Debut, Features, Interviews, Music, Track-by-TrackDecember 4, 2024<December 4, 2024 “Cheeky, Vulnerable, & Gritty”: Hank Heaven Debuts With Angst and Twang on Soul-Stirring LP ‘Loaded Dice’ by Mitch Mosk
Interviews, MusicDecember 4, 2024<December 5, 2024 Interview: Meet Igmar Thomas, Proud Music Director of the Revive Big Band & Many Major Acts As Well by Josh Weiner
Features, Interviews, Music, Track-by-TrackDecember 4, 2024<December 4, 2024 Feature: Aisha Badru Hones Her Message of Hope, Healing, & Wellness on ‘The Sun Still Rises,’ a Therapeutic Folk-Pop Journey by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackDecember 3, 2024<December 3, 2024 “I want it to feel like you’re opening my diary”: Jo Hill Embraces & Exudes ‘girlhood.’ on Her Raw, Liberating, Coming-of-Age Debut Album by Mitch Mosk
Features, Interviews, MusicDecember 3, 2024<December 3, 2024 Interview: Pom Pom Squad’s ‘Mirror Starts Moving Without Me’ Is an Explosive Reckoning in Female Authenticity, Intersectional Identity, and the Modern Music Scene by Rachel Leong
Features, Interviews, MusicDecember 2, 2024<December 2, 2024 Interview: Jacob Cummings Bids a Beautiful Farewell to His Childhood in Sparkling New Record ‘Southern & Enlightened’ by Rachel Leong
8.7 Debut, Music, Our Take, ReviewsNovember 27, 2024<November 27, 2024 Our Take: Wallice’s ‘The Jester’ Is an Eclectic Portrayal of Life and Striving to Reach Our Dreams by Frankie Rose
Features, Interviews, MusicNovember 27, 2024<November 27, 2024 “I deserve to be in the room”: mxmtoon on Agency, Family, and Womanhood in ‘liminal space’ by Rachel Leong
8.1 Music, Our Take, ReviewsNovember 25, 2024<November 25, 2024 Our Take: A Revamped Linkin Park Start ‘From Zero’ and Finish With a Thrilling Comeback Album by Josh Weiner
Features, Interviews, Music, Track-by-TrackNovember 22, 2024<November 22, 2024 Feature: Bathe Alone Channels Grief into Musical Beauty on ‘I Don’t Do Humidity,’ an Album of Endings, Trauma, & Divorce by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackNovember 22, 2024<November 22, 2024 Feature: Lia Pappas-Kemps’ Inner Light Shines on ‘Gleam,’ a Bold, Brash, & Breathtaking Debut by Mitch Mosk
Music, ReviewsNovember 22, 2024<November 22, 2024 Father John Misty Knows Which Side of the Record His Album ‘Mahashmashana’ Is Buttered On by Josh Bloom
Features, Interviews, Music, Track-by-TrackNovember 21, 2024<November 21, 2024 “Bitchy, Fun, & Stupid”: Little Hag’s ‘Now That’s What I Call Little Hag’ Is a Delightfully Bold & Unapologetic Fever Dream by Mitch Mosk
Debut, Features, Interviews, MusicNovember 21, 2024<November 21, 2024 “I’m just a really pure person”: WILDBERRY Speaks on Creative Virtues, the Ubiquity of Love, & Debut Record ‘AGAPE’ by Isabella Le
Music, ReviewsNovember 21, 2024<November 22, 2024 Review: Michael Kiwanuka’s ‘Small Changes’ Is a Quiet Departure From His Big Sound by Liv Goodbody
For the Love of Music
For the Love of Music
