Music, PremieresOctober 23, 2024<October 23, 2024 “You saw it coming, but it came too quick”: Stavro Premieres “Smoke Above the Interstate,” a Soul-Stirring Song for End Times by Mitch Mosk
Debut, Music, Music Videos, PremieresOctober 23, 2024<October 23, 2024 Premiere: Seattle’s Painted Vein Dwells in Darkness & Hope on Grungy “My Well” by Mitch Mosk
Features, Music, Reviews, RoundtableOctober 23, 2024<October 23, 2024 Roundtable Discussion: A Review of Nilüfer Yanya’s ‘My Method Actor’ by Atwood Magazine Staff
Features, Interviews, MusicOctober 23, 2024<October 23, 2024 “We Do Whatever We Want. We Are Independent… And We Just Don’t Care”: Fun, Energetic, & Unashamedly Themselves, Joey Valence & Brae Coast With ‘NO HANDS’ by Jake Fewx
Features, Interviews, Music, Track-by-TrackOctober 22, 2024<October 22, 2024 “Pure, Honest, & Fun”: Stevie Bill Bares All on ‘I was a platinum blonde,’ a Record of Guts, Growth, and Hair by Mitch Mosk
Concerts, Music, ReviewsOctober 22, 2024<October 22, 2024 Live Review: Bleachers Bring a Taste of the Garden State to the Hollywood Hills by Guest Writer
Features, Interviews, MusicOctober 22, 2024<October 22, 2024 Rock Operas, Shakespeare, & Graceland: Spencer Sutherland on the Sparkling, Immersive World of ‘The Drama’ by Rachel Leong
Columns, Features, Music, Weekly RoundupOctober 21, 2024<October 23, 2024 Atwood Magazine’s Weekly Roundup: October 21, 2024 by Atwood Magazine Staff
Artist to Watch, Columns, Music, Today's SongOctober 21, 2024<October 23, 2024 Interview: South London’s Kemi Ade Goes from Victim, to Villain, to Artist-to-Watch in “Gaslight” by Mitch Mosk
Features, Interviews, MusicOctober 21, 2024<October 21, 2024 “At Times It Seems You’ve Been Known to Tell”: An Interview With Caleb Landry Jones by Aidan Moyer
Debut, Features, Interviews, MusicOctober 21, 2024<October 21, 2024 “I just assumed the people around me knew more”: Genevieve Stokes on Finally Coming into Her Own on Debut Album ‘With a Lightning Strike’ by Alexandra Jhamb Burns
Concerts, Music, ReviewsOctober 21, 2024<October 21, 2024 Live Review: Twang and Tension Intertwine for Chaparelle by Marissa DeLeon
Columns, Music, Today's SongOctober 19, 2024<October 19, 2024 Daisy the Great Deliver for “All the People” in Dynamic & Dreamy ‘Spectacle: Daisy the Great vs. Tony Visconti’ by Mitch Mosk
Debut, Features, Interviews, MusicOctober 18, 2024<October 25, 2024 Introducing Sydney Quiseng: Echosmith’s Frontwoman on Her New Solo Career by Emily Frances Algar
Debut, Features, Interviews, Music, Track-by-TrackOctober 18, 2024<October 18, 2024 “Psychedelic Family Roadtrip”: Nick Ward Dives into Himself on Debut Album ‘House With the Blue Door’ by Mitch Mosk
For the Love of Music
For the Love of Music
