Debut, Features, Music, Reviews, RoundtableMarch 31, 2023<June 29, 2024 Roundtable Discussion: A Review of boygenius’ ‘the record’ by Atwood Magazine Staff
Columns, Music, Reviews, Today's SongJanuary 30, 2023<January 30, 2023 Review: boygenius Are Back with “$20,” “Emily I’m Sorry,” & “True Blue” Off New Album, ‘the record’ by Nasim Elyasi
Features, Lists, MusicDecember 31, 2021<February 7, 2022 Atwood Magazine’s 2021 Songs of the Year by Atwood Magazine Staff
Music, ReviewsJuly 19, 2021<January 30, 2024 Review: Lucy Dacus Presents a Double Feature of Adolescence & Acceptance with ‘Home Video’ by Nasim Elyasi
Columns, Music, Today's SongApril 19, 2021<April 19, 2021 Today’s Song: “Thumbs” Is Lucy Dacus’ Ultimate Statement as a Storyteller by Nicole Almeida
Features, Music, Weekly RoundupApril 16, 2021<March 25, 2022 Atwood Magazine’s Weekly Roundup: April 16, 2021 by Atwood Magazine Staff
Music, ReviewsJuly 9, 2020<December 1, 2020 On Being Gone Forever: Phoebe Bridgers’ ‘Punisher’ as a Meditation on Death by James Crowley
Music, ReviewsDecember 6, 2019<January 2, 2020 Reflection, Introspection, & Irony: The Secular Liturgy of Lucy Dacus’ ‘2019’ EP by Guest Writer
Features, Music, PlaylistsMarch 8, 2019<March 20, 2019 Feature: International Women’s Day 2019 by Atwood Magazine Staff
Debut, Features, Music, ReviewsAugust 24, 2018<August 24, 2018 Phoebe Bridgers, Julien Baker, & Lucy Dacus Prove There’s Power in Numbers with boygenius Supergroup by Abby Jones
Columns, Features, Music, Weekly RoundupMarch 30, 2018<March 30, 2018 Atwood Magazine’s Weekly Roundup: March 30, 2018 by Atwood Magazine Staff
For the Love of Music
For the Love of Music
