Music, Music Videos, PremieresMay 15, 2024<May 15, 2024 Premiere: Sydney’s YAGKI Is Intimately Exposed on “Something I Do,” an Alt-Pop Upheaval of Emptiness & Detachment by Mitch Mosk
Features, Interviews, Music, Track-by-TrackMay 15, 2024<May 15, 2024 ‘A Million Easy Payments’: Toronto’s Little Kid Capture Life’s Weight, Warmth, & Wonder With Their Breathtaking 7th Album by Mitch Mosk
Features, Interviews, Music, Track-by-TrackMay 15, 2024<May 15, 2024 “I’ll give you my head, my heart, my bones”: Devon Trio Tors Embrace Honesty & Intimacy in Heartfelt ‘Miracle’ EP by Mitch Mosk
Artist to Watch, Debut, Features, Interviews, MusicMay 14, 2024<May 14, 2024 “An intense sphere of emotions”: LA’s Lee Lewis Lights an Unforgettable Fire in ‘Something Burning,’ a Record of Trauma, Therapy, & Healing by Mitch Mosk
Concerts, Music, ReviewsMay 14, 2024<May 14, 2024 She’s Green Had Me “Smiling Again” at Their First Ever New York Show at the Knitting Factory by Noah Berghammer
Features, Music, Reviews, RoundtableMay 14, 2024<June 29, 2024 Roundtable Discussion: A Review of Dua Lipa’s ‘Radical Optimism’ by Atwood Magazine Staff
Features, Interviews, Music, Track-by-TrackMay 13, 2024<May 13, 2024 Sex, Synths, & Space: Vicky Farewell on Why We Should ‘Give a Damn’ About Her Seductive & Soulful Sophomore Album by Mitch Mosk
Music, ReviewsMay 13, 2024<May 13, 2024 Review: Amen Dunes’ ‘Death Jokes’ Is a Post-Modern Beachball: Colourful on the Surface and Full of Air Inside by Hamish Monk
Features, Interviews, Music, Track-by-TrackMay 10, 2024<May 10, 2024 “Existence is a revolution”: Camp Saint Helene’s ‘Of Earth and Its Timely Delights’ Grief & Possibility by Mitch Mosk
Columns, Music, Today's SongMay 10, 2024<May 10, 2024 Today’s Song: The Fear of “Missing Out” Takes Center Stage on Maya Hawke’s New Single by Aaron Childree
Features, Interviews, Music, Track-by-TrackMay 10, 2024<May 10, 2024 “A blurry mess of love and jest”: Dreamer Boy’s Aching Heart Shines on ‘Lonestar,’ a Radiant Record of Romance & Reckoning by Mitch Mosk
Features, Interviews, Music, Track-by-TrackMay 10, 2024<May 14, 2024 “Call me when it’s all unraveling”: Jodie Nicholson Breaks Down Her Soul-Stirring Sophomore Album ‘Safe Hands’ by Mitch Mosk
Music, ReviewsMay 10, 2024<May 10, 2024 ‘Blink Twice If You’re Okay’: FARR Invite Us into Their Blissful, Psychedelic Cocoon of Effortless Synergy With New EP by Danielle Furman
Debut, Features, Interviews, Music, Track-by-TrackMay 9, 2024<May 9, 2024 “Shifting, Holding, & Stirring”: Glasgow’s Raveloe Debuts With an Exhale of Raw Humanity in ‘Exit Light,’ a Record of Intimacy, Vulnerability, & Connection by Mitch Mosk
9.2 Music, Our Take, ReviewsMay 9, 2024<May 9, 2024 Our Take: Kamasi Washington Asserts His Dominance in the World of Jazz on ‘Fearless Movement’ by Josh Weiner
For the Love of Music
For the Love of Music
