Features, Interviews, MusicOctober 28, 2025<October 28, 2025 “Dim Summer Street Lights”: The Bones of J.R. Jones Tunes into Himself on ‘Radio Waves,’ an Intimate Album of Memory in Motion by Mitch Mosk
Debut, Interviews, MusicOctober 28, 2025<October 28, 2025 “Wake Up” & Bloom: Anna Lynch Is Writing Her Way Back to Herself by Nicolle Knapová
Features, Interviews, MusicOctober 27, 2025<October 27, 2025 “If you’re not vulnerable, you miss the chance to connect”: The Strumbellas Are Ready to Burn It All Down – In the Best Way by Aileen Goos
Features, Music, Premieres, Track-by-TrackOctober 22, 2025<October 22, 2025 “The Heart Knows”: Isabel Rumble Softens into Change on Sophomore LP ‘Hold Everything Lightly,’ a Tender Meditation on Womanhood & Renewal by Mitch Mosk
Features, Interviews, MusicOctober 21, 2025<October 22, 2025 “This album feels like the inside of my heart, my brain, and my soul”: Jillian Jacqueline Creates an Intimate World on ‘MotherDaughterSisterWife’ by Emily Frances Algar
Features, Interviews, MusicOctober 20, 2025<October 20, 2025 Trashy, Smoky, Fun, & Free: Mothé Destroys Perfection and Redefines Pop on ‘Total Popstar,’ Their Unapologetic & Unfiltered Sophomore Album by Mitch Mosk
Features, Interviews, MusicOctober 17, 2025<October 18, 2025 The Sky’s the Limit: Matt Von Roderick on Jazz, Imagination, and ‘The Perfect Storm’ by Sage Bava
Features, Interviews, MusicOctober 16, 2025<October 16, 2025 “I think the best music makes people feel less alone”: Max McNown Took the Long Way to Nashville – And the Scenic Route Shows on ‘Night Diving (The Cost of Growing Up)’ by Aileen Goos
Features, Music, Reviews, RoundtableOctober 9, 2025<October 9, 2025 Roundtable Discussion: A Review of Taylor Swift’s ‘The Life of a Showgirl’ by Atwood Magazine Staff
Debut, Features, Interviews, MusicOctober 9, 2025<October 9, 2025 “I’m Reclaiming the Artistry I Saw in Myself When I Was 13”: Will Paquin on His Freewheeling Debut LP ‘Hahaha’ & Reclaiming the Joy of Youthful Expression by Marc Maleri
Interviews, MusicOctober 8, 2025<October 8, 2025 “Impatience Is One of My Best Qualities”: Sam Burchfield on Change, Fatherhood, Self-Discovery, & the Ways ‘Nature Speaks’ to Him by Miranda Urbanczyk
Debut, Features, Interviews, MusicOctober 8, 2025<October 8, 2025 “It Won’t Necessarily Be Perfect, But It Will Be Art”: Alicia Clara’s Soundwaves Shimmer and Shine on ‘Nothing Dazzled’ by Marissa DeLeon
Features, Interviews, MusicOctober 7, 2025<October 7, 2025 Interview: Benjamin Steer Is ‘Figuring It Out’ One Honest Song at a Time by Aileen Goos
Features, Interviews, MusicOctober 7, 2025<October 7, 2025 Feature: HAERTS’ ‘Laguna Road’ Is a Testament to “Sacred Mess” & Memory by Kayleigh Schweiker
Music, ReviewsOctober 7, 2025<October 6, 2025 Review: ‘The Life of a Showgirl’ Is Taylor Swift at Her Most Ambitious – And Most Underwhelming by Mariam Bagdady
For the Love of Music
For the Love of Music
