Features, Music, Reviews, RoundtableNovember 6, 2025<November 6, 2025 Roundtable Discussion: A Review of Florence + The Machine’s ‘Everybody Scream’ by Atwood Magazine Staff
Music, ReviewsNovember 5, 2025<November 5, 2025 Dave’s ‘The Boy Who Played the Harp’ Dares You to Battle Anxieties Within Yourself & the World Around Us by Andrew Lamson
Features, Interviews, MusicNovember 5, 2025<November 7, 2025 A World on Fire and a Song to Match: Paris Paloma’s “Good Boy” Era Has Arrived by Nicolle Knapová
Features, Interviews, MusicNovember 4, 2025<November 4, 2025 From Shadows to Spotlight: Laura Evans’ ‘Out of the Dark’ Shines Bright by Aileen Goos
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Features, Interviews, MusicOctober 31, 2025<November 6, 2025 “this won’t last forever”: joan Embrace Impermanence, Creation, & the Beauty of Living in the Grey on Their Cinematic Sophomore Album by Mitch Mosk
Features, Music, Reviews, RoundtableOctober 31, 2025<October 31, 2025 Roundtable Discussion: A Review of Not for Radio’s ‘Melt’ by Atwood Magazine Staff
Interviews, MusicOctober 30, 2025<October 30, 2025 A Conversation with Magnetic Skies: Conquering the Electro-Retro-Futuristic World in Full Force by Josh Weiner
Features, Interviews, MusicOctober 30, 2025<October 30, 2025 “Life Is Meant to Be Celebrated”: The Aces’ ‘Gold Star Baby’ Is a Disco-Pop Party of Liberation, Joy, & Queer Euphoria – and Everyone’s Invited! by Mitch Mosk
8.1 Music, Our Take, ReviewsOctober 30, 2025<October 30, 2025 Our Take: Sorry Not Sorry, But Pop Demi Lovato Is Back (and ‘It’s Not That Deep’) by Danielle Holian
Features, Interviews, Music, Track-by-TrackOctober 29, 2025<October 29, 2025 Roads, Reveries, & Reckoning: Rising Folk-Pop Artist Brenn! Unpacks the Emotional Arc of His ‘Upstate’ EP by Mitch Mosk
Features, Interviews, MusicOctober 29, 2025<October 30, 2025 “Part 1 was the inhale, and Part 2 is the exhale”: Nick Mulvey Harvests, Becomes, and Shines in ‘Dark Harvest Pt. 2’ by Rachel Leong
Features, Interviews, MusicOctober 29, 2025<October 29, 2025 “I’m less afraid to embody joy now”: Indigo De Souza Stares Down the Edge and Dives into Hope on ‘Precipice’ by Nicolle Knapová
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