Features, Interviews, MusicFebruary 7, 2024<February 7, 2024 “Finding the beauty in all of that struggle”: BAILEN Discuss ‘Tired Hearts,’ a Breathtaking Record of Struggle, Connection, Hope, & Raw Humanity by Mitch Mosk
Debut, Features, Interviews, MusicFebruary 6, 2024<February 6, 2024 “Raw emotion pins me to the ground”: Southern California’s Rec Hall Debut Their Sun-Kissed Indie Rock With ‘Localism’ EP by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackFebruary 6, 2024<February 6, 2024 Track-by-Track: Melbourne’s Sunny Reyne Awakens Our Spirits on ‘I’ve Been Sleeping Too Long,’ Her Soul & Jazz-Drenched Debut by Mitch Mosk
7.7 Music, Our Take, ReviewsFebruary 6, 2024<February 6, 2024 Our Take: Green Day Throw a Big Birthday Bash for Two of Their Classics on ‘Saviors’ by Josh Weiner
Features, Interviews, MusicFebruary 5, 2024<February 5, 2024 Interview: Rapper DijahSB on Third Album ‘The Flower That Knew,’ Reflection & Growth, Finding Clarity, & Trusting the Process by Kendall Graham
Columns, Music, Music & CitiesFebruary 5, 2024<March 19, 2024 Music & Cities: U2’s ‘Achtung Baby’ Resonates from New York to México by David Buyze
Debut, Music, ReviewsFebruary 5, 2024<February 5, 2024 Review: The Last Dinner Party’s Debut Album ‘Prelude to Ecstasy’ Is a Triumphant Exploration of Maximalism in Music by Olivia Martinez
Debut, Features, Interviews, Music, Track-by-TrackFebruary 2, 2024<February 2, 2024 “A Warm Hug”: Shannen James’ Spirited Debut ‘Patchwork’ Is a Stunning, Sun-Kissed Soundtrack to Life by Mitch Mosk
Features, Interviews, Music, Track-by-TrackFebruary 1, 2024<February 1, 2024 Feature: Juice Webster’s Diaristic Debut ‘JULIA’ Is Raw, Emotionally Charged, Cathartic & Exposed by Mitch Mosk
Features, Interviews, Music, Track-by-TrackFebruary 1, 2024<February 1, 2024 A Document of Life Itself: Handsome Ghost’s Achingly Introspective Alt-Folk Reverie by Mitch Mosk
Music, ReviewsJanuary 31, 2024<January 31, 2024 Thirty Years on, ‘Under The Pink’ Remains Tori Amos’ Masterclass in Chameleonic Storytelling by Guest Writer
Features, Interviews, Music, Track-by-TrackJanuary 31, 2024<January 31, 2024 Track-by-Track: Sleeping Jesus Channel Midwestern Magic into ‘Hollywood Smile,’ Their Wistful, Sentimental, & Hopeful Sophomore Album by Mitch Mosk
Debut, Features, Interviews, MusicJanuary 31, 2024<January 31, 2024 Interview: Scarlett McKahey of Teen Jesus and The Jean Teasers Talks Debut Album ‘I Love You’ and the Journey into Your 20s by Kendall Graham
Features, Interviews, MusicJanuary 30, 2024<January 30, 2024 “Healing is not linear”: CMAT Is Exposed & Unleashed on ‘Crazymad, For Me,’ Her Bold and Brilliant Breakup Album by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackJanuary 30, 2024<January 30, 2024 “Space, Alienation, & Wonder”: London’s junodream Unpack the Human Experience on ‘Pools of Colour,’ Their Soul-Stirring Debut Album by Mitch Mosk
For the Love of Music
For the Love of Music
