Debut, Music, ReviewsNovember 20, 2018<November 20, 2018 Review: On Pale Waves’ ‘My Mind Makes Noises,’ Nostalgia and Romance Burn Bright by Meredith Nardino
Music, ReviewsNovember 15, 2018<August 5, 2021 Review: Adé Hakim’s ‘On to Better Things’ Pushes Hip-Hop’s Sound into the Unknown by Atwood Magazine Staff
Debut, Interviews, Music, PremieresNovember 13, 2018<November 13, 2018 Album Premiere: TONKS Unveils His Stirringly Vulnerable Debut ‘Windows Down & Dying’ by Mitch Mosk
Debut, Music, Reviews, Track-by-TrackNovember 12, 2018<November 12, 2018 Living in a Movie: A Track-by-Track Review of Black Honey’s Debut Album by Lindsay Call
Debut, Features, Music, PremieresNovember 8, 2018<November 8, 2018 Album Premiere: Timber Debut ‘The Family’ with an Enchanting Ambient Allure by Mitch Mosk
7.9 Music, Our Take, ReviewsNovember 8, 2018<October 16, 2024 Our Take: Logic Continues to Dazzle on Consistently Impressive ‘YSIV’ by Josh Weiner
Debut, Music, PremieresNovember 1, 2018<November 1, 2018 Album Premiere: Embarking on a New Adventure with oh800’s debut ‘Character Building’ by Audrey Steeves
Features, Music, Reviews, Track-by-TrackOctober 29, 2018<November 8, 2018 Album Review: BROCKHAMPTON Shine with ‘iridescence’ by Atwood Magazine Staff
Debut, Music, ReviewsOctober 26, 2018<October 26, 2018 Sink Your Teeth into the Juicy, Soulful Sound of The West Coast Feed by Carolyn Fasone
Music, Our Take, ReviewsOctober 23, 2018<October 23, 2018 Our Take: Alexandra Stréliski’s ‘INSCAPE’ Is a Melancholic, Bright Step Towards Finding Hope by Adrian Vargas
Features, Music, Premieres, ReviewsOctober 9, 2018<October 9, 2018 Album Premiere: On ‘Confluence’, Emma’s Lounge Create a Playful Collage of Influences & Moods by Frankie Rose
Music, Our Take, ReviewsOctober 5, 2018<October 5, 2018 Our Take: With ‘Kamikaze’, Maybe Slim Shady Does Care What You Think, For Once? by Josh Weiner
Debut, Music, ReviewsOctober 4, 2018<October 4, 2018 Review: Ember Knight’s ‘The Disappointment Cowboy’ Does Anything But Disappoint by Carolyn Fasone
Music, Our Take, ReviewsSeptember 28, 2018<October 2, 2018 Compartmentalizing What Makes Us Human: A Track-By-Track Review of The Tallest Man on Earth’s “When the Bird Sees the Solid Ground” by Adrian Vargas
9.1 Debut, Features, Music, PremieresSeptember 26, 2018<October 4, 2023 Album Premiere: The Intimate Alternative Warmth of Hello June’s Dazzling Debut Album by Mitch Mosk
For the Love of Music
For the Love of Music
