• Home
  • About
  • Get Involved
  • Contact
  • Pitching Us
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • Recent
  • Features
  • Interviews
  • Premieres
  • Columns
    • Today’s Song
    • Weekly Roundup
    • Editor’s Picks
    • Music You Should Know
    • Nostalgia Tracks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live

Litany

Litany © 2021
Artist to Watch, Music, Reviews May 20, 2021 May 20, 2021

Litany Tackles Love & Depression in Breathtakingly Bittersweet Song “Cream”

by Mitch Mosk
Love & Heartbreak Valentine's Day 2020
Features, Music, Playlists February 14, 2020 March 6, 2020

Valentine’s Day 2020: Songs of Love & Heartache

by Staff
Atwood Magazine's 2020 Artists to Watch
Features, Music January 10, 2020 May 15, 2020

Atwood Magazine’s 2020 Artists to Watch

by Staff
Litany © Marieke Macklon // Love Letter
Music, Reviews, This Just In September 30, 2019 May 20, 2021

This Just In: Litany’s Sweet N’ Spicy “Love Letter” Hurts Just Right

by Mitch Mosk
Litany
Features, Interviews, Music August 29, 2019 September 19, 2019

Boppy, Poppy, and Sometimes Soppy: An Interview with Litany

by Mitch Mosk
Atwood Editor's Picks August 12 2019
Columns, Editor's Picks, Features, Music August 14, 2019 August 14, 2019

Editor’s Picks: August 12, 2019

by Mitch Mosk
Atwood Magazine's Weekly Round-Up 2019 8-2-2019
Columns, Features, Music, Weekly Roundup August 2, 2019 August 2, 2019

Atwood Magazine’s Weekly Roundup: August 2, 2019

by Staff
Call On Me - Litany art
Columns, Music, Today's Song September 18, 2018 September 18, 2018

Today’s Song: Litany Take Us Back to the ’90s with “Call on Me”

by Kelsey Fitzgerald

Disclaimer

Atwood Magazine

The postings on this site belong to Atwood Magazine's writers alone and do not reflect the views of any third party.

Recent Posts

  • Review: Cheekface Light It All Up with Irony & Fury On ‘Too Much To Ask’ August 12, 2022
  • Interview: Brooklyn’s Kevin Holliday Pulls Musical Genres in & Pushes Romantic Feelings Out on New Single, “Out of Me” August 12, 2022
  • Lush, Gritty, & Confessional: McCall Captivates on Charged & Churning Debut Album, ‘…to be a dream…’ August 10, 2022
  • Review: Max Wareham’s Debut Book, “Rudy Lyle: The Unsung Hero of the Five-String Banjo” August 10, 2022
  • The Never-Ending Pursuit of Perfection with Emei’s “That Girl” August 10, 2022
  • Interview: Dave Hartley of The War On Drugs Talks Solo Project Nightlands, Building His Own Recording Studio & The Miracle of Songwriting August 9, 2022
  • Dreamcastmoe Thrives in the Space Where Genre Lines Blur on ‘Sound Is Like Water – Part 1’ August 9, 2022
  • “Hodge-Podge Desert Collage”: Heavy Gus’ Sunny, Dusky, & Dusty Debut Album ‘Notions’ August 5, 2022
  • A Casual Ramble: Meandering Towards the Last Goodbye in Seattle… Or Was It? August 4, 2022
  • FloydFest 2022: Made for These Times August 4, 2022
Copyright © Atwood Magazine 2021
Back to top