Debut, Features, Interviews, Music, Track-by-TrackSeptember 25, 2024<October 2, 2024 “Just chasing the music”: Chance Peña Goes Track-by-Track Through His Debut LP ‘Ever-Shifting, Continual Blossoming,’ a Soul-Stirring Labor of Love by Mitch Mosk
Columns, Interviews, Music, Today's SongSeptember 25, 2024<September 25, 2024 “I didn’t earn my stripes until I threw a punch”: Melbourne’s Holly Hebe Is Embracing Identity Crises & Self-Discovery on Dreamy Anthem “Bottle Blonde” & ‘Ruby’ EP by Mitch Mosk
Concerts, Music, ReviewsSeptember 25, 2024<September 25, 2024 Live Review: The Spirit Appears at the Kid Lake Show in Ridgewood, Queens by Hannah Burns
Features, Interviews, MusicSeptember 25, 2024<September 5, 2025 “I have always been drawn to the in-between stuff”: Porches on His Supersaturated and Sonorous LP, ‘Shirt’ by Nasim Elyasi
Debut, Music, ReviewsSeptember 25, 2024<September 25, 2024 Review: Dora Jar’s Debut Album ‘No Way to Relax When You Are on Fire’ Cements Her As a Trailblazer & All-Around Champion of Pop by Olivia Martinez
8 Music, Our Take, ReviewsSeptember 25, 2024<September 24, 2024 Our Take: LL Cool J Cements Hip-Hop Legend Status With ‘THE FORCE’ by Josh Weiner
Features, Interviews, Music, Track-by-TrackSeptember 23, 2024<September 23, 2024 Track-by-Track: Juliet Ivy Soundtracks Existential Girlhood With Soul-Baring EP ‘tiny but scary’ by Mitch Mosk
Debut, Features, Music, Reviews, RoundtableSeptember 23, 2024<September 23, 2024 Roundtable Discussion: Chappell Roan’s ‘The Rise and Fall of a Midwest Princess’ Turns 1 by Atwood Magazine Staff
Music, ReviewsSeptember 23, 2024<September 23, 2024 Review: Melt-Banana Continue a 30-Year Streak of Excellence With ‘3+5,’ a Bold, Creative, & Face-Melting Noise Rock Masterpiece by Jake Fewx
Features, Interviews, Music, Track-by-TrackSeptember 20, 2024<October 5, 2024 Track-by-Track: Wilderado Embrace Intentionality on ‘Talker,’ Their Spirited & Soul-Stirring Sophomore Album by Mitch Mosk
Features, Music, Reviews, RoundtableSeptember 20, 2024<September 24, 2024 Roundtable Discussion: A Review of beabadoobee’s ‘This Is How Tomorrow Moves’ by Atwood Magazine Staff
Features, Interviews, MusicSeptember 20, 2024<September 20, 2024 “I’m proud of how uncompromising it is”: Noga Erez on Her Monster Alt-Pop Album, ‘The Vandalist’ by Christine Buckley
Music, ReviewsSeptember 20, 2024<September 20, 2024 An Album Oozing With Dangerous Ecstasy, ‘In Waves’ Is an Intense Dive into Jamie xx’s New Sound by Liv Goodbody
Debut, Features, Interviews, MusicSeptember 19, 2024<September 19, 2024 “Trying to Find My Way”: Musogabi Reaches for the Stars in His Debut Album ‘Cassiopeia’ by Sophie Severs
Interviews, MusicSeptember 19, 2024<September 29, 2024 Interview: Sally Mango on Musical Liberation, Growth and New Eras in ‘Homemade’ by Rachel Leong
For the Love of Music
For the Love of Music
