Music, Our Take, Reviews, Track-by-TrackMay 23, 2019<May 23, 2019 The Tallest Man on Earth’s ‘I Love You. It’s a Fever Dream.’: A Track-by-Track Review by Adrian Vargas
Music, ReviewsMay 22, 2019<August 5, 2021 Solange’s Gorgeous ‘When I Get Home’ Melds Floor-Shaking Beats with Dizzying Songwriting by Atwood Magazine Staff
Music, Our Take, ReviewsMay 21, 2019<May 21, 2019 Our Take: Institute’s ‘Readjusting the Locks’ Gives a Firm Middle Finger to the Establishment by Kareem Ghezawi
Features, Music, Premieres, ReviewsMay 20, 2019<May 20, 2019 Album Premiere: Moving On with Meiko’s Breathtakingly Intimate ‘In Your Dreams’ by Mitch Mosk
Debut, Features, Interviews, MusicMay 17, 2019<May 18, 2019 Uncovering ‘Sad People Dancing’: La Bouquet’s Heartbreak, Self-Discovery, and Everything In-Between by Caitlin Ison
Music, Our Take, ReviewsMay 16, 2019<May 17, 2019 Our Take: The Strength and Maturity of Carly Rae Jepsen’s ‘Dedicated’ by Danny Vagnoni
Music, ReviewsMay 16, 2019<May 23, 2019 Review: Tank and The Bangas’ Luminous, Theatrical Album ‘Green Balloon’ by Mariel Fechik
Debut, Features, Interviews, MusicMay 15, 2019<May 15, 2019 ‘Divinely Uninspired’ and Beautifully Aching: An Interview with Lewis Capaldi by Luke Pettican
Music, ReviewsMay 14, 2019<May 14, 2019 Review: Reese McHenry Roars into Our Ears & Hearts with Blistering LP ‘No Dados’ by Oliver Crook
Music, Our Take, ReviewsMay 8, 2019<May 8, 2019 Our Take: Rodrigo y Gabriela Forge a Fiery New Path for Nuevo Flamenco on ‘Mettavolution’ by Danny Vagnoni
Music, Our Take, ReviewsMay 2, 2019<May 2, 2019 Our Take: Marissa Nadler & Stephen Brodsky’s Beautiful, Haunting ‘Droneflower’ by Kareem Ghezawi
Debut, Music, ReviewsApril 29, 2019<April 29, 2019 Review: A Lesson in Self-Love, by Lizzo’s ‘Cuz I Love You’ by Frankie Rose
Features, Music, Premieres, ReviewsApril 25, 2019<April 25, 2019 Album Premiere: Caleb Hawley’s ‘Sad People’ is an Inquiry into the Human Condition by Ben Beamish
Features, Interviews, MusicApril 24, 2019<April 24, 2019 Feature: The New Savoir Adore Flourish in ‘Full Bloom’ by Danny Vagnoni
Music, ReviewsApril 22, 2019<April 19, 2019 Review: Mat Kerekes Exceeds Expectations with the Tangible World in ‘Ruby’ by Danielle Chelosky