Interviews, MusicOctober 1, 2024<October 1, 2024 Interview: With ‘For all my eyes have seen,’ Rowan Drake Is Compensated for His Grief by Noah Wade
Features, Interviews, MusicSeptember 30, 2024<September 30, 2024 “It’s the moments of silence and stillness that have the heaviest weight”: The Mysterines Shine a Light on the Dark Depths of ‘Afraid of Tomorrows’ by Mitch Mosk
Features, Interviews, MusicSeptember 30, 2024<September 30, 2024 “Music is essentially an infinite puzzle”: Jamie Stewart Discusses the Inimitable Sounds of Xiu Xiu by Frederick Bloy
Features, Interviews, MusicSeptember 27, 2024<October 1, 2024 Interview: Pale Waves Reexamine the Past on Dreamy, Anthemic Fourth Album ‘Smitten’ by Aaron Childree
Features, Interviews, Music, Track-by-TrackSeptember 27, 2024<March 2, 2025 Feature: The Howl & The Hum’s Sam Griffiths on Making ‘Same Mistake Twice,’ an Album Full of Dread, Joy, & Human Breath by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackSeptember 25, 2024<October 2, 2024 “Just chasing the music”: Chance Peña Goes Track-by-Track Through His Debut LP ‘Ever-Shifting, Continual Blossoming,’ a Soul-Stirring Labor of Love by Mitch Mosk
Features, Interviews, Music, Track-by-TrackSeptember 23, 2024<September 23, 2024 Track-by-Track: Juliet Ivy Soundtracks Existential Girlhood With Soul-Baring EP ‘tiny but scary’ by Mitch Mosk
Features, Interviews, Music, Track-by-TrackSeptember 20, 2024<October 5, 2024 Track-by-Track: Wilderado Embrace Intentionality on ‘Talker,’ Their Spirited & Soul-Stirring Sophomore Album by Mitch Mosk
Features, Interviews, MusicSeptember 20, 2024<September 20, 2024 “I’m proud of how uncompromising it is”: Noga Erez on Her Monster Alt-Pop Album, ‘The Vandalist’ by Christine Buckley
Debut, Features, Interviews, MusicSeptember 19, 2024<September 19, 2024 “Trying to Find My Way”: Musogabi Reaches for the Stars in His Debut Album ‘Cassiopeia’ by Sophie Severs
Interviews, MusicSeptember 19, 2024<September 29, 2024 Interview: Sally Mango on Musical Liberation, Growth and New Eras in ‘Homemade’ by Rachel Leong
Features, Interviews, Music, Track-by-TrackSeptember 18, 2024<September 18, 2024 Feature: Lily Kershaw Unpacks Depression, ‘Pain & More’ on Her Honest, Intimate, & Revealing Third Album by Mitch Mosk
Features, Interviews, MusicSeptember 17, 2024<September 17, 2024 “Being One With What You Make”: Ashton Irwin of 5 Seconds of Summer Traverses Passion, Philosophy, and Artistic Identity on ‘BLOOD ON THE DRUMS’ by Isabella Le
Interviews, MusicSeptember 16, 2024<September 16, 2024 “There’s beauty and fascination in depression and darkness, but at the same time, there’s lightness and levity”: Cults Discuss Their New Album, ‘To the Ghosts’ by Marc Maleri
Features, Interviews, MusicSeptember 13, 2024<September 27, 2024 “The most personal is the most universal”: COIN’s ‘I’m Not Afraid of Music Anymore’ Is a Triumph of Love, Vulnerability, & Self-Acceptance by Mitch Mosk
For the Love of Music
For the Love of Music
