Trauma of Lorde’s ‘Melodrama’ by Emma Rayder
Events, Interviews, MusicJuly 18, 2024<July 17, 2024 Interview: Nerd Is the Word as Nerdcore Party Con ’24 Takes Over Raleigh, North Carolina by Chloe Robinson
Interviews, MusicJuly 18, 2024<July 11, 2024 Interview with China Forbes of Pink Martini: On ‘The Road’ Back to Solo Record-Making After 15 Years Away by Josh Weiner
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Features, Interviews, MusicJuly 17, 2024<July 23, 2024 Interview: The Greeting Committee Cycle from Pondering to Pop with ‘Everyone’s Gone and I Know I’m the Cause’ by Madeleine Eggen
Columns, Music, Today's SongJuly 17, 2024<July 22, 2024 Lunar Vacation “Set the Stage” for Their Sophomore Album ‘Everything Matters, Everything’s Fire’ by Marc Maleri
Features, Interviews, MusicJuly 16, 2024<July 11, 2024 Interview: Lime Cordiale Discuss New Concept Album, Tall Poppy Syndrome, & Their Pledge to Change an “Unchangable Industry” by Liv Goodbody
6.8 Music, Our Take, ReviewsJuly 16, 2024<July 15, 2024 Our Take: Eminem Delivers Respectable Late-Career Effort on ‘The Death of Slim Shady’ by Josh Weiner
Features, Music, Reviews, RoundtableJuly 16, 2024<August 5, 2024 Roundtable Discussion: A Review of Camila Cabello’s ‘C,XOXO’ by Atwood Magazine Staff
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Music, ReviewsJuly 16, 2024<July 15, 2024 Review: Instrumental Duo O. Forge a Raw, Visceral, & Enthralling Sound on Epic Debut ‘WeirdOs’ by Jake Fewx
Debut, Features, Interviews, MusicJuly 15, 2024<March 2, 2025 Interview: Caleb Hearn Discusses Finding His Sound, Navigating TikTok, & Debut Album ‘Left on McKinney’ by Aaron Childree
For the Love of Music
For the Love of Music
