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Tinsley "Good Ride" © Kyla Mae Cantillo
Music, PremieresJune 5, 2024<June 5, 2024

Premiere: Tinsley’s Dreamy Country-Pop Song “Good Ride (Mechanical Bullshit)” Aches With a Tender Indie Twang

by Mitch Mosk
Las Nubes © Sal Rispoli
Editorials, Music, PlaylistsJune 5, 2024<June 5, 2024

Las Nubes Present: South Florida Bands We Played in (or With) at Churchill’s During Its Final Decade

by Guest Writer
Girl and Girl © James Caswell
Features, Interviews, MusicJune 5, 2024<June 5, 2024

Channeling Dramatics: Girl and Girl’s Kai Aubort Talks Debut Album ‘Call a Doctor,’ Mental Health, & Theatrics

by Claire Meyer
Jon Muq’s debut album, Flying Away
Debut, Features, Interviews, Music, Track-by-TrackJune 4, 2024<June 4, 2024

“It’s in my blood, I was born to roam”: Jon Muq Finds His Home in Song on Debut Album ‘Flying Away’

by Mitch Mosk
The Stanford Family Band © Milo Costelloe
Debut, Features, Interviews, Music, Track-by-TrackJune 4, 2024<June 4, 2024

Track-by-Track: The Stanford Family Band’s Vibrantly Vintage Debut EP Is Here ‘For Your Listening Pleasure’

by Mitch Mosk
Lives Outgrown - Beth Gibbons
Debut, Music, ReviewsJune 3, 2024<June 3, 2024

Beth Gibbons Pensively Looks at Her Past & What Lies Ahead Still on Solo Debut ‘Lives Outgrown’

by Kevin Krein
Joywave 'Permanent Pleasure' © Grant Spanier
Features, Interviews, MusicJune 3, 2024<June 4, 2024

Joywave Are Becoming ‘Permanent Pleasure’: Daniel Armbruster Discusses the Band’s Latest Album, Decision Fatigue, & Cats in Sunbeams

by Emma Rayder
Shannon and the Clams © Jim Herrington
Columns, Music, Today's SongJune 3, 2024<June 3, 2024

Today’s Song: Shannon & The Clams Embrace the Surreal Nature of Time and Memory on “Dali’s Clock”

by Beau Hayhoe
Illuminati Hotties' Sarah Tudzin © Shervin Lainez
Columns, Music, Today's SongJune 2, 2024<May 30, 2024

Illuminati Hotties Explores the Dark Side of Running From Your Inner Voice on the Catchy “Can’t Be Still”

by Oliver Crook
Wishy © Alexa Viscius
Artist to Watch, Columns, Music, Today's SongJune 1, 2024<May 30, 2024

We’ve Got a Winner: Wishy Score Big With “Love on the Outside,” Their First Single Off Upcoming Debut Album ‘Triple Seven’

by Kevin Cost
Atwood Magazine's Weekly Roundup | May 31, 2024
Columns, Features, Music, Weekly RoundupMay 31, 2024<June 7, 2024

Atwood Magazine’s Weekly Roundup: May 31, 2024

by Atwood Magazine Staff
The Art of Getting Through - Imogen Clark
Features, Interviews, Music, Track-by-TrackMay 31, 2024<May 31, 2024

Track-by-Track: Imogen Clark’s ‘The Art of Getting Through’ Is a Rallying Cry for Survival & the Human Spirit

by Mitch Mosk
Niamh Regan 'Come As You Are' © Molly Keane
Features, Interviews, Music, Track-by-TrackMay 31, 2024<May 31, 2024

“I’m in it for the long haul, baby”: Niamh Regan Embraces a Spirit of Truth in ‘Come As You Are,’ a Breathtaking Record of Raw Self-Acceptance

by Mitch Mosk
Bo Baskoro © Shawnie Fortune
Music, PremieresMay 31, 2024<November 2, 2025

“Don’t be scared to feel too much”: Bo Baskoro’s “Give You Up” Is a Heartfelt Song About Showing Up for Our Loved Ones

by Mitch Mosk
Winnetka Bowling League © Paige Sara
Debut, Features, Interviews, MusicMay 31, 2024<May 31, 2024

Interview: Matthew Koma Talks Astrology, Context, & Winnetka Bowling League’s Debut Album, ‘Sha La La’

by Emma Rayder
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Brand New

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’

:: discover something new ::

Recent Posts

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
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