Debut, Music, PremieresFebruary 6, 2019<February 6, 2019 Album Premiere: Minor Moon’s ‘An Opening’ Is a Stunning Plea for Hope During Tumultuous Times by Oliver Crook
Music, Our Take, ReviewsFebruary 5, 2019<February 17, 2019 Our Take: Sharon Van Etten’s ‘Remind Me Tomorrow’ Is a Fearless Step into a Bold New Sound by Adrian Vargas
Debut, Music, Premieres, ReviewsFebruary 5, 2019<February 5, 2019 Album Premiere: Deidre & The Dark’s Debut ‘Variety Hour’ Is Free, Fun, and Classic by Mitch Mosk
Features, Interviews, Music, ReviewsFebruary 4, 2019<February 19, 2019 Confident Vulnerability: An Interview with Broods by Mitch Mosk
Features, Music, Reviews, RoundtableJanuary 31, 2019<June 29, 2024 Roundtable Discussion: A Review of Weezer’s Teal Album by Atwood Magazine Staff
Debut, Features, Music, Our Take, ReviewsJanuary 31, 2019<January 31, 2019 Our Take: Spielbergs’ ‘This Is Not The End’ Is the Album You’ve Been Waiting for Since You Grew Out Your Mohawk and Got a Job by Oliver Crook
Features, Interviews, MusicJanuary 30, 2019<June 3, 2019 Interview: FIDLAR’s Zac Carper Ventures into Uncharted Territory on ‘Almost Free’ by Nick Baron
Music, Our Take, ReviewsJanuary 28, 2019<January 28, 2019 Our Take: Deerhunter Dissolve the Formula in ‘Why Hasn’t Everything Already Disappeared?’ but the Elements Are Still There by Ben Niesen
Debut, Features, Interviews, MusicJanuary 28, 2019<February 1, 2019 Music for Feeling Better: An Interview with gnash by Mitch Mosk
Features, Music, Reviews, RoundtableJanuary 25, 2019<June 29, 2024 Roundtable Discussion: A Review of James Blake’s ‘Assume Form’ by Atwood Magazine Staff
Columns, Music, Music You Should KnowJanuary 24, 2019<January 24, 2019 Music You Should Know: Ta-ku’s ‘25 Nights for Nujabes’ Is an Emotive, Harmonious Ode to a Lost Talent by Adrian Vargas
Features, Music, PremieresJanuary 24, 2019<October 17, 2019 Album Premiere: Heartbreak & Mending in French for Rabbits’ Achingly Beautiful ‘The Weight of Melted Snow’ by Mitch Mosk
Music, ReviewsJanuary 23, 2019<August 5, 2021 Review: On ‘War in My Pen’ MIKE Dares Listeners to Embrace the Dread Beneath the Surface by Atwood Magazine Staff
Music, ReviewsJanuary 22, 2019<January 22, 2019 Review: Angelo de Augustine Turns Heartbreak & its Collateral Damage into Beauty in ‘Tomb’ by Nicole Almeida
Debut, Features, Music, ReviewsJanuary 18, 2019<January 29, 2019 Maggie Rogers’ ‘Heard It in a Past Life’: A Track-by-Track Review by Frankie Rose
For the Love of Music
For the Love of Music
